The novel’s author, Kate Chopin, declares in chapter 4 of the short story, “Mrs. Pontellier was not a mother-woman.” From what is stated in the straightforward quote, readers are promptly able to comprehend the verity that Edna Pontellier is not a conventional character that believes she should stay at home, serve as an object to her husband, take care of her children, and practically accomplish nothing else in her life. Instead of these erroneous stereotypes, Edna believes she contains an alluring and intellectual identify that is worthy of being acknowledged by others apart from her futile husband, Léonce Pontellier. The central conflict The Awakening focuses on is Edna Pontellier’s rebellious actions, such as initiating an affair, in order to become emancipated from the obligatory domestic norms women face as merely being subdued by men as a mother and wife. …show more content…
During a conversation one evening, Edna opens up to Alcée regarding her aversion and inability to relate towards orthodox customaries. The scene heats up expeditiously as Alcée begins to caresses Edna’s cheeks followed by a mutual passionate kiss carried out. As stated in chapter 27 of the novelette, “It was the first kiss of [Edna’s] life to which her nature had really responded. It was a flaming torch that kindled desire.” The amorous moment by the two exhibits their deferential intimate relationship. Throughout the course of their affair, Arobin treats Edna in a way Léonce was never able to. This includes fulfilling her sexual desires, permitting her to express her notions, and presenting endearment to the romantic association. Most significantly, Edna never authorizes Alcée to possess her as a materialistic object and maintains dominance throughout the liaison to avoid remembrance of her unavailing
“She was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world” (Chopin, p. 57). A novel written by Kate Chopin, The Awakening shares the story of Edna Pontellier’s journey of self-discovery. Readers of the day were shocked by the content of the novel. Published in 1899, Kate Chopin’s controversial novel portrays a woman liberating herself from society’s expectations for a lady. Edna changes from a bored, obedient wife in the beginning of The Awakening to a liberated woman who can freely express her feelings.
In the “Awakening”, the author, Kate Chopin broke the nineteenth century standards of the ideal woman through the main character Edna Pontellier which sparked a lot of controversy. Mrs. Pontellier throughout the book has a journey of self discovery, as an independent woman who rebels against the social norms by leaving her husband. Chopin reaches out to her audience of women, to stand up against the oppression that they served due to the roles that were pressed upon them as caretakers of the house and as accessories to their husbands. Kate Chopin ended “The Awakening” with the suicide of Mrs. Pontellier because that is how Chopin gave Mrs. Pontellier her freedom, a freedom and rebirth from the harsh society that many women had to live during those times. The ending of the book sparked a lot of controversy over the way that Chopin decided to Edna Pontellier to make Edna commit suicide.
A part of Edna's “awakening” is when Robert teaches her how to swim. After she comes out the water she is changed and becomes reborn. At one point Robert realizes that they can not be together because Edna is married and he does not want to ruin her marriage with Leonce, her husband. In The Awakening Chopin provides Robert with the characteristics of being flirtatious, cowardly, and honest. Growing up in the Creole culture, where flirting is not taken seriously, Robert considers flirting a natural thing.
In The Awakening, Kate Chopin uses gender roles to show that society is oppressive. During the time period that the novel was written, gender roles were very strict and they controlled all aspects of society. In fact, Jennifer Gray wrote, when discussing the impacts of gender roles, that “The hegemonic institutions of nineteenth-century society required women to be objects in marriage and in motherhood, existing as vessels of maternity and sexuality, with little opportunity for individuality” (53). The Awakening is a novel about Edna Pontellier's attempt to break free of the role she has been forced to assume by society through a spiritual, sexual and psychological awakening. Edna is a well off woman in society.
Edna fully understands that society would brand her as a terrible woman, but she does not view herself as a bad person. There is an external and internal difference that Edna hopes to one day reconcile. Chopin, instead of creating tension within Edna, created tension within the society and Edna with her newfound independence does not mind how society classifies her. Decisively, it can be concluded that the tension between outward conformity and inward questioning builds the meaning of the novel by examining Edna’s role as a wife, mother, and as nontraditional woman in the traditional Victorian period.
Edna tries to satisfy this desire by taking part in an adulterous affair with Alcee Arobin, a known playboy. However, this relationship doesn’t satisfy Edna’s wish for companionship as she uses Alcee only to satisfy her sexual desires. This all changes once Edna meets Robert Lebrun, who invokes a sense of excitement and love in Edna. Edna sees her relationship with Robert as her only chance to gain freedom from the confines of society; additionally Robert gives Edna the chance to have a fulfilling relationship as opposed to her loveless one with Leonce. Although the two are deeply in love with one another, Robert is unable to reciprocate Edna’s desires to be together.
Lèonce Pontellier shows a lack of interest and enthusiasm for Edna and her hobbies. When Lèonce say’s ‘“What folly! To bathe at such an hour in such heat. ”’(Chopin 2) you are able to see Lèonce has a degree of frustration built up for his wife, Edna.
Edna from Kate Chopin’s “The Awakening” can be perceived as morally ambiguous because of her affiliations with other men, and role-defying actions; however, both contribute to “The Awakening” as a whole. Due to Edna being romantically involved with Robert, she can be perceived as morally
Edna Pontellier in the novel, The Awakening, is a self-driven woman determined to become independent and free whilst undergoing a significant change in behavior throughout the novel. She attempts to withstand societal expectations by doing certain things that were not socially acceptable during this time period. While doing so, she experiences many different struggles during her awakening. These struggles that Edna undergoes may be described as internal as well as external. In the awakening, there is a constant conflict between inner and outer Edna.
Edna is married to Leoncé Pontellier, who she married to get away from her family and be free. She states, at one point in the novel, that she likes how Leoncé is obsessed with her but that she doesn't really love him the way she should and the way Leoncé loves her. Furthermore, Leoncé cares about his
Within the novel, The Awakening by Kate Chopin, Madame Ratignolle’s character possesses traits that emphasize, by contrast the characteristics and behavior of Edna Pontellier. Despite being close friends within the novel, Adele and Edna have contrasting views and behaviors that illuminate the theme of female freedom and the tradition of female submission and male domination. Madame Ratignolle and Edna Pontellier are close friends, but their views toward raising children differ fundamentally. Madame Ratignolle would sacrifice her identity to devote herself entirely to her children, household, and husband, whereas Edna would not. Besides their views towards raising children, how they raise their children also differs.
No multitude of words could have been more significant than these moments of silence , or more pregnant with the first felt throbbing of desire” (Pg. 30) the sexual impulses that had once died down first became awakened at this point of the novel. Edna Pontellier resurrected the optimistic view of lovemaking once more, but is usually never cognizant of the actions she commits. Ednas sexual awakening is split into two parts, emotionally and physically. Edna Pontelliers emotional sexual awakening is brought to life by the hands of Robert. When Robert leaves her the first time, she is upset, unable to believe he left so abruptly, and without saying goodbye.
If he were to say, ‘Here, Robert, take her and be happy; she is yours,’ I should laugh at the both of you” (108). Throughout the story Edna’s feelings for Robert grow stronger and deeper, so that by the end of the novel she simply longs to be with him. Yet parallel to that growth Edna has discovered her self and developed her own identity. The idea of a transfer of ownership of her person from one man to another is abhorrent to her, so much so that it would cause her to abandon her dream of being with Robert. Though she wants that very much, she is unwilling to lose her own identity in the process as she did when she was with Mr. Pontellier.
Throughout the novel Edna imagined this perfect life with Robert filled with impetuous passion. Though Robert loved Edna, he decided to leave for Mexico to avoid a morally wrong relationship with her. Even after returning to Louisiana, Robert abandons Edna a second time only leaving a note stating “I love you. Good-by—because I love you” (Chopin 198). The reality of Edna’s relationship with Robert would never meet her expectations due to her legal connection to Leonce.
Soon after Edna moves out, many of her intimate desires had been awakened. She begins to open herself up to her sexual wants and begins to explore her sexuality, though she does know that it is inappropriate. In the nineteenth century, women were looked down upon for having sexual thoughts or desires towards other men besides her husband (Adultery). Despite the societal restraints, she begins to fantasize about Robert Lebrun and goes on to have a meaningless affair with Alcée Arobin, which was only driven by her own sexual desires.