To many people this personality would not come off as appealing, but Gatsby had fallen in love with Daisy, her uncaring personality had not bothered him, it was just something she could use to help herself get ahead in life. Like her husband Tom, they both cared about what was best for themselves. And poor Gatsby may have never mattered to Daisy at all. Thought of in harsh ways, “She’s a woman of ‘Vicious emptiness’ of ‘Criminal Amorality,’ a ‘destroyer’ and ‘femme redeemer.’” (The Problem With The
I cannot love, I am too young. I pray you, pardon me’ But, an you will not wed, I 'll pardon you! Graze where you will, you shall not house with me,” (III.v.5.187). Although he cares for his daughter, he is more focused on his own pride rather than Juliet’s wellbeing. This selfish kind of love is only resolved after the tragic essay of Romeo and Juliet’s
Lucy despises this notion almost as much as she loathes her mother and struggles with it daily. One concept she finds very repulsive is the importance of a woman’s image. She is disgusted by Dinah’s obsession with beauty and comments that “among the beliefs I held about the world was that being beautiful should not matter to a woman, because it is one of those things that would go away” (Kincaid, 57). Later on she mentions that “for the first time ever [she] entertained the idea that [she] might be beautiful”, but declares that she will “not make too big a thing of it” (Kincaid, 132). Lucy’s rejection of society’s emphasis on appearance frees her from the insecurities that are brought upon by a self-image based on looks.
She was the perfect wife, ruling the income of the house such that they seemed to live in luxury, despite Monsieur Lantin’s mere salary of three thousand five hundred francs. However, all the time spent in the theatre resulted in an act of persona. Her death revealed her true nature, one which she was hiding from her husband whom she seemed to love so dearly. Monsieur Lantin discovers that the “false” jewels his wife had been collecting were in fact genuine, leaving the presumption that she had been unfaithful to her husband after all these years. She seemed to make a joke of her husband’s impressionability, “Look!
Thus, unlike the characters around her, such as the sneaky minister or the greedy lovers, Hester is the one character who lives by reality instead of appearance. The best example of this is her lifestyle before and after she is shunned. Before her exile, Hester recognizes the unjust nature of the laws around her. She refuses to follow them and present a façade of perfection and happiness. When Dimmesdale demands that she name her baby’s father and promises that her sentence will be lightened as a reward, Hester steadfastly refuses (Hawthorne, 1850).
Peal does not see her mother as a sinner because she has been isolated by puritan society and as a result does not have the same beliefs. Pearl is the illegitimate child the symbol of her parent sin, but she is also a regenerative force.”(Kate 11) So long as Dimmesdale is alive, Pearl seems to be a magnet that attracts Hester and Dimmesdale, almost demanding their reconciliation or some sort of energetic reconciliation. “ Not a pure materateralism however, but one embellished by her guilt at the child’s disordered nature and for this living result of the act of love.”(Lasser 275) Pearl and Hester are not materialistic When Dimmesdale dies, Pearl seems to lose her vigor and becomes a normal girl, able to marry and assimilate into society. The implication is thus that Pearl truly was a child of lust or love, a product of activity outside the boundaries imposed by strict Puritan
Even though Mrs. Reed promised her deceased husband that she would care for Jane as if she was one of her own children, Mrs. Reed encourages everyone in the house to never hesitate to tell Jane that she is a failure in everything she does. At the young age that Jane is, she should not yet be self conscious of her appearance and concerned about her level of beauty, yet she becomes “humbled by the consciousness of physical inferiority to Eliza, John, and Georgiana Reed” (Bronte 7). The Reed family fits into the stereotype of inner beauty not matching outer beauty; they are extremely rich and beautiful, yet they lack basic levels of compassion.
She simultaneously loves and resents her children because, while she is their mother, she feels that they have taken away her freedom and self-purpose. As Edna journeys in her awakening, she strives to find meaning for herself as Edna, not her children's mother. To prove she is more than just a mother, she distances herself from normal motherly responsibilities. “He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?”(Chopin, 15) Edna's neglect of her children stems from others expectations for her to submit to and look after her
She loves the idea of Gatsby like his money and his materialistic things, but not in a relationship kind of way. Daisy is a very good actress, because she sure makes it look as if she is in love with Gatsby, but she cannot fathom to leave Tom and his money. When Daisy is told by Gatsby to say she is in love with him, she freaks out and loses it. Really, Daisy’s emotions are very unstable and she is much easier to read as a character at the end of the book. After the accident, Daisy did not bother to call Gatsby or even attend his funeral.
Capulet has a arranged a young fine man, Paris to marry her daughter but Juliet refuses and wants to marry Romeo, the son of Montague, Capulet’s enemy. Romeo and Juliet’s marriages were important as they were the only child of their families. This may be the cause of the tension between juliet and her parents relationship. Juliet’ mother is not a caring mother. The nurse was the one who raised juliet hence, Juliet’s mother still treats Juliet like a child and did not get to spend more time with Juliet as much as the nurse did.