All directors have the unique ability to manipulate their thoughts and ideas and make it a reality. Tim Burton, an award-winning director, is one such person who’s abnormal ideas find their way onto the big screen. With the use of stylistic techniques, Tim Burton crafts dark and intriguing movies. In the films Charlie and the Chocolate Factory and Edward Scissorhands, Tim Burton uses low camera angles to intimidate the audience, and close up shots to make them experience what the characters are feeling.
In fact, Tim Burton utilizes low camera angles to create a cold and foreboding mood. For example, during the scene in Edward Scissorhands, where Peg stands outside the gate of Edward’s mansion, low camera angles are used to create a contrast
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The scene in Edward Scissorhands, where Kim is dancing in the snow uses a close up shot to show her twinkling eyes and bright smile which indicates her pure joy. Because Edward created the snow, viewers can clearly see a change in her feelings towards him, from an initial indifference (possibly even disliking) to an eventual fondness. The audience is able to relate to Kim’s feelings and they can experience her joy and happiness. Comparatively, Tim Burton uses to same technique in Charlie and the Chocolate Factory to induce a different feeling. The scene in which Charlie first realized that he found the golden ticket uses a close-up shot. Charlie’s wide eyes and gaping mouth is evident to audiences as he stares at the golden ticket. His shock and excitement comes to life and is not only felt by Charlie, but by viewers as well. After seeing Charlie’s eagerness from finding the ticket, the audience becomes more invested in the plot and they themselves want to join Charlie on his future adventure to the factory. Close-up shots show the character’s feelings in intricate details which allows viewers to understand the characters and their feelings, thus making them more invested in the
For example, in Edward Scissorhands when Peg goes into Edwards Mansion there is low lighting. This effect is making the mansion have a ominous effect to the audience watching the movie. Unlike using the high key lighting which would have made the scene of the
The first way Burton shows his thoughts in Edward Scissorhands is when he uses the tilt camera movement in order to add suspense and intrigue the person who is watching or the audience. For example, when Peg, the person who found him, starts walking up the stairs, Burton uses this camera movement to show the creepy adic Edward was staying in before bringing him to her neighborhood. This helps show Burton's ideas where intended to introduce the difference between Edward as a creepy and misleading looking person, and Pegs shine and heartwarming feeling. As a result, it shows why people that live in the neighborhood see Edward as a creepy person.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
By using a long shot, the audience can see both how many people there are, and their angry, almost crazed body language. When these two things are shown together in one shot, one can understand the gravity of the situation, and begins to fear for Edward’s life. Throughout all his films, director Tim Burton uses many film techniques and cinematic elements. However, when Burton wants to control the audiences’ emotions, and twist the mood of the scene, he uses lighting, non-diegetic music, and framing
The American director, Tim Burton has a way with manipulating lighting, camera angles, and music to highlight his quirky, yet dark style of movies. Tim uses camera angles to direct the viewers’ vision to a specific setting or character to expose something from a certain character’s point of view. For example, in Tim’s movie, Big Fish, he has a low angle of Karl the Giant. The use of this cinematic technique is to emphasize Karl’s height, especially compared to Edward Bloom’s. Another employment of camera angles is in Burton’s Edward Scissorhands, when Kim was in the window of the inventor’s mansion, they had a low angle of her, which was used to show here as the townspeople below saw her.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Burton also uses camera movements to give off a happy mood. As Edward and Kim are hugging, the camera zooms in on them, which makes the audience feel happy and relieved. In Big Fish, the camera zooms in on the witch's face, then zooms out as she closes the door. This camera movement makes the audience feel the suspense and gives off a dark, magical feeling to make the audience intrigued by the movie. As Edward is sick in the hospital room the camera pans into the room to create a dramatic and
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
This effect makes the viewer feel bad for Edward, not only because he has to live without hands, but also because his greatest friend the inventor died right in front of his eyes. One final film where the flashback effect is used is again used in the movie Charlie and the Chocolate Factory. Willy Wonka flashes back to him being a child, and not being able to eat any candy because he had braces that went all over his head and face. This shows the viewer how Willy Wonka had grown from a boy who couldn’t eat sweets that had to wear a hideous brace all day, to a man who had made a successful business by making
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
“Movies are like an expensive form of therapy for me”(Burton). Tim Burton, a very mysterious and dark director, had produced many unsettling but fantastic movies. Edward Scissorhands and Charlie and the Chocolate Factory are two very well produced movies from him, which feature common themes shown with appropriate cinematic elements. Tim Burton uses tilt, low key lighting, and non-diegetic sounds in Edward Scissorhands and Charlie and the Chocolate Factory to convey how creepiness can lead to curiosity. Tilts are generally used to show the vertical significance of something.
Tim Burton uses lighting to convey his unique gothic cinematic style in his films. In some of his past movies, such as Edward Scissorhands and Charlie and the Chocolate Factory, Burton uses a variety of lighting techniques to indicate the mood of his movies. High key lighting creates a bright open-looking scene such as when a scene is flooded with light, allowing it to look bright and cheerful in the town in Edward Scissorhands. In Edward’s mansion, low-key lighting is utilized, flooding the scene with shadows and darkness, creating a dark tone to the scene to evoke sadness and such depressed emotions. Low-key lighting is also used in the film Charlie and the Chocolate Factory, where in the beginning of the film it demonstrates Charlie’s humble home and dark lighting is used to show the family's state of debt and depression.
There are many different techniques used in “Charlie and the Chocolate Factory”, involving the use of the camera. For example, when the oompa loompas are singing about each naughty child, the scene is shot as a pan or a long shot. By using these techniques, it may show the size of the oompa loompas or their dances to express their emotions together, this attracts the viewers. The use of the camera movements, produces a more interesting effect. Tim Burton knows how to use camera movements to his advantage in all of his films created.
In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.