(insert really good hook) Colors clashing like thunderclaps, extreme close-ups, . These are all keynotes of any of Burton's movies. He uses cinematic techniques to display emotions of his characters and set the mood for the scene by playing with colors and lighting. By using both of these techniques Burton gives off a simple message, be curious, not judgemental.
When Burton uses lighting he often when introducing the “outcast” will make the subject appear ungodly or scary. A few prime examples would be in Corpse Bride when Emily first appeared, she arose from the ground and her face initially wasn’t shown to add suspense to the scene. When she began chasing him and she walked over the hill Burton specifically put backlighting on her to give
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The backlighting gave Emily the appearance of being “ungodly” or like a monster. When there was light on Emily, Burton gave specific focus to the eyes in order to display that Emily is harmless, because it’s said that the eyes are the window to the soul, not the outer appearance. Similarly, in Edward Scissorhands when Pam first met Edward he had lighting that was very dark and completely hid his face. All that could be seen was his scissor hands which made him seem all the more scarier. By using this type of lighting, he was able to give the audience a scare because Pam is this friendly-sunshine woman and out of the shadows comes a mysterious man with weapons as hands. It wasn’t until Burton showed Edward’s face that both Pam and the audience realized that the mysterious man with weapons for hands was, in fact, a scared boy and nothing more. There's an obvious pattern in his films. When he introduces a character he often uses backlighting and low key lighting so they seem scary when you first see them. …show more content…
A prime example would be Charlie and the Chocolate Factory where there weren’t a lot of “happy colors”, it was much more of the colder colors used. In the movie, there was a lot of dark colors, and if it wasn't dark it was very pale. For example, in the scene where everyone is walking up to the chocolate factory, there’s a lot of bright harsh lighting making the factory seem intimidating. This intimidation gives the audience a bit of fear, fear for the children and their parents going into this factory that no one but Wonka has been in for years. Another example of his brilliant use of color would be the colors in Edward Scissorhands. In this movie, it’s very easy to pick up on who the outsider is exactly. Everyone is dressed in bright colored clothes and their bright colored houses riding in their bright colored cars, then there is Edward in his black and white outfit. Burton chose those colors specifically because black is a signature “bad boy” color which initially made the audience believe that Edward would be evil and wreak havoc. Contrastingly though, Edward’s personality does not match his looks, instead, it’s discovered that Edward is a very sweet person and is just misunderstood and scared. Similarly, in
His use of low key lighting brings out a dark sense of mystery to show this is an example form Edward scissor hands. In the being scene with the mansion when Peg Boggs goes up to the roof in a dark corner crouches Edward he looks evil because of the low key lighting. Another example is in beetle juice when the Maitlands get home right after they crash it is
Tim Burton's Sets The Mood When listening to scary story commonly the lights are off and the only illumination is from a flashlight placed closely under the storytellers chin. Tim Burton uses uses stylistic techniques such as low key lighting and close up shots to convey a spooky tone in his films, such as Big Fish, Edward Scissorhands, and Charlie in The Chocolate Factory. In the film Big Fish Tim Burton uses low key lighting to convey a spooky mood.
Throughout Burton’s life, people have always seen him as an outsider, similar to many of the characters in movies that he has directed. Burton’s style of directing is often described as gothic darkness. In Charlie and the Chocolate Factory and Edward Scissorhands, Tim Burton uses outcasts and contrasting settings to convey that it is difficult for
Tim Burton's style is explained as gentle horror or cruelly ironic. To begin with, one major cinematic technique found in Tim Burton films is the different types of lighting. For example, in Tim Burton's, Charlie and The Chocolate Factory, low key lighting was used immensely to illuminate an eerie or intense feeling. Primarily, when the 5 main characters and their guardians enter the factory with Willy Wonka, the setting looks dark and as though there is mystery ahead. It also gives the watcher a feeling of suspicion of what is to come next in the movie.
In “Edward Scissorhands”, Whenever any of the characters go to Edward’s castle, the castle is usually masked in shadows and at least one of the characters walks out the the dark. The castle is constantly poorly lit. The low-lighting makes the castle seem more spooky and dark. Characters walking out of the shadows constantly adds a bit of a mysterious approach to the movie. In “Edward Scissorhands” the low lighting adds a feeling of darkness and mystery.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
From Edward Scissorhands to Charlie and the Chocolate Factory, director Tim Burton has been captivating audiences with his unique style for over 30 years. One can agree that Burton has a rare and uncommon gift in the directing world, which allows him to twist the audience emotions, and create feelings that wouldn’t normally be there. In many of his films, Tim Burton uses framing and angles, music and sound, and lighting to control the mood of the scene. To begin, director Tim Burton manipulates lighting to create a feeling of fear and suspense in the audience. One way that Burton does this is when he uses low key lighting, mixed with side lighting, in Corpse Bride.
He uses top lighting in order to show importance to an aspect he wants someone to notice. For example, in Charlie and the Chocolate Factory, there is a scene where there is a guy in a dark trenchcoat and hat handing over a secret recipe in a dark alley. The only main lightsource is top lighting from a street lamp shining down on the man. Burton is trying to highlight the importance of the man in the scene and the scene itself as it is contributes to the story of the film. The top lighting along with other aspects in the film give the scene a sinister feeling which indicates something bad is occurring.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
In Edward Scissorhands, Tim Burton uses low-key lighting to incite fear and suspense in the audience. For example, when Peg enters the attic this type of lighting is used to make Edward appear evil or menacing,
His sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.
Tim Burton’s lighting techniques is a way of conveying emotions and certain tones to the audience. Tim Burton has a very unique lighting aspect of his films, but he also uses costuming to create a uniqueness to his films as
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.