In Frankenstein, Mary Shelly warns against the dangers of ego. Walton is shown to have a blinding ego from the beginning, disregarding danger, as well as having a distorted view of his goal. Victor doesn’t see his creation as hideous until it comes alive. He also undoes his entire message he has been warning against in his dying breaths. The Monster, while having the potential and beginnings of an ego, does not develop one. Because of this, he is one of the only characters who sees the world, and therefore himself, as they truly are. In Frankenstein, Shelly uses diction to show how ego distorts reality and exposes unnecessary danger to the world. Shelly uses Walton’s disregard of danger and view of the north pole to show how he does not see …show more content…
The Monster, through Victor, speaks of his time after he fled from Victor. He observes a family and their sadness and misery. He is curious of their source of misery because “[he] thought (foolish wretch!) that it might be in [his] power to restore happiness to these deserving people” (Shelly 102). The monster tells his original view of himself, he shows his budding ego. Unlike Victor or Walton, his ego was to help other people, not himself. He does not hide his original view like Victor does, but still shows his new perspective after gaining intelligence and experience. His actions shape his view of himself, and he speaks of himself in extremely negative language. The Monster spoke of his final view of himself: “After the murder of Clerval I returned to Switzerland, heartbroken and overcome. I pitied Frankenstein; My pity amounted to horror; I abhorred myself” (Shelly 210). The Monster sees himself as a monster, a horror, because of his actions. He sees how he caused pain and misery, and he shows regret for what he has done. The Monster’s view of himself reveals how he sees truth in the world.
Throughout her novel, Shelly uses diction to show how ego distorts reality and exposes unnecessary danger into the world. Walton and Victor both suffer from their ego, distorting their goals and putting them into dangerous situations. The Monster, through his lack of an ego, sees himself as
Deception Rhetoric often is more convincing than facts. It allows people to present themselves as they wish and consequently they deceive others. In Frankenstein, Mary Shelley proposes situations that enlighten the reader to the nature of seeming versus being. Similar to Rousseau, in Discourse on Inequality, she argues that there is a difference between the appearance of reality and reality itself. Unlike Rousseau, however, she does not just claim this for civilization but in nature as well.
Victor falls ill with anxiety, and as a result of Victor’s neglect the monster begins to destroy his life. Even when the monster confronts Frankenstein, threatening that he “will glut the maw of death, until it be satiated with the blood of [Frankenstein’s] remaining friends, 102" Victor does not acknowledge the problem he has caused, the literal embodiment of his anxiety. He does not attempt to confront the monster head on or alleviate his loneliness, both a form of acknowledgement and thus a healthy way to respond to his fears. Instead, he once again pretends the monster doesn’t exist which only further enrages and empowers him. Once again, this mirrors the fact that when fears and anxiety go undealt with they will only grow and confirms that the monster is the embodiment of this
Fighting a Mirror In Frankenstein by Mary Shelley, self deception eclipses Victor Frankenstein and clouds his judgment. Victor’s passion in breaking the bounds of nature guides him in making the creation, but when Victor regrets giving life to the hideous creature, he deserts it. The abandonment is just the first step Victor takes to introduce the creation to malevolence followed with Victor’s assumptions of evil and lost responsibility in the results of his own zeal. Victor Frankenstein’s self deception not only forges evil into the creation, but also incriminates him for the consequences of Victor’s ambitions.
Monsters are often classified based upon their appearance and inhumane characteristics. In the book Frankenstein, by Mary Shelley, Victor Frankenstein tears apart graveyards for the formation of a new being, which is brought to life with electricity. Frankenstein was fascinated with life itself and wanted to create this being through the dead with the use of science. After multiple years of suturing this new being together Victor succeeded in bringing this creature to life. Although realizing what he had just created Victor is repulsed by this new being and calls him a Monster.
In the novel “Frankenstein” by Mary Shelley, the main character Victor Frankenstein is portrayed as a pathological narcissist throughout the entire story, he has this personality trait because of a traumatizing event that occurred in his youth changing his ideology to pursue a way to be better than death itself and play as a god. What a pathological narcissist is, is a “Personality Disorder is a disorder that is characterized by a long-standing pattern of grandiosity (either in fantasy or actual behavior), an overwhelming need for admiration, and usually a complete lack of empathy toward others. People with this disorder often believe they are of primary importance in everybody’s life or to anyone they meet” according to an article written by Dr. Steve Bressert. These are the base traits of a pathological narcissist, but in order to see how this affects Frankenstein in his life, a closer look needs to be taken to see how his actions reflected on his personality.
Isolation and a lack of companionship is the tragic reality for the monster, who was abandoned by his creator and is repulsive to everyone that he comes across. Victor removes himself from society for many months; severing nearly all human contact then renouncing his creation based on the monster's appearance. As the monster matures he begins to understands the relationship the cottagers share with one another, while the monster, “yearned to be known and loved by these amiable creatures: to see their sweet looks directed towards me with affection was the utmost limit of my ambition. ”(Shelley). Armed with nothing but the longing for a real connection, the monster approaches his unknowing hosts only to be “brutally attacked—by those he trusted...because of their human ignorance.
The novel Frankenstein, written by Mary Shelley depicts certain ideas that can not be described or written within novels. For example, the telling of the story between three different narrators can teach the reader about putting together “pieces of a puzzle” in order to understand the plot of the story. The three narrators in Frankenstein are Victor, Walton, and the Creature, all with very distinct personalities and character traits. Of these storytellers, Victor could possibly be debated as the most extraordinary. The qualities that make Victor pictured as this unique character, that the fact that he is a dynamic character, and that he is an unreliable narrator.
Victor Frankenstein is selfish. The novel portrays Victor as a selfish character who is only concerned about his own well-being. Frankenstein wanted to manipulate the power of life. He abandons his creation because of the creature’s appearance and also withholds information or lies about his creation. Due to Victor 's selfishness, readers feel sorry for his creation.
The monster is spurned by society because of his horrific appearance, his body, alone and hated, unfit for the company of strangers, just as Frankenstein fears he is. He is miserable which makes the hatred grow, as he says, “all men hate the wretched; how then must I be hated, who am miserable beyond all living things!” In fact, this wretchedness and enforced isolation is the monster’s main character trait, parallel to the isolation being Frankenstein’s biggest fear. Now that Victor is in college, he does not have his family to fall back upon for affection.
Frankenstein wants the glorification and pride in being the first person to create life. Frankenstein sees himself in Walton, and Walton says, “ ...do I not deserve to accomplish some great purpose?...,but I prefer glory to every excitement that wealth place on my path”(10). Walton is a younger extension of Frankenstein and gives perspective to the ideas of the younger version of Frankenstein as he creates the creature. However, Frankenstein’s ambitions cost him dearly. The deaths of those around him make him suffer, but also the creation of the creature makes the creature suffer.
In Mary Shelley’s novel, Frankenstein, Frankenstein’s Monster experiences a sense of self-actualization after coming to terms with his “monster” identity. In chapter 13, after Frankenstein’s Monster learns about human history and social norms, he conducted a self-analysis of his current self. He stated, “I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome”. Moreover, when he “looked around, he saw and heard of none like [himself].
Jacob Opalka Mrs. Ramey 4 April 2016 English 12 CP Victor Frankenstein: a Deadbeat Father Figure (Rough Draft) One out of every three children living in America lives without a father figure in his/her lives. Children growing up without a father figure can develop emotional and/or behavioral problems. In some cases, these children even become aggressive and get into trouble with the law (“Statistics on the Father Absence” n.p.). Frankenstein, written by Mary Shelley, occurs in Geneva and Ingolstadt, and portrays Victor Frankenstein as a deadbeat father figure to his creation because he does not take responsibility for him, and he must ultimately deal with the consequences of his creature.
This shows the humanity in the monster and his tendency to be amiable. He was also able to learn from his mistakes. For example, the creature realized that he needed to stop stealing the family’s supplies after he noticed how much they needed them. Victor, however, didn’t learn from his mistake of creating the monster, and created another. The monster also refers to the family in the cabin as “[his] friends” when they didn’t know of his existence (103).
“At first I started back, unable to believe that it was indeed I who was reflected in the mirror; and when I became fully convinced that I was in reality the monster that I am, I was filled with the bitterest sensations of despondence and mortification”(Shelley 80). The Creation of Frankenstein woke up in a world of hate. Since he looked different, the Monster never fit in with normal people. He would become isolated and feared because of his looks. Because the Monster was a hideous creation from Frankenstein, he was isolated and hated by his looks and behaved in an ethical manner when he began his path of vengeance.
The monster continues by reassuring the creator of his independent intelligence and power over the creature by telling Frankenstein, “This you alone can do”. Here, the creature assumes a role of submissiveness and reliance on Frankenstein. Frankenstein’s monster gains the sympathy of the reader who, despite condemning the murder of innocent people, commiserate with the lonely creature who is in search of an acquaintance, which he will likely never find. The monster also displays power and aggressiveness over Frankenstein; “You are my creator; but I am your master; obey!” The monster wants to desolate Victor’s heart, not by killing him directly,