Elements in "Nectar in a Sieve":-
Place:- Rural India, a city in India
Part One of the novel takes place in an unnamed village in rural India, while Part Two takes place in an unnamed major city in urban India. Markandaya’s decision to avoid specifics is deliberate: the fact is that the first part of the story could take place in any part of any agricultural nation, and the second part in among any sector of the urban poor. This lack of specificity opens the scope of Nectar in a Sieve: this story could apply to families other than Rukmani’s. The important thing is that our characters go from subsistence living in a largely agricultural economy, to barely making a living in a city economy.
Times are changing, and industrialization is encroaching on the rural areas, so the agriculture and working classes are forced to move into similar situations of poverty in urban landscapes. This could be just as
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In this novel, the beauty of the landscape is almost a reflection of the goodness of the people on the land. Though bad things do happen in Ruku’s village, people in the city seem infinitely worse-off. Only in the city does Ruku see people push the crippled and scrounge for food like animals. The implication is that people are most natural in rural surroundings. When they are taken out of these surroundings and thrust into the dirty artificiality of the city, they lose a bit of theirs.
It’s notable that the novel’s most evil character, Kunthi, proudly argues that she’s not tied to the earth, whereas morally upstanding Ruku celebrates and reveres the earth. In this pastoral reading, the goodness of the earth is a moral reflection of the goodness of people, and a polluted earth (i.e. the city) is a stronghold for the morally weak, thieves, crooks, and generally antagonistic people.
As a result, the novel explores the idea that place can shape a person's identity and sense of belonging. For instance, Kya's intimate knowledge of the marshlands allows her to find food and shelter, and her appreciation of its natural beauty becomes a source of solace and inspiration for her. Additionally, the marsh provides her with a sense of safety and privacy, which is crucial given her troubled past and the way she is ostracized by the nearby town (Owens 12-15). Thus, the novel suggests that the power of place extends beyond the physical and practical aspects of a location, and encompasses emotional and psychological dimensions as
When the children first arrive, the negative description of the place sets the tone. The tone created is dull and boring. For instance, the narrator describes the town as colorless and plain. “A string of houses, weathered grey or peeling gray paint” (39-40). The addition of cold weather also sets the tone since cold weather creates a gloomy atmosphere.
Banjo Patterson dislikes the urban lifestyle and area. The poet emphasises multiple times about being against urban life. ‘With their eager
In the novel The Good Earth by Pearl S. Buck, the reader follows the main character Wang Lung as he lives in the shifting nation of China. The novel begins on Wang Lung’s wedding day as he travels to the great house of the city to marry his new wife- a former slave named O-Lan. Wang Lung never truly loves O-Lan, but respects her for her hard work. Together the two work on the family’s small plot of land. O-Lan successfully births three children, and all is well until the famine strikes.
This is a good place for the story to take place because the simple cotts illustrate the simplicity that the villagers thought they were living in. All the villagers knew was their own world, their own rules and their own culture, which is illustrated by how surprised Kira was when she learned about her father’s village (204). That simple village was also a good place for the story because it shows how the villagers lived compared to how the Guardians lived, and how much the quality of life improved for the “important people” because of all the power they had. Villagers had to use the stream to wash and the people in the Council Edifice had indoor bathrooms (69). The setting helped develop the conflict because they all had similar cotts, which illustrated how the community was so similar and how anyone who was different was looked down at (43).
In the beginning of the passage, Mandel uses imagery and tone to help readers experience a life where the seemingly insignificant details of life that are taken for granted are no longer present. The passage begins elaborating on the lack of these everyday beauties that are not appreciated, such as pools filled with “chlorinated water lit green from below” and “porch lights with moths fluttering” around them in the summer night air. Her use of imagery offers a sensory experience and allows the reader to visualize the beautiful scene, but then to also feel reminiscent when the reader understands that these beauties are no longer existent in a post-apocalyptic civilization. The lack of trivial delicacies that surround everyday human society are taken for granted and Mandel is able to allow readers to feel nostalgic even if they themselves are not in a dystopia. Nearing the middle of the passage, Mandel imparts a grim tone and says that in this post-apocalyptic society there was no longer the “certainty of surviving a
In the opening passage, I adore how the author made the setting a more peaceful scenario to take away all the darkness that occurred in the previous two chapters. An example would be, “I started appreciating Mother Nature, what she’d done with the world.” (Monk Kidd 57). This passage reminded me of my grandmother because she loves and admires nature. Nature’s creations leave her in awe just like Lily.
To reinforce the gravity of the situation, she elects her diction meticulously, noting how the wind "drove most of the people off the street . . . [with] its violent assault. " Ordinarly, this relates closely to personification, but it primarily serves to establish the predominant nature of the wind as it endeavors to bollix the town deface the street. This selection of detail also magnifies Petry's imagery, enabling us to visualize the effect that the wind has on the people. Nevertheless, by exemplifying the disarray of the people, the author does not necessarily generate an image, but rather constitutes an understanding.
The author was very descriptive in the writing. The reader can sit and visualize what the author is saying and trying to get you to see. He (the author) also says “cedar posts and collapsed homes” also gives you the feel of abandonment. The feeling of abandonment is depressing because its almost as if the people gave up on the land. The land was not suitable to live in due to the extreme winds and dust.
This quote shows the impact that surroundings have on the objected and people in the city and you can imagine in your head what that looks like or maybe even feel like. It also shows how Lutie herself sees the weather and surroundings. She sees her surroundings as bothersome and unappreciated. Lastly, the author uses figurative language to give life to the
More importantly, the earth that the narrator is unwilling to dig is a symbol of the conflicts in communication between two
He argues that we should treat our land with care and respect as we now treat one another, for we will be ushering a new era of change the is all for the better. The second half of the essay begins with "The Ecological Conscience". Starting off by stating “Conservation is a state of harmony between men and land” and going on to describe how our fight for land is improving it is moving far too slow. This transforms into the
His attitude toward the city is displeasure. This can be understood through the imagery used to describe the town. Through this literary device, the speaker describes the elements of the town in great detail, and he makes known what elements he dislikes. The speaker portrays the town as having “grain scattered streets” and “barge crowded water.” These two descriptions are given with a negative tone, and they imply the negative attributes of the city.
Seeing the “untainted sky” (Forster, 22), which is always observed by Kuno but not the others, all the people suddenly have an epiphany that isolation and the norms of being Machine-centred in the new civilisation are infeasible. The beauty of human experience and connection is brought