All cherished pieces of literature share an ability to evoke real emotion in their audience. Readers and spectators are never merely witnessing a series of events; they develop a substantial emotional investment in the characters and plot that unfold before their eyes. With this emotional investment comes jubilation and despair. The audience travels an emotional journey with the characters and becomes part of the story. Often this emotional connection births an important literary phenomenon. How does an audience member react when a beloved character, who they stood beside through turmoil, commits an unspeakable act? Though from a moral standpoint, repulsion should be the initial reaction, often audience members find themselves in a heartbreaking state of sympathy. In “Othello” by William Shakespeare, the cherished male figure does just this, and audience members are shocked by their emotional confusion in the wake of the story. Shakespeare is quite deliberate in his language and plot throughout the story. It is vital that the audience’s emotional …show more content…
They are faced with the thrill of new love, pain of deception, and sickly suspicion of greed. As Iago calculates his intricate betrayal and acts as the facilitator of tragedy, readers are struck with the horror of an act so easily prevented. Conversations repeatedly take place between characters that are unaware of the rising tension between them. Cassio speaks of business with Iago, Othello continues to confide in Iago, Emilia aids Iago, and Desdemona innocently loves Othello. During each one of these numerous altercations, there is utter peace on stage, yet every audience member must fight the urge to run to the characters and inform them of their impending doom. Shakespeare, through these intimate conversations, weaves a web of emotional confusion between characters and audience members
The emotional connection established throughout the play and the subsequent reflection on the
The tragedy begins with Iago’s soliloquy, here Iago’s envy towards Cassio is immediately conspicuous. He states that Cassio has “Never set a squadron in the field, Nor the division of a battle knows, More than a spinster”. Consequently Iago’s envy is mistaken for jealousy, which is why he comes across as the villain in the play. However, he also tries to disguise his villainous actions by “justifying” them. “Heaven is my judge, not I for love and duty” “I am not what I am.”
Othello is one of William Shakespeare’s classic plays which centres on two main characters, the villainous and manipulative Iago, and the powerful yet insecure Othello. Throughout the play, it is Iago’s goal to ruin Othello’s life which turns in to a constant battle for him. In the play, Othello is blinded by the manipulation of Iago, thus showing Othello’s jealousy and Iago’s manipulation, then causing him to commit a series of wrong acts. It is evident that throughout the play Iago uses his persuasive powers and figurative language to effect Othello’s mood and personality. It all started when Iago was hopeful to get the title of Lieutenant from Othello, who he graciously looked up to.
By paralleling “Speak what we feel” with “what we ought to say”, Shakespeare creates a balanced sentence conveying rhythm to contrast the beginning of the sentence with the end. Guiding the audience to what is right versus wrong, Shakespeare concludes the mournful play with a powerful, enlightening statement. He has Edgar demand with sincerity that people act out of honesty and integrity, staying true to one’s beliefs rather than societal expectations pressuring oneself. Within each fragment, Shakespeare’s syntax enacts an accent on “speak” and “not”, driving the rhythm and emphasizing his tone. With such demanding diction, Shakespeare causes the audience to realize how the morals of the statement relate to the events of the play, hoping to inspire their own righteous actions.
All of the hysteria is dispelled by a simple moment of clarity. The characters are digging their own graves and manage to pull themselves out by the end of the play because of one singular moment in the conclusion. This trend is Shakespeare 's rebuke to anyone that relies too heavily upon themselves. The critical approach I will take with the plays focuses on the nature of the conflicts in the plays and their relationships to the audience.
Iago’s intentions unveil themselves not only through actions, but through his engagement with the audience. “Iago’s self-understanding is well-express when he explains to viewers his plan to put a plague in Othello’s ear that will cause him to misinterpret Desdemona’s advocacy to Cassio.” (The Art) In order to commence suspicion within Othello, Iago utilizes the elopement of Othello and Desdemona. “Look to her, Moor, if thou hast eyes to see.
Among one of the most influential people in history, Shakespeare has profoundly impacted modern culture with his revolutionary works of literature. Shakespeare: The Globe and the World, written by Samuel Schoenbaum, is a book about Shakespeare’s life and the significant impact he 's had on the world around him. In this book, Schoenbaum analyzes important aspects of Shakespeare 's life, career, and literary works. The two book reviews by John W. Velz and David Stuart Rhodes effectively critique Shakespeare: The Globe and the World, utilizing ethos, logos, and pathos while helping the reader understand Shakespeare’s world. John Velz begins his book review using ethos, establishing Schoenbaum 's credibility as an author by mentioning two other popular books he 's written: Shakespeare 's Lives and William Shakespeare: A Documentary Life.
Impactful emotions are life altering for characters. The power of a character’s emotions overrides the character’s actions by: halting the character’s ability to predict consequences, rendering the character's position as over emotional, and preventing critical problem-solving abilities. The ability of a character in literature to predict
Othello starts to believe Iago’s lies about his friends and wife, leading Othello to change his behavior towards his closest allies. Iago instigates a fight between Cassio and Montano, and Othello must take charge of his soldiers, he says: Thy honesty and love doth mince this matter, Making it light to Cassio. Cassio, I love thee But never more be officer of mine. (2.3.210-213) Othello makes the decision to fire Cassio, and things get worse when Iago makes his wife, Emilia, steal Desdemona 's handkerchief.
He becomes extremely worried and eventually enraged. Shakespeare shows this by using the mentioned writing techniques to enhance the audience’s
In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.
“The Tragedy of Othello Written by William Shakespeare" highlights a variety of ways in which males and females reacted to intense situations.” Othello is a key component to the change of emotions. Othello's emotions did not control his will to do his job in Act 2. Previously in Act 1, Othello received the message that he was needed for the protection of Cyprus from the Turks attack and he was ready. Othello was in low spirits from the court incident occurring in Act 1 but no matter the problem, he was going to do his job.
Othello sends his servant, a clown, or peasant, to tell the musicians to go away. Cassio asks the clown to entreat Emilia to come speak with him, so that he can ask her for access to Desdemona. When the clown leaves, Iago enters and tells Cassio that he will send for Emilia straightaway and figure out a way to take Othello aside so that Cassio and Desdemona can confer privately. After Iago exits, Emilia enters and tells Cassio that Othello and Desdemona have been discussing his case. Desdemona has pleaded for Cassio, but Othello worries that Montano’s influence and popularity in Cyprus would make Cassio’s reappointment impractical, no matter how much Othello cares for his former lieutenant.
Since those characters furnish a part of the mingling medium of our mental life, we see ourselves in terms of them. In this essay, we will discuss Shakespeare as the father of psychoanalysis, philosophy and language which make Shakespeare 's plays relevant to the 2014 world. Shakespeare is the fingerprint scanner of the human nature and the ambassador for our feelings, he knows the universal psychological function of people. He managed to capture the spontaneity of thought and codify it.
I believe Shakespeare, as the playwright of The Tempest, utilizes different symbolism and magical features to exemplify the diverse human emotions of revenge, ambition, humor, love and forgiveness; the purpose of the Aquila Theatre’s creative team was trying to illustrate these same emotions but on stage. With the different light, sound, makeup and stage effects, the Aquila Theatre provides their audience with an unprecedented, but interesting adaptation of the play. At beginning of the production, I had a difficult time keeping up with the character’s diction – they spoke too fast. Consequently, I