Engaging The Elephant In The Room Analysis
Najuana also took her research one step further with her title selection, “Engaging the Pink Elephant in the Room: Investigating Race and Racism through Art Education”. The author combines two phrases that are widely known in the literary world. “Addressing the elephant in the room”, and “The white elephant” are two separate phrases that are commonly combined in today’s language. A “White Elephant” is something more expensive to maintain than its overall value or usefulness, and which the owner can't seem to dispose of. This term is often used by retailers trying to get rid of excess stock that isn't selling, mostly just to give the impression of deep discounts. An “Elephant in The Room” is something very obvious but is extremely uncomfortable to talk about. A family issue that might cause discord if brought up in discussion is one example.
The coined phrase is, “Addressing the Elephant in the Room”. She also exchanged the color white for pink in the title of this work, which can also speak to her awareness of white washing and privilege even within our society’s color selection with phrases and terminology. If you have ever heard the two put together, it is more than likely an unintended mashup by
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The topic reveals a world of unaccounted for bigotry as well as unnecessary challenges placed before artists. Fey et al.’s study does a great justice in discussing the images and activities that capture the essence of racism in the world today, but the galleries are also a vital component in relaying these images and messages to the world and its viewers. This ties into the article we read this semester about the art and the studio and the separation of the two. What is a piece of works addressing injustices and racism if there is no way to separate them. The studio for a lot of these pieces that call out inequalities is everyday places, not a studio, gallery, or specific
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Analysis Of Standing Soldiers, Kneeling Slaves By Kirk Savage
780 Words | 4 PagesThe example of Freedman’s Memorial depicts a man who “can never rise and stand, never come to consciousness of his own power. The narrative remains frozen in place, the monument perpetuating its image of racial difference for eternity” (Savage 117). Savage rightfully claims that “Ball’s design was a failure to imagine emancipation at the most fundamental level, in the language of the human body and its interaction with other bodies” (Savage 119). This example showcased how an attempt was made to right a wrong, in public art form, but that attempt failed. The sculptures did not commemorate the black men that they depicted, instead they further belittled them.
Compare And Contrast Anthem And Harrison Bergeron
1160 Words | 5 Pages“They were not liked because they took pieces of coal and they drew pictures upon the walls, and they were pictures which made men laugh. But it is only our brothers in the Home of the Artists who are permitted to draw pictures, so International 4-8818 were sent to the Home of the Street Sweepers, like ourselves” (Rand 29-30). These people are punished and ignored. Their talents are not acknowledged, but instead wasted as Street Sweepers. They say “doctors cannot cure Solidarity 9-6347” (Rand 47).
MOLAA Museum Analysis
1397 Words | 6 PagesThese exhibits exclusively made by chicano artists from Southern California, show freedom of speech and social problems such as immigration that the artists believe are present in the United States. These art pieces are aided by its use of objects, how it curates those objects, and use of space to create a relationship between viewer create many historical arguments about the significance
Notes To Basquiat By Gordon Bennett And Emily Kngwarreye
522 Words | 3 PagesIn the world of art, many artists are known for being vocal about their cultural identity and heritage and things they strongly believe in. They use their work as a means of expressing their views on society,politics,emotion and more. Curator Brenda Croft argues that some artists are "cultural warriors" who defend their territory through their art. In this essay, I will explore the works of two artists, Gordon Bennett and Emily Kame Kngwarreye, and analyze how their roles as artists can be interpreted to reflect Croft's view. Gordon Bennett was an Australian artist of a Aboriginal and Anglo-Celtic background.
Compare And Contrast Douglass And African Americans
433 Words | 2 PagesModern globalization of entertainment allows artistic paradigms to respectfully intersect, appropriate, and evolve. In Music in America, Dvořák argues that the demographical origin of an artist cannot prohibit an artist from producing music of another origin. Throughout the excerpt, Dvořák provides numerous examples of artists composing famous pieces that possess musical characteristics of certain cultures the artist does not originate from like Verdi’s Aida and Bizet’s Carmen. In fact, Dvořák argues that proper representation “need not necessarily be of the same blood,” but instead, requires accurate expression of the underlying morals: “Our (musicians’) mission should be to give pure pleasure, and to uphold the ideals of our race.” Dvořák’s ideals of respectful appropriation can be seen in respected white hip-hop artists like Eminem and Mac Miller who share their experiences and ideals regarding social reform, mental illness, and poverty that resonate with the underlying ideals of rap and hip-hop.
What Is The Thesis Of Sonny's Blues Annotated
673 Words | 3 PagesIntroduction “They teach you there's a boundary line to music. But, man, there's no boundary line to art”. – Charlie Parker. During the Harlem Renaissance people weren’t just making music, they were creating a new way of life, a brand-new culture.
The Color White In When The Emperor Was Divine
916 Words | 4 PagesEvery day people risk their lives immigrating to America in pursuit of opportunity, equality, and prosperity. Yet this “American Dream” remains but a dream for many. Non-white immigrants in America are discriminated against, ignored, and often not considered a “true” American. These racial injustices took root long ago, yet are very much alive today. Julie Otsuka’s novel When the Emperor Was Divine*, depicts the harsh reality of Executive Order 9066 (1942) on the interned Japanese Americans during World War II by focusing specifically on one family.
Mexican-America Analysis
679 Words | 3 PagesI have always perceived the beauty behind my identify struggle just as others have as well. I am rich in culture because I am of two. The hybridity of both cultures presented a sensation of empowerment while it also has created a division within myself. Through an original art piece, inspired by Judy Baca’s The Great Wall Of Los Angeles, I exhibit the duality
Bruno Mars Cultural Appropriation
781 Words | 4 PagesEliot’s work also declared that the individual elements of the artist should be filtered out of their work, and the artist should only serve as a “medium” for transmitting the words (148). In today’s society, however, identity markers and individualism are at a peak, and the rise of technology no doubt exacerbates our obsession with crediting the individual for their work. In the case of Mar’s, the criticism is not focused on his work, but the man, Bruno Mars, his identity. In the discussion of “cultural appropriation” we place the individual on trial, but that barely addresses the larger issue: the societal privileging of the individual. French Philosopher Michel Foucault asserts in his essay “What is an Author?”
Allen Locke Negro Art Analysis
228 Words | 1 Pages”(134) Then he assures readers that the HEWNA assist in establishing young artists to pave a way to push artists where they should go, however, the idea of exhibitions from years ago shift. The Negro Art style shows different perspectives
Essay On Invisibility Of Whiteness
1788 Words | 8 PagesFrankenburg (1993) argues that studying whiteness will put whiteness in the centre of the spotlight of intellectual inquiry. Frankenburg (1993) further questions why scholars need to explore whiteness, identifying that there is a risk of contributing to the process of re-centering, rather than de-centering it, while reifying the term and inhabitants of whiteness. Furthermore, re-centering whiteness may result in whiteness studies developing into a discourse of love, lending itself to narcissistic self-promotion. This in turn would see whiteness progressing into social and bodily models (Ahmed,
Summary Of Maura Reilly Taking The Measure Of Sexism
991 Words | 4 PagesThe art world is perpetually sexist and racists, and curators are key to changing the masses view on art history and contemporary art voices through representation and inclusion. In order to offer up a more just and fair representation of global artistic production, mainstream (non-activist) curators need to re-envision/re-write their definitions of "greatness" to include non-whites, non-westerners, the under-privileged, and women. In Maura Reilly's essay, Taking the Measure of Sexism: Facts, Figures, and Fixes, Reilly fixates on the differences between men and women in the art world and how little has changed in the art world for women, despite decades of feminist activists. Better does not mean equal.
Judy Chicago Analysis
1078 Words | 5 PagesThe years leading up to Judy Chicago’s first series The Rejection Quintet in 1974 saw a great amount of effort in finding her true identity as a female artist during a time which men made up the majority of the art scene. During the 1971 Rap Weekend in Fresno, Chicago, together with Miriam Schapiro, showcased works that used the central format of abstracted flowers or folds of the vagina. Chicago later reflected on the showcase stating that she could not express her own feelings as she met other women who were just as oppressed as she was through the struggles of being a female artist. The first piece of The Rejection Quintet, How Does It Feel to Be Rejected?, marks the acceptance of the struggles Chicago went through and her symbolic transition into what became her most iconic installation The Dinner Party. This paper will discuss the significance of Chicago’s, How Does It Feel to Be Rejected?, as it proved to be the first small step for her towards revealing the “central-core” for which she labels as her feminine imagery.
Analysis: The Shape Of Things
845 Words | 4 PagesIn the drama “The Shape of Things”, Neil LaBute explores gender roles and exposes alternative visions of power, control and morality in human relationships. The drama narrates the physical and behavioral transformation of Adam, a part-time museum guard who is subject to the manipulation and control of a radical artist named Evelyn Ann Thompson. This essay will demonstrate that Adam is not responsible for his transformation, and that he is a victim of Evelyn’s manipulation and control. Gender reversal is one of the techniques employed by the author that allows the reader to perceive the character of Adam as a victim. In the beginning of the play, LaBute switches traditional gender roles by portraying Evelyn as a dominant figure and Adam as a passive character.
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