Entitlement Theme In Antigone

Even a father thinks women act one way and are not what they seem. Then Brabantio, still enraged about the new marriage, continues to say, “Keep an eye on her, Moor. She lied to me, and she may lie to you”(1.3.5-6). This shows that Brabantio believes that Desdemona will continue to be deceiving. He suggests that women have to earn their trust and that they do not deserve trust from their significant others.

Another prominent broad subject of mockery throughout the play is women. Specifically, Wilde jokes on the supposed “morals” that women claim to have and their tendency to be easily deceived and manipulated. For example, women’s principles during this time states that they were supposed to have religious motivation for their courtships. However, both Gwendolyn and Cecily only wanted to marry their man if his name was Ernest. This comical situation demolishes the morals that women claimed to have in their relationships and expressed that as shallow, clueless, and untrue to their word.

We will forget Him!” uses not only the words but the punctuation to comment upon the effect of emotion and logic, alluding to Dickinson’s own struggle with anger and love. The narrator expresses her anger through the use of exclamation points, demanding “Heart! We will forget him!”(1). There is a clear indication that the narrator is wanting intellect to win over her emotions, but that is almost never the case.

As we move through the passage, we see Adriana shift her emotions of depression away from her husband and towards her naïve sister. Adriana becomes so enraged with her sister’s comments, that she refers to Luciana’s mentality as “servant like” (2.1.26). Since servants were treated as the lowest members of society, it is clear that Adriana feels as though Luciana is making a fool out of herself. Shakespeare portrays Luciana in a manner that would suggest that she is an expert on marriage, which is contradictory in itself as Luciana is not yet married. Her tone, while initially understanding and compassionate, quickly turns into one of arrogance and righteousness.

Shakespeare further portrays men to be the instigators of betrayal, as Hamlet forgets that he ever loved Ophelia. Through, being overcome with intense hatred and anger at his mother, Hamlet denies ever having loved Ophelia, and orders her “to a nunnery”. It is Hamlet who instigates such betrayal, as he previously says “My fair Ophelia- Nymph” through “Nymph” Hamlet is describing Ophelia as a beautiful maid, thus highlighting his love for her. Yet, his attitude thereafter is considerably callous, as he continually questions Ophelia on her “honesty”. The continual questioning reflects that of a grueling and in part contributes to Ophelia’s later madness.

The play “Trifles” by Susan Glaspell is largely based on stereotypes. The most prevalent one explores the difference between gender roles. Glaspell exerts the repression of women in the 1900s. During that time, women were highly looked down upon by men, and were only seen as the housekeepers and child bearers. This example is displayed throughout the play with the men, however, the women in this play prove that the stereotypes of gender roles held against them are completely wrong, which is shown through the characters, set design, and symbolism.

The way the play progresses we notice a certain foolishness associated with the societal norm and certain form of penance is put on those who tend to challenge them. In the end when the wager for most loyal wife is made , Petruchio clearly wins even but he still humiliates her in regards to her hat and tries to assert a sense of authority there irrespective of her feelings. The key part which signifies submission is the Katharina’s Speech in the end of the play. Now it can be debated whether the speech was a sincere display of feelings or was a farce or satirical take on the issue. If we believe it to be a sincere effort then we can truly believe that the shrew has been tamed which is sad because it has led to the death of Katharina’s personality.

He mentions a handful of rude statements in the play that are meant to put down the person his message reaches. Sophocles utilizes hyperbole in the play to depict how Creon thinks of the likes of Antigone and Ismene. When Creon asked about Ismene’s part in the Antigone’s plan to bury Polyneices, Ismene admits that she was part and aware of the plan. Antigone, however argued with Ismene and said that Ismene wasn’t guilty. Furthermore, Creon would interrupt this conversation by sarcastically saying, “One has just now lost her mind; the other, It seems, has never had a mind at all.”

His paradox insinuates that he is insane and truly did not love her. Contrary to belief though, this quote was a way to set his “mousetrap” and force her to be in the background of his grand scheme. The audience must draw conclusions concerning their relationship because their love is not the main focus of the play and Hamlet acting insane is an inconvenience because it is hard to decipher what was sincere or madness. Shakespeare does not seem to have a high opinion of women, while writing Hamlet, considering how Hamlet holds deep bitterness toward his mother and Ophelia for not having a backbone and allowing themselves to be pawns in the game Claudius and he are playing.

Additionally, society’s expectations are mirrored by Higgins’s expectations of what the ideal woman should be like, which is quite disturbing considering Higgins is anti-feminist. In the play, Higgins goes out of his way to exclaim, “I find that the moment I let a woman make friends with me, she becomes jealous, exacting, suspicious, and a damned nuisance. I find that the moment I let myself make friends with a woman, I become selfish and tyrannical. Women upset everything” (Small book Page 48) So, at this point, it is plausible to question how a man who is against women can be the man who dictates how the “complete” woman should

Why Both Parties are Wrong “Don’t fear for me. Set your own fate in order.” (lines 103). Is what Antigone said as she tried to calm her sister as she cried. While Antigone told her about burying their brother.

"Arrogance is weakness disguised as strength" -Annon. In the script "Antigone", Antigone breaks a conflicting law by burrying her brother. This makes Creon, the newly crowned king, furious, causing him to make "questionable" decisions. Antigone provides a foil to Creon's character; and Thor interactions advance the theme of how blinding arrogance leads to self-injury.

In the play Antigone, by Sophocles, the main character Creon goes through major character development as the story progresses. As King of Thebes, Creon establishes a series of decisions thought to be ethically correct for the city. However, many of his family members and townspeople disagree and revolt against his decrees and, as a result, leads to his downfall, making him a symbol of a tragic hero. One of those people is Antigone, the headstrong female protagonist who defies Creon’s orders in order to bring justice to her brother. Her conflicting motivations and rationale advances the plot and contributes to Creon’s development as a tragic hero.

Creon:“I killed you, my son, without intending to,/ and you, as well, my wife,” (Lines 1486-1487). Antigone is the story of a girl who defies the king of Thebes in order to honor her dead brother, Polyneices, who is not allowed to be buried. When the king decides to punish her, his inability to listen to reasoning and resistance to change backfires on him in a deadly way. In the play, Antigone, by Sophocles, Creon, the play’s tragic hero, brings suffering to others, such as causing the death of Antigone, his son, Haemon, and his wife, Eurydice, which contributes to the tragic vision of the play as a whole because it shows how stubbornness brings pain for others. To begin with, Creon brings suffering to Antigone by refusing to change and

Antigone and the city’s rights are not made fairly and obeyed equally by all people. Creon uses his power to make choices that put him above everyone. Antigone’s rights and fate depends on Creon’s actions and proclamation. In Sophocles Antigone, Antigone faces harsh consequences for her actions throughout the story.. Why is Antigone going to lose her life?