In the short story ‘The Drover’s Wife”, the environment, or rather, the bush, is represented as harsh, unforgiving, and alienating. It is explained in the story that the drover’s wife had to fight floods, bushfires, other people and animals, and even lost a child due to living in the bush. These incidents are all related; they are all dilemmas that test one’s willpower, resilience and all-around strength, mentally and physically. Lawson utilises these incidents to elucidate how he wishes his readers to perceive the woman; as a strong, independent, force to be reckoned with, as well as a myriad of other features usually associated with a male, rather than the desperate, useless woman stereotype, that readers of the time were comfortable with. This bold use of a woman in the place of a hero in the story, a role previously stated as being mainly restricted to male characters, is seemingly a subtle hint to readers that those stereotypes, and the authors that adhere to them in their novels, are cultivating erroneous ideas of women in readers. The quotes, “Nineteen miles to the nearest sign of civilisation- a shanty on the main road” and “One of the children died while she was here alone. She rode nineteen miles for assistance, carrying the dead child” go hand in hand displaying the alienation and harshness of living in the bush. The first quote, “Nineteen miles to the nearest sign of civilisation- a shanty on the main road”, shows how isolating the area can be, with no houses
Stage 1 English Text analysis Sace# 798905X “How does writer Annie Proulux’s use the stylistic features of setting, symbolism and assumed gender roles to explore concepts?” No one has time to listen to the news- with to what seems like a never ending cycle of quiet disappointment Annie Proulux’s “Job history” follows the life of Leeland Lee a high school dropout in Cora, Wyoming attempting to find a stable successful career in a country going through a recession to support his wife and children. Ideas of discontent and human impact are exemplified through stylistic features of setting, symbolism and assumed gender roles.
In each of the issues presented in the book, from race, class, and religion, the women of these Arizona towns play an important role, thus it is safe to assume that it is Gordon’s intention to emphasize the women’s function. First, before being able to examine the women’s role in the titular abductions, it is important to note the women’s role in society. Gordon succinctly clarifies this role by writing, “Not only did men long for women, they longed for wives, and the presence of a few women only intensified that feeling.” Women were highly regarded in this society, as there were so few of them.
One obstacle is gender equality, the ranch is a “male-dominant” society where women are seen as untrustworthy. The fact that Curly’s wife is the bosses wife is the true cause of her alienation. However, the simple fact that she is a female separates her from interactions with others as seen when the men refer to her as having “the eye” (28). Here the men refer to everything they think women are – a distraction and temptation for men, instead of actual human beings. Candy is also oppressed in a social inequality as he is afraid that when he is too old to work, he will be thrown out of the “ash heap”, a victim of a society that discriminates against the disabled and has no value for age or experience.
The weather is harsh and growing crops was back breaking work. The people who settled there had to be tough and learn to rely on themselves and their neighbors to survive. Antonia’s life was all about the country and the prairie and working the land, "I'm a country girl... and I doubt if I'll be able to manage so well for him in a city. I was counting on keeping chickens, and maybe a cow.”
The Wife claims to represent female voices – and her tale consists of a set of women representing each other. The raped maiden is represented by the queen, who in turn is represented by the lothly lady, who in turn becomes a beautiful lady: the image which precedes her appearance is, appropriately, twenty-four ladies apparently vanishing into one. The Wife speaks on behalf of women everywhere: and against the male clerks who have written the antifeminist literature that Jankin reads in his book of “wikked wyves”. It is odd then, that the Wife, who claims to stand for “experience”, spends much of her prologue dealing with written “authority”, glossing the Bible in precisely the manner she criticizes the clerks for doing. The Wife is against
The protagonists of both Erik Larson’s the Devil in the White City and Denis Johnson’s novella Train Dreams share similar experiences despite being located in different parts of the country. “That he'd taken on an acre and a home in the first place he owed to Gladys. He'd felt able to tackle the responsibilities that came with a team and wagon because Gladys had stayed in his heart and in his thoughts.” (Johnson, 82). At a time where women are beginning to venture out and become increasingly present in society, Grainier acknowledges the strength and support he received from his late-wife Gladys.
Individuals are consistently pressured by gender expectations within societies, predominantly in rural towns during the 1960’s. Silvey’s utilisation of characterisation and point of view of Charlie Bucktin presents the traditional gender roles in Jasper Jones, set in Australia during the 1960’s. As Charlie prepares himself to set foot on a journey with Jasper Jones, he noted his appearances and display of femininity: “…the application of pansy footwear, is my first display of girlishness… I jog back with as much masculinity as I can muster, which even in the moonlight must resemble something of an arthritic chicken.” This excerpt shows that Charlie is challenged by Corrigan’s gender expectation of masculinity.
Reflected successfully in Robert Newton’s novel Runner were the hardship, joy, and ordinary people making the most of life in 1919. With Charlie Feehan experiencing theses obstacles everyday: When Mr Peacock hurt Ma, everybody lived close together, and when Charlie works for Squizzy Taylor against his mother’s will to provide for the family. Ma’s encounter with Mr Peacock was one of the many hardships faced in 1919. This represents the hardships of women back then.
Moreover, the power dynamics at play here are also significant. The man, who is a hunter, represents a stereotypically masculine figure with physical strength and dominance over the natural world. In contrast, the woman is seen as vulnerable and dependent, requiring the man's protection and provision. By highlighting these gendered power dynamics, Houston challenges the patriarchal structures that marginalize women and limit their choices and opportunities. The line speaks to the experiences
There are many lessons throughout the novel that could be taught and learned in our world, this society, today. They may be true; however, the reasons the lessons are taught in the first place is because of the society being presented in this literary work, The Road. This gives the sociological approach a more appropriate understanding approach to the road. The society and the characters can be analyzed thoroughly and effectively this way. “When your dreams are of some world that never was or of some world that will never be and you are happy again then you have given up.
In Victorian society, women had the choice between two roles: the pure woman or the fallen woman. Bram Stoker plays with these anxieties revolving around female sexuality – he follows the gothic tradition of innocent damsel in distress against looming evil. The narrative structure Stoker imploys to the text through intertextuality reveals multiple point of view distinguishing a duality in Lucy - her true self and 'thing'. In order to cope with Lucy’s worsening condition, the male authoritative figures of the text assign a duality present in Lucy to make sense of her shifting from “pure woman” to “fallen woman”. Stoker exhibits in the structure of the multi-faceted narrative how certain characters are unable to cope with the duality present
Henry Lawson – Essay Henry Lawson, commonly known for his eminent stories, ‘The Drovers wife’ and ‘The Loaded dog’, which he reflects on personal experience to depict a bush lifestyle that is rapidly abandoned in the harsh nature of making a living in the Australian bush, and the stoicism of the Australian spirit. ‘The Drovers wife’ outlines the absence of action that considered life in the outback in the isolated parts, distant from the urban settlements of Australia, exemplified with repetition in “Bush all round—bush with no horizon” and the distance of their house far from the city conveyed through “nineteen miles to… civilization”. The second story ‘The Loaded dog’ is also set in the rural landscape in the outback of Australia, which is
Misery: Challenging Gender Stereotype Misery is the most thematically satisfying of all Stephen King’s novels. The theme this paper will explore further is that of King’s disturbing interpretation of gender roles. Gender stereotypes are what is thought of as societal norms dictating types of behaviour based on whether a person is a male or female. In popular literature gender stereotypes often see women as good, pure and innocent, whereas men are seen as strong and at times the evil beings, most often being the villain.
In “The Road Not Taken” a traveler goes to the woods to find himself and make a decision based on self-reliance. The setting of the poem relays this overall message. Providing the mood of the poem, the setting of nature brings a tense feeling to “The Road Not Taken”. With yellow woods in the midst of the forest, the setting “combines a sense of wonder at the beauty of the natural world with a sense of frustration as the individual tries to find a place for himself within nature’s complexity” (“The Road Not Taken”). The setting is further evidence signifying the tense and meditative mood of the poem as well as in making choices.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.