The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).
The act of looking corresponds to physical vision, but in Raymond Carver’s “Cathedral” the act of seeing involves a much deeper level of engagement. The narrator is fully capable of looking. He looks at his house and wife, and he looks at Robert. The narrator is not blind and therefore assumes that he is superior to Robert. Robert’s blindness, the narrator believes, makes him unable to have any kind of normal life.
From that moment, the narrator show his true side to me. It shows that he doesn’t not care about his wife feeling toward the blind man. After carefully reading “cathedral”, the narrator is jealous of the blind man relationship with his
Robert possesses blindness but is gifted in understanding ignorance. The husband is ignorant to the blindness, yet Robert helps him understand his world of darkness. In the end, the blindness is what unites them and they both observe the same world. The narrator learned that people are not what they seem. He already had an opinion before he had ever even met
The narrator’s eyes are closed and he is being led by a blind man, yet he is able to see. Carver never explains what it is the narrator sees, but there is the sense that he has found a connection and is no longer detached or isolated. The narrator is faced with a stark realization and glimmer of hope. Hope for new views, new life and probably even new identity. Even the narrator’s wife is surprised by the fact that her husband and Robert really get along together.
Carver highlights the narrator’s prejudice in the opening section of the story in order to reveal how the narrator’s bias against blind people in general leads to a preconceived negative opinion on Robert. From the outset, the narrator acknowledges his prejudice by mentioning that his “idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 1). The narrator’s negative prejudice is not caused by knowing a blind man; rather, it is derived from an external factor, demonstrating how the narrator has formulated an opinion on people he has never met. Consequently, the narrator assumes that Robert will conform to the negative stereotype present in his mind, and is unpleased about Robert’s visit.
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
In his contemporary short story, “Cathedral,” Raymond Carver tells the story of an unnamed narrator, his wife, and an old friend, a blind man named Robert. Robert has come to visit the narrator’s wife, who is quite excited to see this man whom she hasn’t seen in ten years, yet the same can’t be said of the narrator who is noticeably and vocally uncomfortable about his visit. The story is told through the narrator’s first person point of view, showcasing his thoughts and the events that take place when Robert comes to visit. Carver highlights the theme of having the ability to see, but not truly seeing, through his use of colloquial language, and creation of relatable characters. “Cathedral” begins with the narrator informing the audience
As the story develops, the narrator grows to like Robert, and as the story ends we see the two draw a cathedral together which allows the narrator see a new side of everything and allow for him to be more connected to the blind man and his wife. This plot is commonly seen in many different media’s, but it’s used more cleverly here, as it allows for characters to flow with the story while not sacrificing the story being mediocre. In saying this, the plot of this story is very character-centric and is vital to helping to advance the story. Within this story the character
Furthermore, the narrator is starting to realize that he enjoys Robert’s company as well as compelled to explore Robert’s eye sight limits, to help Robert visualize a cathedral. The narrator tries to describe a cathedral, but failed to do so, and retreats back into cynicism. The narrator’s response Robert’s question was, “the truth is, cathedrals don’t mean anything special to me. Nothing cathedrals.
Robert loves his wife and views her as his soulmate rather than a body to fill empty space. Robert’s physical blindness does not hold him back from feeling, while the narrator’s emotional lack of sight proves more
Robert’s wife has recently died and he used to work for the narrator’s wife. Robert comes to visit the narrator’s home and the narrator is not happy about this because he believes blind people to be miserable and gloomy based solely on what he has absorbed from the movies. At the end of the first paragraph, he says, “A blind man in my house was not something I looked forward to” (1.1). Little to the narrator’s knowledge, his wife and Robert had been using audio tape to correspond over ten years, and have much past history with each other. The narrator’s wife makes sure he knows to make Robert comfortable, and if he doesn’t it shows that he does not love her.
Robert just replied to her saying they are drawing a cathedral. The blind man ran his fingers over the paper, and places his hand over the narrator which is the beginning to the narrator’s meaningful life lesson. The man with lots of prejudices against blind people, that jealous husband who thought that the blind man has feelings for his wife began to draw. Robert encourages the narrator to close his eyes and keep drawing.
Robert asks about the narrator’s religion which brings them to the topic of Cathedrals. Since Robert is blind he doesn’t know exactly what a Cathedral is and only can picture a normal building and what he thinks it might be like. As they continue to talk, Robert asks for some paper and a pen. Robert takes Bub’s hand and tells him to draw a Cathedral. Robert continues to cheer Bub on and continue drawing.
The narrator finally understands how Robert can love a woman or even just eat dinner being blind, since looking is not as important as he once thought. The townspeople were also just as wrong about Miss. Emily. When Emily dies, the townspeople are let into