The Midnight Film Phenomenon
A dream of dark and troubling things: Eraserhead and the midnight film phenomenon.
It's midnight in the Elgin theatre in New York, 1977, and a group of no more than 30 people keep their eyes glued to the screen getting ready to watch the film that continues the midnight film phenomenon; David Lynch's, Eraserhead. It's not a hot ticket and with very little advertising, the film depends solely on word of mouth for it's survival.
Luckily, the key to success of a midnight movie is the film's connection to its audience and the servile devotion of its fans.
And that is exactly the case with Eraserhead. Slowly yet surely, the film builds up to a counterculture sensation, amassing a cult following nation wide. Yet, while it holds many characteristics which might be attributed to cult films as a class, it differs in some significant ways.
"The very fact that they were playing at midnight, it was almost a brand name, a genre." John Waters explains in a 2005 interview. "It sounded forbidden. Midnight movies had to be funny and /or shocking in a surpising way, something completely new that you
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