Imagine living in a society that restricts women from expressing themselves and acting as freely as they want. A society that places pressure on women to play the role of what women are supposed to be, which is the “mother figure or caretaker.” Till this day society still view women at an ever low stature compared to men. Women are always restricted as to how they are allowed to express themselves as individuals. In Kate Chopin’s novel The Awakening and Charlotte Perkins Gilman’s short story The Yellow Wallpaper; the protagonists both live in a society that restrains women from obtaining the freedom they desire. In the stories, Edna’s and Jane’s quests for freedom in a confining society test their strength and lead to moments of madness or depression. …show more content…
After meeting Robert this is when her life began to change, in more ways than one. Edna Pontellier was never depicted as the “mother figure” so it is no surprise that Edna already sparked some rumors on what she is like towards the boys. Much like Edna, Jane was also never depicted as the “mother figure or caretaker” in The Yellow Wallpaper, but both of them have something in common. Both women are searching for their freedom. Edna’s freedom is the freedom to be able to freely express herself, while Jane’s freedom is be able to read and write as freely as she wants to. Throughout the story, Edna does numerous things in order to obtain this freedom she helplessly craves for. The first thing Edna does is neglect all housework; after returning from Grand Isle Edna was a changed woman. She felt that her routine life was no longer interesting to her and she began to ignore all her house chores. Edna also took up painting in her free time. The second thing Edna does is separate herself from the main house. By doing so, she moves herself into the pigeon house, where she is able to temporarily live a comfortable life alone. As the
Edna broke free from the mold of her society. She was trying to find her purpose and her worth in a world where she did not have many rights or individual stability. Edna Pontellier worked to disregard the influence and power of men and society as a whole to discover more about herself and what she really wanted out of life (Bommarito). She gave up the “unessential” such as her home, possessions, and reputation to do things for
Women during Edna’s time were supposed to be dedicated to their husbands and children, however, Edna yearned for her own independence, and as a result of wanting her own independence Edna knew that she was seen as a terrible person. For instance Edna wanted to “…try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it" (27.4).
Edna continually questions whether or not she is destined to live a life of subordination or if she can find her own freedom. Edna Pontellier’s defiant nature is brought out
She was “no longer [...] content to “feed upon opinion” when her own soul had invited her” (Chopin 103), summoning her to experience the rich and complex world that inhabited her being. However, as Edna’s ability for self-expression grows, the amount of people who can truly empathize with her gets increasingly smaller. The fact that solitude becomes a direct result of Edna’s independence is clear evidence of her awakening. Since the societal expectations of the late 1800s gave Victorian women very limited opportunities for individual expression, they preventing them from tending to their own wants and needs. For this reason, as Edna acknowledges her desire for freedom and verbalizes her emotions, she is met with disappointing resistance from the world surrounding her.
Patriarchal societies have existed as long as there have been humans. From the beginning when men would hunt and women would gather, to the present day wage gap, men’s demonstration of superiority is evident throughout history. Women, historically, serve as accessories to men, seen not heard. However, some brave women question their role in society. Edna Pontellier, in Kate Chopin’s The Awakening, conforms outwardly to the societal role of women existing only as mothers and wives but questions inwardly through exploration of her individuality and sexuality, as demonstrated through her relationships with her husband Leonce Pontellier and Robert Lebrun, yet her realization that her growth will not be accepted by others ultimately causes her death.
Authors, especially female authors, have long used their writing to emphasize and analyze the feminist issues that characterize society, both in the past and the present. Kate Chopin, Charlotte Perkins Gilman, and Susan Glaspell wrote narratives that best examined feminist movements through the unreliable minds of their characters. In all three stories, “The Story of an Hour”, “The Yellow Wallpaper”, and “A Jury of Her Peers”, the authors use characterization, symbolism, and foreshadowing to describe the characters’ apparent psychosis or unreasonable behavior to shed light on the social issues that characterized the late 19th century and early 20th century. Penning many stories that demonstrate her opinions on the social issues of the era,
In Charlotte Gilman’s short story “The Yellow Wallpaper,” she tells a horrific ghost story about symptoms of the rest cure. The “rest cure” was a treatment developed by Dr. Silas Weir Mitchell who restricted women of intellectual stimuli and condemned them to a domestic life to help their postpartum recovery. After being a victim of this treatment, Gilman wrote “The Yellow Wallpaper.” Careful attention to the use of Gilman’s symbols in her short story allows the reader to analyze some of the themes concerning feminism and societal misogyny. Foreshadowing throughout, Gilman uses the house, the writing, and the wallpaper as symbols to show how man’s use of the “rest cure” limit women in society and offers that the solution to this issue is to persistently tear away at man’s injustice.
Edna is struggling to choose a identity between a mother, wife, lover etc. She seems to not want to be subject as the possession of anybody. She focuses on independence even denying Robert of her love towards him which if she chose to stay with him, she would be associated with him and therefore labeled. She looks up to Madame Reisz as an independent woman, pursuing her passions and doing as she pleases. "I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn 't give
Charlotte Perkins Gilman was not just an author but a great feminist. Gillam inspired countless women to seek indecency with her work like "The Yellow Wallpaper. " The story is a fictionalized short story of a woman who is descending into madness while dealing with her mental illness and cannot heal due to her husband 's lack of belief. At the same time, the woman also known as the narrator feels imprisoned in her marriage. The story takes place during a time were women and had no independence and were not able to voice their own opinion.
At the beginning of the novel, Edna had appeared to be recognizing the fact that her life revolves around her husband and her children, and that it is her main duty to care for them. It is mainly Mr. Pontellier, her husband, who tries to establish an image of her being a both a perfect partner and wife. He views her as an object that must be suitable for the eyes of society. According to him, his wife is a “valuable piece of personal property which has suffered some damage” (Chopin 2). He is controlling over her appearance and actions.
The Awakening; a Woman's Fight Women’s rights have drastically improved since the 1800’s. The model of patriarchy was widely accepted as a social norm in America and many other countries until the early to mid 1900’s. Today women are still fighting the belittlement that the patriarchal model deemed acceptable. The character of the rebellious strong women is still one today that many women look up to; especially women in very oppressive middle east countries. In Kate Chopin’s The Awakening, Chopin strives to argue social emancipation for women
Charlotte Gilman’s short story, ‘The Yellow Wallpaper’, (1899) is a text that describes how suppression of women and their confinement in domestic sphere leads to descend into insanity for escape. The story is written as diary entries of the protagonist, who is living with her husband in an old mansion for the summer. The protagonist, who remains unnamed, is suffering from post-partum depression after the birth of her child and is on ‘rest’ cure by her physician husband. In this paper, I will try to prove that ‘The Yellow Wallpaper’ acts as a subversive text by portraying the protagonist’s “descent into madness” as a result of the suppression that women faced in Victorian period.
Throughout the generation, women have always been trapped in some way or another. In the short story, ‘The Yellow Wall-Paper’ and the novel ‘The Awakening’ highlights the struggle of women in the late 1800’s and the early 1900s in society. The Yellow wallpaper is a short story about women giving birth and being imprisoned in a room with a weird view of the yellow wall-paper. This resulted in her hallucination lead to the development of mental illness. By the end of the story, she rips off the yellow wallpaper and kills her husband.
Edna’s inner identity reaches the breakpoint where it is necessary for her well-being that it is expressed. At this point, nothing else matters besides her intuitions and desires. This brings difficulty to her familiar relationships and friendships due to her rejection of living according to her role as a mother and a wife. Even though this conflict is addressed, it does not make an impact on her decision to remain a bit selfish through this time that she is finding herself. As a way of explaining her state of mind, Edna states that she "would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself.
The role of women in literature crosses many broad spectrums in works of the past and present. Women are often portrayed as weak and feeble individuals that submit to the situations around them, but in many cases women are shown to be strong, independent individuals. This is a common theme that has appeared many times in literature. Across all literature, there is a common element that causes the suffering and pain of women. This catalyst, the thing that initiates the suffering of women, is essentially always in the form of a man.