First, Albrecht was one of the first painters to print his artwork for more people to see. Second, Albrecht could make types of his artwork with his engravings and woodcuts that set a new standard for printmaking because of their clarity, expressiveness, and fine detail. Third, Albrecht is also known for his self portraits, his self portraits had fine detail and if you look at one of them you can see almost every single hair on his head. Clearly, Albrecht Dürer was known for his painting skills and his engravings and
The first difference between Monet’s garden and Picasso’s garden is artist’s background information. Background information is a general fact of the artist himself, which will provide audiences the better interpretation of painting toward each unique painting style. Claude Monet, French artist, was one of the pioneers of impressionism in 1860s, mostly created his artworks in a well-known “plein-air” painting style (Perry, 1927). Impressionism, in fact, derived from his artwork entitled “Impression, Sunrise” which gave its impression in terms of conveying feeling to most viewers as they were in the same situation (Dempsey, 2002). In general, impressionist art focuses on capturing the natural surroundings in a brief moment and shows in a rough style of painting (Grant, 2010).
Topic sentence. Humanism is defined as, “A Renaissance intellectual movement in which thinkers studied classical texts and focused on human potential and achievements” (“World History: Patterns of Interaction”). Humanism prompted the people of the Renaissance to rediscover the teachings of Ancient Greece and Rome, evolving the previous beliefs of the Middle Ages into a culture that focused on the beauty of the individual, and the desire to learn. The movement, which had an immense impact on the people of the Renaissance, began in Italy and continued to extend across Europe. As humanism spread, it caused Italian artists to implement realism, create more visual art, and depict the intellectual flourishing characteristic of the Renaissance.
As a fledging religion, Christianity had to face the challenge of legitimizing itself in the face of well-established pagan religions. This was especially true in regards to its imagery, which had to contend with the enormous body of pagan images that were already in existence. Instead of attempting the impossible task of creating entirely new iconography, early Christians drew on the pagan images that had come before, images that the people of their time would have been familiar with, and changed them to suit their new religion. From their icons and depictions of Christ to the architecture they used, the early Christians were able to use the preexisting symbolism found in pagan iconography to convey the nuances of their own religion. The
Many examples of overlapping themes is the presence and references to great floods, supernatural influences, otherworldly gardens, and battles between good and evil. Not only do these shared themes point to an innate psychology present in all people in every culture, but perhaps even to a direct influence of “The Epic of Gilgamesh” on these holy texts. In the book of Genesis, the creation story of The Old Testament, God creates all things, the earth and the Heavens. He makes the animals and then finally mankind to watch over it all, as God says, “Let us make a human in our image...to hold sway over the fish...and all the crawling things that crawl upon this earth” (2. 1-4).
Whenever a piece of art is created, it always reflects the cultural and societal notions of the time, as well as the artist’s interaction with his environment. The three Davids in question were crafted in the era of the Italian Renaissance, a period of revival for the arts and culture. Created by Donatello (1440-1442), Michelangelo (1501-1504), and Bernini (1623), they respectively represent the beginning, peak and end of the Renaissance. Each sculpture hence embodied different ideals that the society or artists valued, whilst sharing similarities in that all three portray a nude or semi-nude figure of David. The choice of subject in itself reflects a paradigm shift towards humanity instead of the divine.
Based on the architecture of ancient rome, he portrays linear perspective based on contemporary architecture. It rationalized the size of the human bodies and buildings according to the position they are in. Due to the converging lines of linear perspective, it directed the attention and emphasize onto Jesus Christ in the painting. Leonardo Da Vinci was one of the other most prominent Florentine painters that was influenced by Brunelleschi's discovery of perspective. An example of his masterpiece painting The Last Supper (1495-1498), Da Vinci composed a scene on the painting where Christ was surrounded by his twelve disciples in a room.
William Blake is an English poet, artist, and painter who is famous for his great works. He has been largely influential upon writers and artists through the ages. He studied engraving and grew to love gothic art. The Bible had an early, profound influence on him, and a lifetime source of inspiration that colors his life and works with intense spirituality. Basil de Sélincourt talked about William Blake’s theory of imagination in a section of his book William Blake.
“ The revolutionary energy underlying the romantic movement affected not only just literature, but all of the arts --- from music to painting , from sculpture to architecture.” as claimed by (English Department, 12/02/2009). To to this day, many famous singers, artists and writers are influenced by the ideas that were behind forming the Romantic Movement such as individuality, imagination, intuition, idealism and inspiration, to name a few. Hence, are Today’s “important figures” a collection of copycats? Some of the most iconic authors of the Romantic Era were Edgar Allan Poe and Nathanial Hathorne. Both authors mainly focused on mysterious and gothic themes.
Fourthly, the artist demonstrates many techniques to portray that the painting has a style of realism. Lastly, the artist emphasizes Jesus heavily in the painting to show that he is the most important person in the piece. According to the book, “Art History” written