Looking at the overall story, Hamlet would be considered more villainous than his uncle. Yes, it is true that Claudius is corrupt and killed his brother for the throne. However, he tried to do his best as king and you could also say that Hamlet is making it difficult to do so. Claudius and Gertrude attempt to console him for the loss of his father and yet hamlet rejects everything to proceed on the path of revenge. Hamlet tries to blame his sanity, but what he doesn’t even realize is that he has created on his own sanity.
The ability for an author, character, or actor to portray certain emotions is key and can potentially change the whole storyline of a play. Shakespeare's writing is no exception and may sometimes leave the reader confused. Throughout the play of Hamlet, there is a constant battle between love and revenge amongst the characters, which causes the reader to vacillate between the idea of which emotion the plot is based around. In the play, the protagonist, Hamlet, is confronted with the problem of his uncle marrying his mother and killing his father. Along the way he continues to contemplate whether or not to kill his uncle, Polonius.
In “The Tragedy of Hamlet, Prince of Denmark”, William Shakespeare uses the sayings and behaviors of many of his minor characters to show his audiences the true characteristics of the protagonist, Prince Hamlet. This literary device is called a foil. A foil is a character whose traits help to clarify the character of the protagonist. In this famous play, Prince Hamlet has many foils. Laertes is the most effective foil to Hamlet because of how his life and reactions compare to that of Hamlet.
Many literary scholars argue that Hamlet’s inability to avenge his father 's death is the central issue of the Shakespearean tragedy Hamlet. His indecision is often cited as a tragic flaw which ultimately causes his death, but the characters in Hamlet resemble the decaying of Denmark throughout the play. Many authors use disease, physical weakness, or deformity, to symbolize mental, spiritual, emotional illness and corruption in someone or something. Shakespeare uses imagery of disease, illness, and weakness to suggest physical, spiritual, and emotional decay and corruption in Hamlet.
People’s conscience’s guide their actions, behaviors, and decisions on a daily basis, but is a person’s conscience powerful enough to determine whether they will live or die? Shakespeare would argue that it is. According to his writing, he would even go as far as implying that a person’s conscience is the reason that one might choose to kill himself. Two of Shakespeare's most famous plays, Hamlet and Macbeth, are prime examples of how a character’s guilty conscience combined with a character’s perceived lack of hope can lead them down a path of ultimate destruction and damnation over time.
Hamlet and Laerte's confrontations with death Throughout this play, many deaths occurred causing tension in almost every scene. In "Hamlet", the two deaths that caused the most commotion were the deaths of Hamlet's and Laertes' fathers. Both of these deaths were tragic murders; but the responses of the two sons were very contrasting for the most part with very few similarities, other than the fact that both Hamlet and Laertes were distraught over the deaths of their fathers. Hamlet was much weaker in the handling of his father's death, whereas Laertes was more direct with dealing with the situation at hand. "Together with all forms, moods, shows of grief, That can denote me truly.
Deemed an outcast by society because of his actions, Hamlet is sent by Claudius on a ship headed for England. This physical separation, from the surroundings he grew up with, represents Hamlet’s victory over society and his ability to now act according to his own will. However, instead of beginning a life anew, Hamlet decides to return to Denmark (against the wishes of Claudius). This unforeseen act can be explained as Hamlet tells Horatio on his way home, “There’s a divinity that shapes our ends, Rough-hew them how we will” (5.2 11-12). The word ‘divinity’ connotes a godly presence and demonstrates Hamlet’s embrace of his destiny.
Hamlet by William Shakespeare was written during a time of transition from the Middle Ages towards the Early Modern Period. This transition implanted new ideas such as the existence of subjectivity and identity, which went against the conservative sociopolitical system of belief from the England of the 17th C, Providentialism. The search for identity which Hamlet undergoes throughout the play has been argued to remain unfulfilled together with his death. To begin with, the character of Hamlet is seen as a threat towards the Body Politic as he experiments with subjectivity. Hamlet’s quest for finding a new definition of identity starts as Jardine expresses with the "“unlawful” marriage (which) has strengthened the line in Claudius’s favour, and to Hamlet detriment”.
In the final scene of Hamlet, Hamlet says “Being thus be-netted round with villainies, -- Ere I could make a prologue to my brains, they had begun the play” (Shakespeare 131). Hamlet ironically thinks to himself as a character in a play because he is so melodramatically self-conscious. By adding this sense of paradoxical exposure, Shakespeare shows his effort to foreground the fact that the audience is watching a play within the play. Since Hamlet is such a rich character, Shakespeare’s work shows how he has something within him goes beyond what a play is capable of representing.