The first day of this film was eye opening to me because we focused on the components that made a film. After watching four or five short films, we were asked to go home and write about one of them. A main idea that was taught during the class was mise en scene, which is French for “what you put in a scene.” I was completely overwhelmed by all the new components of film that I had never thought about like the framing, props, expressions, lighting. I never noticed how important they were in conveying an idea until they were pointed out by my professor, Mrs. Julie Hicks. After successfully completing this assignment and studying the different components of film, I had an entirely new perspective (pun intended) on the films that I watched.
My favorite part of this class was when I discovered that I had a talent for film critiquing. During the first week of class, we were assigned a short YouTube film response to go along with our response to the short film. It was very difficult for me to watch this film because the way it was produced was dull and unengaging. While I felt a little guilty for harshly criticizing the video, I am glad that I was exposed to an example of a bad film early on in the course. I truly began exercising my abilities as a film critique after watching Central Station (1998) and Bicycle Thieves (1948).
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I enjoyed how many faux pas topics were brought up during the film in a very enlightening way that caused the viewer to reflect on their own way of living. An amazing performance my Kevin Spacy only encouraged me to place it at the top of my favorite films watched in class. I have never seen a film that makes fun of its viewer so much while still remaining relatively lighthearted. After seeing this film, I opened my eyes to try and find other films that controversially discussed culture instead of being for pure
This documentary really shed light on major issues that are happening in the world today. One thing that stood out to me was the word ghetto. When that young woman broke down in tears because of the joking that surrounded the word, I realized how much I have said in my life that really could be taken offensively. Although in that context they did not intend to cause emotional distress for her, she still felt deeply about the misuse of the word. I realize now after
Over-all I liked the film because I can recall those news stories, back then (the sit-ins, protests and marches)they seemed something to joke about and secretively against the black people. Again, after watching Chisholm’72, and the efforts of Shirley; alongside, her colorful reprehensive minority Dream, I say, whew, more power
The world of film is a complex web of discourses that try to understand, in a cinematic manner, the past without tarnishing it. Many films, especially historical films have tried to operate on a level that not only accurately tries to represent the past with all its intricacies, but to do it in a fashion that addresses real life truths and feelings that correlate with that specific historical figure, event or issue. While historical films may distort details about certain figures or events from a specific history, these films, however, reflect and expose truths that could be applied to the past. In the first two course films, Breaker Morant and La Grand Blanc de Lambarene it is clearly understood that the filmmakers are fictionalizing moments
The film documentary Paris is Burning is a complex film portraying the lives of African American men who are gay and transgender. The characters are Dorian Corey, Pepper LaBeija, Venus Xtravaganza, Willi Ninja, Octavia St. Laurent, Freddie Pendavis, and several others. This film focuses on how these men support each other and find happiness by embracing their culture. The film uses rhetorical strategies, such as pathos to allow the audience to respond emotionally, logos because this is a documentary about the lives of real men who are rejected by society, and ethos the integrity of this film comes from the whole film crew and the director Jennie Livingston who is openly lesbian (Clark). Livingston made a film that showed the audience a community that has its own cultural norms who are outlawed by everyone but themselves.
In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power
Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.
By the utilization of this technique, the film’s mise-en-scene brings the audience’s attention to the space as a sort of institution of relaxation, in times of
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
To summarize this essay, there are several points that highlight differences between the two films, yet the overall context of the film remains the same. One common theme that tends to drive the force between the reasoning in why the two films have varying aspects is because they were made for slightly different audiences at different times in society. Though both versions of the movie have small portions that vary from one another, the main emphasis is the same and both versions are loved by the
This movie did a great job of showing how certain society’s work, races such as African Americans, Hispanics, and Persians/Asians were being treated wrong in the movie, and it displays the sociological concepts.
This is a textbook I am reading, and a few moments in this textbook’s chapters are relatable. Let me first tell you a few moments that caught my eyes, and then I’ll show the relatable moments from the book and movie, to this textbook. The first scene that I first got my eye on from the book is, the
This would help in making the audience connect with the story and the characters more easily. I now have a better understanding of film in general and how it can move and transcend people of the society at a particular time when it can take them to a different world and make them forget about their worries. Just like German Expressionism inspired me, a budding filmmaker, this specific translation of cinema as craftmanship would go ahead to impact the absolute most essential filmmakers of the twentieth century, including Alfred Hitchcock, Werner Herzog, and Tim
For this week’s assignment, we were assigned to watch Hugo, which to me was very enjoyable. The film tells viewers about the life of an orphaned young boy named Hugo Cabret. In the movie, Hugo is on a quest for survival. Through this he learns valuable life lessons. Volger’s archetypes, the historical aspects of the narratives in the film, and actor portrayls all serve as a reflection of Hugo’s heroism.
The most memorable scene in the film is the opening scene of the movie which is also my choice of scene to elaborate on mise-en-scene.
Some of my favorites, was the amazing cast, which is truly the turning point of every movie; without an amazing cast it is very hard to have an amazing film. Something I found very helpful was everytime the setting was changed, there would be a little note at the bottom of the screen with the city, country, and year all in yellow writing. Another favorite scene of mine was when Bill Murray and Bob Balaban were invited to stay at the cousin of a friend’s house, who was secretly a member of the S.S.. His name was Sthal and he stole artwork for Hitler’s museum in Germany. They discovered this by noticing all of the artwork in the room, how it still had original signatures and evidence from the museums they belong to.