The 21st century ushered in the age of digital film that revolutionized the consumption of films by the mass audience. Instead of cinemas as the primary source of film distribution, the digital cinema has allowed for alternative distributive platforms such as Youtube, Netflix, etc. The shift from a post-major studio era to pre-internet era allowed for networked audiences to shape their reception of films through social networking, which serve as instruments of illegal online sharing of films or through word-of-mouth to create an audience (Tyron 2009). Film blogs and social networking sites provide alternative platforms for amateur audiences to voice their opinions of films and discuss the film culture. Such interactive modes of reception of film can be contrasted greatly with previous passive modes of reception such as film critics in newspapers, which did not encourage sharing …show more content…
The entertainment industry represses; it does not liberate. In lusting over the ‘ideal’ beauty standards and body proportions, Adorno and Horkheimer says that the film is not liberating us (Adorno and Horkheimer 2007). On the contrary, it is repressing us because when we consume these ‘ideal standards’ of beauty, etc., we feel inclined to respond passively and accept these standards without qualms. Take the issue of gender and sexuality for example, notions of femininity and masculinity are overly romanticized and sexualized in film culture today. The 2015 Hollywood blockbuster Fifty Shades of Grey, illustrates the commodification of sexuality and the mass consumption of the ideologies of popular feminism, particularly that of the empowerment of women with independent sexual agency instead of being passive sexual objects (Dymock
In this sincere essay, Teal Pfeifer creates an logical appeal that enlightens readers about the desperate need to boycott the magazines that use impractical female bodies, causing damage to young women. Pfeifer’s analytical evidence promotes an informative tone that makes her more trustworthy. Pfeifer states that according to research of Liz Dittrich, “twenty-seven percent reported that the images of models exerted direct pressure on them to lose weight” (Pfeifer 255). Pfeifer creates reasonable appeal with specific evidence based on studies that have been performed supporting her purpose to inform the reader. This creates an informative tone by including evidence of the situation at hand relating to the amount of women suffrage through the images exposed to them.
Anne McClintock wrote her essay “Gonad the Barbarian and the Venus Flytrap: Portraying the female and male orgasm” to examine pornography and how it has changed throughout history and its effects on how women perform as sexual beings. McClintock focuses on the various roles of pornography such as its emphasis on voyeurism, pleasure, and the male ego. She wants her readers to know that women are still not represented in pornography to satisfy their own desires, but they are there to cater to men and their subconscious. I will analyze how McClintock argues that due to the history of sexism towards women, the roles that men and women have in pornography are inherently different because of the societal belief that women are only seen as objects of sexual desire and are solely there to satisfy the male audience.
Introduction People from all around the world are watching Victoria’s Secret’s fashion show in every year. Especially, this fashion show catches most of teenagers’ attention, not only because the fairy tale-like stage, but also does various supermodels wearing delicate bras shows in the fashion show. There was an evident showed that women in the description of raunch culture were characterized by the increased presence and popularity of female pornographic imagery: high heels, sequins and glitter, bunny rabbit ears and exposed cleavage (Bishop, 2012). Correspondingly, Livingstone (1998) remarked that the number of young women engaged in sex acts with other women has increased and the result was linked with chiefly performed for the titillation of men, rather than reflective of genuine lesbian or bisexual desire. Also, problematic was that young women were positioned in this literature as passively absorbing sexist media and culture.
He elaborates on the superficiality of online users personas, and how social media allows people to hide behind false and sometimes harmful personifications of themselves. Taplin continues by discrediting the integrity of popular online personalities and sites, and argues how their levity harms the quality of our culture. Taplin cites sources that debate the future of a world under 24 hour surveillance. He discusses how sites such as YouTube have made it possible for people to upload content and credit it as art. Taplin believes that the quality of work being circulated by mainstream individuals is resulting in producing mediocracy and passivity in peoples understanding of
Highway’s essay ends on a powerful note, stating that sexual repression and the gender binary leads to physical, emotional and sexual violence directed primarily towards women and children. Much of Western pop culture and pornography profit off the sexual exploitation of women and the young, which creates an unbalanced power dynamic between the sexes. As a result, unrealistic perceptions become mainstream, distorting the views of many impressionable individuals. In relation to this, the lack of healthy outlets for children to safely and healthily explore their sexuality can lead to exposure of unhealthy avenues. Only clinical sexual education is present in school curriculums, if at all.
If our life was a room, the internet would be a window. which allows us to see a whole different world outside.1 Somebody wants to escape from a boring situation inside their countries, like this man, Farhad Manjoo, the New York Times columnist, has published his article “Netflix Is the Most Intoxicating Portal to Planet Earth”.2 He attempts to persuade the readers to embrace the diversity and question about cultural boundaries by using Netflix.3 Manjoo weaken his article’s credibility in by showing his bias, however, he also builds his credibility by providing statistics and facts in his article and he appeal to evoke emotion the readers by questioning about the sensitive topics.4 The article is about an opinion toward Netflix. The author
Dehumanization is the process through which someone asserts control and power, treating the person as an inanimate object with no dimension or surface; becoming an object means being acted upon rather than being the active subject. It is easier to be violent to someone who one already feels power over. Dehumanizing women and men is similar to pornography, where either violence or status (men over women) promotes “power over other” (Kilbourne 420). According to Jean Kilbourne in her essay, “‘Two Ways a Women Can Get Hurt’:Advertising and Violence”, advertisement is portraying women’s body as objects that both lead to dehumanization, violence, and mistreatment toward women. Considering the opposing characterization between males and females, femininity refers to submissiveness and vulnerability that is often depicted in advertisement.
Today's society is constantly besieged by the media, through advertisements and extolling the importance of female beauty and discrediting other virtues such as
When looking at films you have to look at every aspect of the film. When it comes to most people they will watch the film and not notice little details such as framing and editing. Now being an editor my self, this is one issue that bothers me with casual viewership of movies or any other types of film. Thats when they think the editing was just done and that it takes not effort and people think that the clips are just put together. I can safely say that this is 200% false and that being an editor takes a ton of thought and process going into how a clip is placed, how much time before cutting it or anything along those lines.
Although the collective interest is among those affect it can also include the eternal audience. Within the film they showed how the media is what influences men’s actions and idea about what women should look like. Since this film extends to the external audience, which are the men, they too can be recruited into the movement to share the same common interest and goals of feminist to ensure that objectification of females is prevented (Taylor et al., 2004). One communal interest or goal the group may have is helping spread awareness that the representation of women in the media is
This form of objectification is often used as a means to appeal to men's sexual desires in order to promote and attract consumers, because marketers still latch onto the old “sex sells”, or so it would seem (Rowland, 2016). Music videos, magazines, fashion commercials, are all channels through which women are exploited and put out to be headless objects isolated for their bodies solely for sexual pleasure and viewing purposes. Rowland explains that although this charade may allure and trap most men, this is not the case for women. Emma Rooney cites in The Effects of Sexual Objectification on Women's Mental Health, “the sexual objectification of women is a driving and perpetuating component of gender oppression, systemic sexism, sexual harassment, and violence against women”. Jessica Vanlenti writes in ‘Worldwide sexism…Women’, that researchers from The University of Missouri-Kanas and Georgia State found these forms of objectification to be linked to women’s psychological distress, and are leading causes of suicide among young adolescent women.
Mass media represent a powerful force in modern societies as they shape public discourse and influence public opinion by transmitting social, political and cultural values. For decades, women’s representation in mediated popular culture has been a central problem because of the gendered ideologies it circulated. From the 1880s to the 1970s, American women’s magazines played a significant role in disseminating the dominant ideology and patriarchal order, perpetuating the myths of female disposability and domesticity, maintaining traditional images of femininity. They promoted the idea of women’s emotionality, vulnerability and beauty ideals.
‘Media Convergence’ is the integration or merging of media communication such as television or movies, with technologies such as the internet, to become more interconnected with the information and media (Jenkins 2007). With the upcoming release of the new film The Force Awakens (J.J Abrams, 2015) social media platforms have been integrated and used effectively to gain attention and generate hype for the new movie with its official trailer having been watched 58 million times on Youtube alone (Youtube.com 2015). Star Wars uses Media Convergence proficiently, but it is its use of Transmedia Storytelling that is almost without
To begin my reflection of my of my journey as an English major here at the department I should first say that any work I completed in my freshman and sophomore year will not be included as I do not have access to them. I have chosen to use pieces that were written in my film studies course and Native American Studies. There are four pieces total that will be looked into three of the four will be pieces will be work from my two film studies courses Film Theory and Criticism and Japanese Film Directors, the remaining one piece as stated above will be from Native American Studies. Initially when signing up for the course in Film Theory and Criticism, I did not know what to expect as we all know how to watch a film, summarize it, and give an
The wellsprings of the media picked are unmistakable. As Jay Blumler brings up in his book The Use of Mass Communication, where he asserts that studies have demonstrated that crowd satisfactions can be gotten from no less than three particular sources: media content, introduction to the media in essence, and social connection that encapsulates the circumstance of presentation to various media (Blumler 1974). It is clear that groups of viewers invest energy utilizing the media as a part of different ways. Whether they are killing time or utilizing it as a social instrument, every medium is novel in its motivation.