The “Eye of the Beholder” and “The Birthmark” by Nathaniel Hawthorne depict the nature of beauty and its perception by others. Hawthorne uses symbolism, and imagery to depict the husband’s attempt to remove his wife’s birthmark,whereas The Twilight Zone uses foreshadowing and other devices to show that the woman cannot be changed so she will be considered “normal”. Both use similar devices to convey an overall theme of beauty as a fictitious standard.
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The birthmark is a symbol for Georgina’s own mortality, which Aylmer sees as her faults.
“The crimson hand expressed the ineludible gripe in which mortality clutches the highest and purest of earthly mould”
b. Hawthorne utilizes imagery to contrast the laboratory filled with all of Alymer’s failures and his experiments while the boudoir has all of what he has
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The “Eye of the Beholder” uses imagery differently than “The Birthmark”, partly because of the nature of the two mediums. In EOTB the every character’s face is concealed until the end to make the watcher assume that what they look like fit western standards of beauty. However, once the nurse’s face is revealed to be closer to a pig than an average person the audience is shown how beauty is really in the eyes of the beholder. The constant concealment of the character’s faces, whether it is by bandages or by shadows. Then the final reveal where we see all of the different but ultimately similar character’s faces at the end.
C. The “Eye of the Beholder” uses foreshadowing as a device to make the audience question throughout what they are actually watching.
As Rod Serling delivers his monologue in the middle of the episode explaining that we are about to see what is under the woman’s bandages, the doctor and nurse conversing about the woman’s ugliness.
Conclusion
While “The Birthmark” and the “Eye of the Beholder” both use imagery, and symbolism to convey the overall theme of beauty as a fictitious standard, they use the devices
At the end of the story Aylmer regretted pressuring his wife to change herself and feels remorseful for what he did. The Birthmark follows the struggles of man versus nature and man versus self. The main character Aylmer suffered no not being about to accept the flaws of his wife but also the fact that he cannot do everything, mostly because it is not his place to do these things. As the story develops the need for Aylmer to reach perfection grows stronger and later kills his wife.
In the story “The Birthmark” by Nathaniel Hawthorne, he uses several techniques to help build his story. Hawthorne tells a story of a man of science whose name was Aylmer. He married a beautiful women named Georgiana, although she was quite beautiful she had a birthmark on her face which, in Aylmer’s eyes was an imperfection. Aylmer tries to perfect Georgiana, but in the end Aylmer’s attempts to change Georgiana causes him to lose her. Aylmer does not accept the idea of imperfections in people.
All individuals are not born perfect. Every individual has their flaws that has a positive or negative impact to those around them and the society. All individuals have flaws that can or cannot hide from the rest of the world. Scholars of psychology argue that obsessions cause individuals to achieve perfection and can have a positive or negative aspect to an individuals’ life. Perfection is the conditions, state, or quality of being free as possible from all flaws or defects.
Georgiana took note of Aylmer’s displeasure of the birthmark from the dream and through his stealthy stare, causing Georgina displeasure (Nathaniel Hawthorne 114). Aylmer’s further loathing of the birthmark, causes Georgiana to give up for the sake of his happiness. She tells, Aylmer after bringing up the conversation of the birthmark, “Either remove this dreadful hand, or take my wretched life!” (Nathaniel Hawthorne 114). Aylmer could have avoided tragedy, however he failed to listen to his assistant Aminadab, who stated he would “never part with that birthmark” (Nathaniel Hawthorne 114).
The woman warns him, “Do not be deceived by appearances, for beauty is found within.” The prince, however, remains unconvinced and orders her away a second time. It is then that the woman transforms herself into a lovely enchantress and as punishment turns the prince into a monstrous beast. Beauty and the Beast is a story in which the central theme is appearance: it opens with the prince’s failure to look past an exterior and ends with Belle’s success at looking through the exterior. Similarly, in The Odyssey, appearance plays a large role.
Intro: Nathaniel Hawthorne’s fictional short story “The Birthmark” and The Twilight Zone’s darkly romantic episode “Eye of the Beholder” both use gothic elements and delve into the realm of science to explore concepts of beauty and perfection. Through their contrasting characterizations of the scientist and employments of irony and allusions, each work comes to its own conclusions about how to define and treat beauty. Body #1: The Birthmark From the very first paragraph, Hawthorne’s story revolves around Aylmer, a scientist who supposedly gives up his career to marry the beautiful woman of his dreams, Georgiana.
In The Birthmark, Hawthorne depicts the obsession for perfection, the tole it takes on one and the consequences it has. The quest for perfection is unrealistic and unobtainable as we are only mere humans incapable of reconstructing our DNA. In The Birthmark, Hawthorne tells the story of a woman named Georgiana and her scientist husband Aylmer, who are both fixated on a birthmark similar to the look of a tiny human hand. Aylmer is disgusted by Georgiana’s birthmark, wanting to please her husband Georgiana is willing to do anything for him to look at her in a normal manner “Danger is nothing to me;for life which this hateful mark
In Judith Ortiz Cofer’s “The Changeling”, the hardships of gender stereotypes are exposed. The contrast between a young girl’s imagination and the reality of her gender role is clear by her attempt to appease her parents. She is neither manly enough to gain the attention of her father nor womanly enough to attain the respect of her mother. Her dilemma of not being able to fit in is emphasized by Cofer’s use of imagery and repetition.
The true essence of “The Birthmark” is infiltrated through the hidden structure of the strength of a woman. As we unpack the passion behind the obsession that Aylmer presents with his genius in science, on the surface, one may recognize his obscenity and categorize it as a reflection of masculine control. Though, this is in fact true, what strikes as an unbeknownst strength is the hidden sacrifice that Georgiana represents as she succumbs to her spouse and his desire to make her “perfect”. As Hawthorne structures this sacrifice as a mere testament of how women of the late 1700’s - 1800’s valued the perspective of their spouse, it is necessary to extract how this act of selflessness attributes to the amount of love and respect Georgiana has for
In Elie Weisel’s Memoir Night, The motif that stands out the most is eyes. The reason why is because in books eyes are usually not the main word that is used to describe different emotions and actions. Eyes are used in many interesting ways such as describing a person’s emotion, similes, and when eyes are used they can self-explain the reason for their significance in the sentence. Eyes in night are put in sentences, and can give imagery to what is currently happening in the memoir. Other ways eyes are used well as a motif, is when it is used to describe an emotion, but the way that eyes are used, can make the reader already know how that person is feeling, just by how eyes are represented in the sentence.
(Hawthorne 295) This shows that she could not get out of her head the way Aylmer would looked at her birthmark. It scared her to she would continue to have to deal with the ridicule from him. No Matter how many times Georgiana hints at not wanting the procedure done, Aylmer continues to reassure her that she would not be harmed. Aylmer is so overjoyed about the birthmark being gone that he barely realizes his wife is in distress.
Hawthorne uses imagery sense of smell to get readers to imagine the scene, “When Georgiana recovered consciousness she found herself breathing an atmosphere of penetrating fragrance, the gentle potency of which had recalled her from her deathlike faintness” (Hawthorne). “The Birthmark” also creates irony with “Aminadab, the less inferior man to Aylmer is the one who speaks sensible to Aylmer by disclaiming that if Georgiana was his wife, he would not try to remove the birthmark” (“The Birthmark”). The figurative language helps enhance the story. Nathaniel Hawthorne’s meaning for the story was a man’s strive to perfection only caused the death of his wife. Aylmer was too focused on what perfect could be, and Georgiana blindly agrees with him and decides to remove the birthmark, despite never having a problem with it.
The hand serves as the image of mankind. Aylmer sees his wife’s birthmark as “the symbol of his wife’s liability to sin, sorrow, decay, and death” (2). The way he views the mark on her cheek serves as a reminder that death is inevitable for both him and Georgiana. It contrasts Aylmer’s idea of achieving perfection through science and it disturbs him. When Aylmer dreams of removing Georgiana’s birthmark, he sees that the hand’s “tiny grasp appeared to have caught hold of Georgiana’s heart; whence, however her husband was inexorably resolved to cut or wrench it away,” (3).
Equally Aylmer and Dr. Rappiccini, both characters in Hawthorne’s works causes destruction of human life with selfish aims to perfect the woman of their choice. In the case of Aylmer’s love interest in science, just as with the case of Beatrice’s father, blinds him to the true beauty and humanity of the woman before him. Aylmer views Georgiana’s birthmark as a symbol of imperfection and tries to remove it. At the end of the story, Georgiana say, "My poor Aylmer," she repeated, with a more than human tenderness, "you have aimed loftily; you have done nobly. Do not repent that with so high and pure a feeling, you have rejected the best the earth could offer.
The first thing the author mentions in the passage from "Araby” (James Joyce, 1914) is vanity. Vanity is excessive pride in appearances or achievements. The central theme of the fiction story “The Birth-Mark" by Nathaniel Hawthorne is vanity. The main character, Aylmer is a scientist, married to a woman, Georgiana, who in his eyes, is almost perfect. The only flaw she has is a small, hand-shaped birthmark on her cheek.