Gender Roles in A Streetcar Named Desire On the surface one can see the movie as supporting the normal gender roles of the 1950’s with the submissive stay at home wife and the overtly masculine husband who is the financial provider but when one looks closer one can see that A Streetcar Named Desire subverts many of those ideas while supporting others. Stanley is the dumb character whose worth is based on his looks, you can see this is how Stella patronizes his attempts at being intelligent in the Napoleonic Code scene and with how Blanche lusts after him when she first meets him, even the infamous Stella scene results in him being mocked by the neighbors because they see him being seen as being dependent on Stella. Neither Stella nor Blanche have any respect for him and continually condescend him. Throughout the movie despite being the most intimidating character Stanley has no power. This seems a dynamic that he is fine with when it comes to his relationship with Stella, probably because she does not actively burst his illusion of masculinity. This will briefly “change” towards the end of the play when he asserts his dominance over Blanche by raping her because she has taking his delusion of power. Ultimately this …show more content…
He as the Neanderthal like brute, who uses violence and intimidation to obtain dominion over Stella and in one scene he shouts “Every man is a King! — And I am the king around here, so don’t you forget it” (Kazan, A Streetcar Named Desire) after breaking dishes in an effort to show he has control. These scenes are intended to show the weakness of Blanche and Stella, whose emotions are dictated by Stanley’s actions, but as the “Stella” scene revealed to us earlier in the film Stanley needs Stella far more then she does him. Blanche has created the faux reality of being a demure southern belle, who is utterly dependent on the whims of those around
Stanley is a blunt, practical, and animalistic man who has no patience for subtleties and refinement. His animalistic character shows the moment he meets Blanche, when he, moving with “animalistic joy” (24), “sizes” Blanche up with “sexual classifications” and “crude image” in his mind (25). Under his stare, Blanche draws “involuntarily back” (25), a movement that foreshadows their later conflict and her subsequent demise. His practical and straightforward side shows when he interrogates Blanche about the sale of Belle Reve to make sure that his wife is not swindled. His straightforward, practical nature makes him “boom” out of impatience (46) and demands Blanche to cut straight to the point when she tries to talk in an indirect, subtle manner as befit a Southern gentlewoman.
Although being written centuries apart, the limited expectations of women presented in ‘Othello’ and ‘A Streetcar Named Desire’ differ little from each other. The female characters are confined by society’s expectations of male dominance, female purity and virginity, and the many passive roles of women. Despite the differing legalities surrounding the position of women between the centuries in which the plays were written, both plays explore the impact of how societal conventions confine women and the ways they must comply to be safe in a patriarchal society. The behaviours and treatments of Desdemona, Blanche and Stella illustrate the attitudes enforced on and the behaviours of women throughout both periods in time and it is these attitudes and behaviours that impact the plays to the greatest extent. When characters in either plays defy their norms, or demonstrate a lack of compliance they induce negative consequences, such as the murder of Desdemona and the institutionalisation of Blanche.
She brings this sense of superiority to Stella who unintentionally tries to distinguish her background from Stanley as well. Stanley recognizes the fact that Blanche looks down on him forcing him to assert his masculinity over her. Stanley’s dominance over the household and Stella is being questioned upon Blanche’s
Stella’s sister, Blanche, sees through the illusion and can see how toxic the marriage really is. Stanley and Blanche come from distinctly different backgrounds, Stanley is from the working class while Blanche comes from wealth. Williams uses these two contrasting points of views on marriage, to show the issues of possessiveness, class, and sexism. When it comes to Stanley’s marriage to Stella, one of the most notable characteristics is how possessive Stanley is. An example of this is when Stanley found out that Blanche and therefore Stella, lost their estate.
The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way. Death is one of the most symbolic terms in this play.
Williams uses the expressionist technique “The ‘Varsouviana’ is filtered into weird distortion, accompanied by the cries and noises of the jungle” to parallel Blanche’s inner mind and depicts Blanche’s deranged mental state after Stella’s betrayal. The imagery ‘Lurid reflections appear on the walls in odd, sinuous shapes’ highlights her mental turbulence and the stage directions ‘mysterious voices behind walls, as if reverberated through a canyon of rock…the echo sounds in threatening whispers’ heightens tension, positioning the audience to witness the overwhelming fear and exaggeration of her senses, further emphasising the detrimental impact Stella’s decision made. The Streetcar Named Desire also examines the influence that a person’s social standing can have. Stanley’s statement in scene 2 ‘The Kowalskis and Dubois have different notions’ indicates their social upbringing has influenced the way they think, hence disrupting their connection and loyalty towards one another. The use of their family name is metonymic for their ancestry and social standing, addressing the barriers derived from a social hierarchy which have affected their relationship.
1). Williams states that he takes with “the power and pride of a richly feathered bird among hens”(265; sc. 1). This comparison to animals portrays Stanley as the alpha male in this story. He views woman as objects and his sexual desires are strong and primitive. Whenever he fights with Stella, the “things that happen between a man and women in the dark… make everything else seem – unimportant” (321; sc.4).
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
When he is questioned by Blanche in front of his friends he throws a fit, in a way that could be interpreted into showing off for his friends. He takes his anger out on Stella and hits her. After Stella leaves with Blanche, he calls for her nonstop until she finally comes back to him. He needs Stella just as much as she needs
In Blanche and Stanley’s initial interactions, there was an air of sexual tension. This tension dissipates completely as the play progresses, and their relationship turns into a resentful and hateful one. Throughout the play, Stanley has several violent outbursts towards Stella that worry Blanche. This allows Stanley to assert dominance over both women. At the end of the play, Stanley releases his pent up anger and frustration toward Blanche through a sexual attack.
It also highlights Stella’s submissive nature, and how she conforms to the sexist societal expectations of a helpless and fragile woman. Although the surrounding male characters disregard Stanley’s abuse, the audience is repulsed by it and identifies it as morally wrong. This shows how Williams is criticising the acceptance of this abusive behaviour in society, using Stella’s dilemma as a victim to plea for a change. Stanley is even abusive when displaying his
As she was kissing him and reached into his back pocket, took the money for herself and then tucked it in her bra. I found their relationship very affectionate throughout the movie where I did not picture this when reading the play. However, I think that the director was very clever when incorporating their passionate relationship between Stella and Stanley. I believe this because it proved how sexually driven and aggressive Stanley was which almost had a foreshadowing affect on the end relationship between Blanche and Stanley. I also think this portrayal of raw emotion was an extremely important aspect of the film because inner emotion and motives drove every characters actions throughout the play.
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
In one particular scene in the movie Stanley becomes furious with Blanche’s disrespect towards him and proceeds to tell her that he is the king of the house and she is to do as he says. It seems that Stanley felt a sense of achievement by making women fear him. Tennessee William uses this wicked man to help the audience see how Southern culture displayed unethical
(10.225). towards the end of the play Stella, Mitch, and Stanley play a role in imposing reality into her allusions. As Stella calls for the Doctor to pick Blanche up it rips her away from her fantasies with Shep Huntleigh. When Mitch reveals to Blanche that she isn't pure enough to take home to his