Guillame de Machaut, believed to have lived between 1300-1377 was a famous composer and poet from the late Middle Ages, a time called the “ars nova” or new art, that defined the changes in musical style during that time. Guillame de Machaut was born in Champagne, a French province. He studied theology and for much of his life, he worked for royal families. He then became a secretary to the king of Bohemia in which he accompanied on trips throughout Europe. He later served as a church official in Remis. Because Machaut traveled so much he went to many courts and presented exquisitely decorated copies of his music to the noble patrons. His music consisted of love songs, such as “Puis qu’en oubli sui de vous” , which translates to, “Since I am forgotten by you”. …show more content…
The song, “Puis qu’en oubli sui de vous” expressed his brokenheartedness as he has been forgotten by his love. Like Machaut, English composer of lute songs John Dowland created a lute song called “ Flow My Tears” in which expresses the intense somber of someone whose spirits has been shattered. Both these songs are secular songs, highly popularized and dealt with the struggles of love. It is comparable to a modern day pop song. Both Machaut and John Dowland both emphasize the mood of their songs by using changes in melody and pitch to capture the emotion that is trying to convey. However, it is approached differently. In “ Puis qu’en oubli sui de vous” there is an low pitch range in the vocal melody, accompanied by two voices, as well as beginning with short notes and having a continuous flow that feels heartfelt.
Jacques Romain uses communist propaganda and religion validation in the novel Masters of the Dew to promote communism. This is not done by fate because he is indeed a communist and wants to publicize what he believes in. In promoting communism, it is substantial to solve problems dealing with division and individuality. For instance, the main character’s name, Manuel means Manual in English. This is important because Manual means hands on labor or instruction book.
Du Fay (1400-1474) was a famous French composer that inspired musicians from different generations. During many years Du Fay worked in different countries, and he was exposed into a variety of genres. Besides his isorhythmic motets, Du Fay’s music was mostly a combination of contrasting styles. His major works are both secular and sacred music such as masses, hymns, motets, chansons, rondeaux, ballades and more secular songs.
Wolfgang Amadeus Mozart was an Austrian multiinstrumental artist, musician, and composer whose bizarre, yet extraordinary musical style and sound influenced not just the classical music age, but also the music you hear today. Mozart compositions would go outside of and beyond what kings and emperors were used to hearing. Like Chris McCandless, Mozart was questioned for his choices, criticized for what he did, and was isolated from the so called average people of society. Both Mozart and McCandless would do what they wanted, lived the way they wanted, and desired what they did, despite who told them so. Wolfgang Mozart was born into musical family in Salzburg Austria on January 27, 1756.
Two primary sources that I am trying to incorporate in my paper are The Memoir of Toussaint Louverture written by himself and the Discontent Spread from an Historical account of the Black Empire of Hayti Written by Marcus Rainsford. Both of these primary sources discuss how France and Haiti were interconnected. In addition, these sources deliberated different point of views from both the European and American hemispheres. Written with his own hands, The Memoir of Toussaint Louverture shows how he felt during the beginnings of the France and Haitian Revolutions. Also it shows, the sentiments of patriotism of Louverture towards France and Haiti.
“A la derecha,” (“Go to the right”), said an officer. The place where the officers sent them was isolated. The officers got out of their car and pulled out their rifles and pointed toward the people in the van. “Give us all the money,” they yelled, as they pointed their rifles at the group.
In The Island of Doctor Moreau by H.G. Wells, the narrator and main character Edward Prendick loses a Hegelian life and death struggle against the beast folk before he finds himself and escapes bondage. A Hegelian struggle is the search for self-awareness as it was put forth by Georg Friedrich Hegel. In Hegel’s theory, there must be a life and death battle while in the presence of fear. This battle ends in either death or surrender of one of the opponents. The supposed loser becomes the slave or bondsman of the alleged winner or master.
François Couperin, was one of the leading composers of the French Baroque era, known as “Couperin le Grand”(Couperin the Great) to classify him from an uncle of the same name. He was the most distinguished of a numerous family of French musicians and was the most important member of the illustrious Couperin family. He was the most renowned of the Couperin dynasty of 17th- and 18th-century musicians. He was the nephew of Louis Couperin. A succession of Couperin held the post of organist at the church of Saint-Gervais in Paris for 173 years (1653-1826).
When analyzing Hildegard von Bingen 's Kyrie which was written in the early 1,000s and Libby Larsen 's Kyrie which was written from 1991-1992, one can see many similarities considering they were written hundreds of years apart. Hildegard von Bingen was born in 1098 and was one of ten children, thus tithing her to the church at the age of eight (Dunbar, 2016, p. 30). During this period, women were disregarded and only men were educated both academically and musically. Bingen was never given the proper materials to compose music and yet today her work is considered by many to be brilliant. Although there are many theories as to why Bingen was able to compose such remarkable work, she claims that her work was "marked by the inspiration of God to give 'musical forms to divine mysteries '" (Dunbar, 2016, p. 31).
Jean Laffite was an American patriot, a famous pirate, and, a traitor to all. Laffite has spied for Britain, Spain, and America. Jean betrayed all but America. He was one of the best spies the united states had had at the time. He could hire other people to do his spying instead of risking his own life, but he did it all by himself.
Born on December 17, 1770 was a man who would become one of the world’s most famous musical innovators, widening the scope of sonatas, symphonies, concerto’s and instruments
The motet Tribuat tibi performed by ‘Le concert Spirituel’ in 1994 was composed to Royal Psalm, thought to have been written for the enthronement of a King or the anniversary of his coronation. Though born in Florence to Italian Parents, Jean-Baptiste Lully, by the age of 21, a naturalized French man, became a composer of the King’s instrumental music, and dominated music life at the court in French theatres. Tribuat Tibi, for solo soprano and solo tenor a chorus was a sacred work based on Latin texts composed in a contrapuntal style. Conventional to early Baroque (c.1600-1680), the piece is quite short of about 3 and a half minutes and includes strings and a harpsichord as well as Isorhythms heard throughout, where the rhythmic pattern is repeated while often the melody changes. Claudio Monteverdi; Giambattista Marino (lyricist).
Western Literature serves as the foundation all literature. In Marie de France’s poetry, she incorporates the work of Homer, the Bible, and Ovid into her own poetry. Both Marie and Homer use detailed writing styles in order to portray their devotion to family and their Gods. Similarly, Marie borrows inspiration from the Bible in order to show her devotion to God as a savior. She also uses Ovid’s stories in order to depict morals throughout her fables.
Deception always has many perspectives; the truth, the fabrication, and how it is interpreted. An individual’s ability to deceive defines their effectiveness as a perpetrator. Within Julia Alvarez’s In the Time of the Butterflies and William Shakespeare’s Othello, the antagonists of each convey themselves as divine, therefore attempting to distract from their misconduct and represent themselves sincerely.
Armide from the Praise and Criticism of French Opera Jean-Baptiste Lully’s Armide consists of five acts and a beginning overture, called a prologue. This is in conformity to the Aristotelian ideal of length in the opera as a musical genre and in contrast to the Italian practices of the time. The French recitative and aria are the focus of Raguenet and Lecerf’s criticism and praise of French opera. This section will evaluate one of the Armide’s recitatives and arias in light of Raguenet and Lecerf’s arguments over French opera.
Written in by Parnassian poet Théodore de Banville, Cléopâtre is an interesting example of a poem commanded by the notion of ‘l’art pour l’art.’ At first, the poem reads as a reflection of contemporary interests in Greco-Roman mythology, having evolved from the Romanticism of the early 19th century. However, at closer inspection, it is possible that Banville has used his 1865 poem to express his ideas on the limitations of religion and simultaneously the effect of beauty. Exploration of religion is a key aspect of Cléopâtre, something that is portrayed primarily through the theme of eternity throughout the poem; this idea is both introduced and fortified in the first two stanzas. The use of vocabulary in, Dans la nuit brûlante où la plainte