Films are an extraordinary form of art, a source of popular entertainment and a robust method for educating citizens about a variety of emotions, thoughts and social messages. The act of making a film can be considered a work of art for it denotes one 's views on an idea or format. Any filmmaker must decide on what scenes to act on, the lights, the angles, and mainly to see if the audience will understand the meaning behind the scenes or film. For instance, in India, well known for its commercial cinema, better known as Bollywood. Almost every Indian is well-versed with themes such as on-screen lover and fighting sequences, twins meeting each other after several years, and lots of mush and lots of spicy drama. The Indian Art Cinema has beautifully …show more content…
It’s a visualization based on an idea or a real-life even someone wants to create, using the technology of the movie world to produce stories that will leave the audience imagining what the world has in-stored for them. Movies are created by many varieties of artists that put together makes an epic piece of art. In a picture or a painting one may feel dead, love, loneliness, or anger, however in a movie one is compiled to feel every emotion in a short one-hour to a two-hour film. And that is exactly what Sanjay Leela Bhansali has don; he is one of the most critically acclaimed filmmakers in the Indian cinema. He has gifted the Indian cinema with various love stories like Devdas, Ram-Leela, Bajiro Mastani, and many more. Now he has produced and directed yet another love story of honor and royalty called Padmaavat. The movie Padmaavat is based on the epic poem called Padmaavat by Malik Muhammad Jayasi. The film is beautifully written by Prakash Kapadia and Sanjay Leela Bhansali. I saw the movie at the AMC Theater in Decatur first day, first show. The main cast of Padmaavat is Deepika Padukone, as Queen Padmavati, Ranveer Singh, as Sultan Alauddin Kilji, and Shahid Kapoor, as Maharawal Ratan
We have learned many things up to this point in the semester, and one of the things we have learned has been degrouping, and regrouping through social construction. Degrouping is when the dominant group is trying to take away everything that will help the subordinate group achieve success in life. Degrouping is operated at the beginning of the film in the scene where Ramon and Esperanza are in the kitchen talking about sanitation (context and issue) and the social stratification of that scene is that Ramon is lost in the shuffle, he believes that the safety of the miners are more important than the sanitation in their home. The language used in the scene is when Esperanza tells Ramon, “ask for better conditions and for descent plumbing too.
They effectively presented this idea through the use of various film techniques such as lighting, music/sound, and camera angles/shot selection. The film adaptation is both effective in its delivery of the message but also in its maintaining of the original essence of the
I believe in people. It is this belief that drives my courage and confidence in a world of cynicism and doubt. I know that ultimately, humans strive for belonging and community; thus, while loneliness and anger may always be in existence, so will togetherness and bliss. In this small nation of mine, people speak at least two languages and in addition to the English language, I have experienced the beauty of the Malay traditional tales, Chinese dragons, and Indian cuisines through years of golden rich and poor multiracial friends, stories, and cultural events, ranging from the Islamic Eid Al-Fitr to the graceful moves of Bollywood dances.
The film 13th directed by Ava DuVernay targets an intended audience of the Media and the three branches of the United States government with an emphasis that mass incarceration is an extension of slavery. It is intended to inform viewers about the criminalization of African Americans and the United States prison boom. 13th uses rhetorical devices in its claim to persuade the viewers by using exemplum in the opening seconds of the film. President Barack Obama presents statistics, saying “the United States is home to 5% of the world’s population but is home to 25% of the world’s prisoners.” Also the film uses a hyperbole in talking about the movie Birth of a Nation produced in 1915 which portrays a black man as a violent savage who will kill white women.
For hundreds of years, stories have been passed on from one person to another through the oral tradition and the visual arts. In our society today, film is the dominant form of storytelling. Films shape and inform our opinions of the world. Many people’s only source of information is from films. This can be harmful when the information is false or misguided.
Genetic analysis should be used freely in society, but only to help those who actually need it. The movie advocates the rules of your genetic makeup which leads to certain opportunities being presented to certain people with higher pedigrees than other. If a person's genetic makeup is sub-par you are unable to obtain your goals in life. While this is not true in the real world it could become a possibility in the future. The movie gives evidence of how your genetic makeup could affect who you love, what jobs you get, and expose you to certain discriminations in your life.
Every now and then the art world is struck by a wave of change that leaves a strong impression, which can last for a long time. Visual arts saw the rise of impressionism and cubism, surrealism and realism took literature to an opposite direction, and film has evolved over the years through cultural and artistic development such as expressionism, auteurism and film noir (House, p.61). The 1940s and post World War II gave rise to a new style of American film, these films appeared pessimistic and dark in mood, theme, and subject. The world created within these films were portrayed as corrupt, hopeless, lacked human sympathy, and “a world where women with a past and men with no future spent eternal nights in one-room walk-ups surrounded by the
The film uses cinematic techniques to further push this implicit meaning by ways of cinematography, mise-en-scene, and editing. Cinematography:
It uses cinematography and film techniques such as misé en-scene, shot duration,
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
Everyone has an origins that has impacted them in either a positive or negative way or sometimes even both. The 2009 film Amreeka is directed by Cherien Dabis, and tells us about a remarkable journey between a mother and son in order to find a better life. The film begins with the mother Muna (Nisreen Faour) and son Fadi (Melkar Muallem) living in Pakistan under the harsh rules and regulations of Israeli’s checkpoints to go about their daily routines. When one day Muna goes to open her mail, and stumbles upon a letter which read she now able to obtain her green card. In an effort to give her son a better life Muna and fudi travel to America to stay with Muna’s sister Raghda (Hiam Abbass).
This is shown through the way books and words are a necessary source of communication to this day, the way relationships build through words and books and how stories are used to heal and distract the mind. Overall, the director executes the power of words in an effectively relatable sense so that the audience of today can still find relevance within the themes whilst using useful camera angles and techniques to capture the audience’s attention and make them feel nostalgic, therefore relating the film to their own experiences so that the film is not only watched but also felt by the viewer in a deeper and more emotional
To begin my reflection of my of my journey as an English major here at the department I should first say that any work I completed in my freshman and sophomore year will not be included as I do not have access to them. I have chosen to use pieces that were written in my film studies course and Native American Studies. There are four pieces total that will be looked into three of the four will be pieces will be work from my two film studies courses Film Theory and Criticism and Japanese Film Directors, the remaining one piece as stated above will be from Native American Studies. Initially when signing up for the course in Film Theory and Criticism, I did not know what to expect as we all know how to watch a film, summarize it, and give an
Abstract: Iranian films have a unique space in the realm of cinema. They are exceptional, simple, innovative and inspirational. Abbas Kiarostami is a prominent figure of Iranian cinema whose films received international acclaim. His extremely minimalist directorial mode, experimental style and unconventional narrative patterns make his films oppositional to the traditional feature films. He is one of the pioneers of Iranian New Wave cinema.
The thesis film, Face It, will demonstrate how these theories can be used together to create an aesthetically pleasing world. In regards to the realistic tendency, Face It, utilizes both subjective and objective methods. By utilizing camera movements such as pans to direct the viewer's eyes. Furthermore, the main implementation within the film was staging and blocking. These movements helped progress the story while also adding to the characters subtext through their actions and emotions.