The concept of interior design was greatly explored during the Rococo period, and it is the combination of different features that determines the success of an interior. To achieve a desired goal one has to consider every part of a design. The type of paint and its colour, the type of wall finish, furniture, and flow of a room has to all work together to be successful. The Rococo style is well known for its elegance and beforehand planning that went into every design that was executed by the best designers and craftsmen of the era. The Rococo period is known for its elaborate interiors, decorated with ceiling detail and motifs inspired by nature. Figure 1, is the king and queens courters in the palace of Versailles. The materials used in this interior are materials commonly used during that time. The barrier that runs the length of the room in front of the bed would be made of wood. During the Rococo period craftsmen often turned wood to have a decorative spiral or as in this case they would carve the wood with asymmetrical ornate designs, with curves and lines inspired by nature. The parquet flooring again introduces wood into the room along with the panelled walls, however during that time they almost always painted wall panels. The curtains hanging at the bed is likely …show more content…
Firstly the frames of the chairs were toned down, thus their legs were more slender, and the arm rests a bit further apart. The main objective of Rococo furniture was comfort, something that Baroque furniture lacked, in addition Rococo furniture would sometimes be custom made to complement its surroundings and in doing so brought designs together to work as a whole. Secondly furniture was rounded off with carvings that complimented the ornamentation of the rest of the interior, although the most common carvings found on Rococo furniture were again asymmetrical designs, acanthus leaves and floral or
Versailles and Forbidden City represent the difference of traditional cultures and art between the East and the West. Versailles has a elegant U-shaped main building in the center and a royal court with diverse plants. Inspired by the architecture of baroque Italian villas, but executed in the French classical style, the garden front and wings were encased in white cut ashlar stone that called enveloppe. The inner palace for royal family living is decorated with minors and luxurious lights. Sculptures and paintings are displayed in every corner.
It is described to be discolored in parts, showing its age, as well as being patchy and torn. Throughout the room it is said to have this intricate design, seeming to hold no pattern. The room is very unsettling to her, and the wife
The room is described by the narrator as “a filthy cocoon” that “took you in and hold you close” (190). The image of a cocoon implies a sense of comfort, a covering that is both snug and protective. Yet, it is also isolating, disconnecting one from the outside world, and is difficult to break free from. Furthermore, this cocoon is “filthy”, filled with “rubbish” and where one loses track of time since there are “no clocks and [watches are] lost and buried” (190). It seems as if this cocoon clutches onto everything not even garbage and time can escape.
Thomas Jefferson thought that this style was relevant to the American republic with is democratic and patriotic ideals after breaking free of British rule. So he wanted to use the same motifs the Romans used in their architecture to build
It made much use of interlaced designs colored in gold with delicate contours and graceful curves. Highly secular, Rococo’s lightness and charm spoke of the pursuit of pleasure, happiness, and love. Many works following the Rococo style express lyrical views of aristocratic life: refined, sensual, civilized, with gentlemen and ladies in elegant dresses because this reflected a world of upper-class desire, pleasure, and joy. Its decorative work could easily have combined with Baroque architecture to
Watteau, Fragonard, Chardin, and Boucher, memorable names from an often forgotten art historical period. Rococo is a synonym for ornate, fancy, elaborate, extravagant and is also the word used to describe this art history period. Characterized by levity, elegance, and ornamentation, it is clear why the Rococo art period is defined using this term. Jean-Honore Fragonard is one of the most popular artists from this period. According to Artble.com, The Swing, painted by Fragonard, is a piece commissioned by a notorious French baron requesting to be painted with his mistress.
These Baroque elements are so engrained in the system of patronage that even outside the Baroque era when an artist is commissioned through the patronage system their work can’t help but take on these and other baroque elements. Starting with an artist like Bernini who under the patronage system created some of the most revered sculptures of the baroque era. Born in Naples, Italy Bernini got a lot of his patronage form Italians. One of his more notable patronages includes the sculpture of “The Ecstasy of St. Teresa” which was commission by the Cornaro family for their personal chapel. The sculpture represents a deeply religious act and was used in part to show off the wealth of the Conaro family.
On the Greek revival the primary cladding is stucco or wood. These buildings would have scored these materials to look more like stone blocks which was the look the Greeks had. These would also be painted in two colors to make them resemble the classical masonry. The
The Conciergerie was the royal palace, the Palais de la Cité, named after the island of the same name in the middle of the Seine River. It was home to King Louis IX, who had the Sainte-Chapelle built within its grounds. It was also the home of his grandson King Philippe IV, who extended and fortified the palace, creating the towered façade that faced the river. The medieval origin of the building is pretty obvious from the building style of the towers. There are three towers that have survived from the medieval Conciergerie: the Caesar, the Silver and the Bonbec towers.
This style of architecture was, back then, called the “Modern Style”, and it was a revolutionary influence for all castles, churches and palaces in Europe. It originally became known in France from the 1150s, and spread in a fast way across the whole of Europe; as with many art historical
Annually, millions of people travel to northern France to view the grand and pompous Baroque style of the Palace of Versailles’s Hall of Mirrors. Built in 1698 during the reign of Louis XIV, the Palace of Versailles stood for over 100 years as “the primary residence of the kings of France and the seat of the government,” and in 1979, the Palace of Versailles and its gardens were decreed a World Heritage site by the UNESCO. An examination of the Palace’s Hall of Mirrors will reveal a dramatic use of light, symmetry, large-scale frescoes, a shell for painting, sculpture, and stucco, and an opulent use of rich color and accessories common to a French Baroque-style interior. Louis XII (r. 1610 - 1643) used the initial residence as a hunting lodge and retreat for his family, and in 1624, he commissioned Jacques Lemercier to build a chateau on the site, which remains as “the exterior façade overlooking the Marble Court.” From 1661 to 1710, Louis XIV oversaw the residential transformation of the majestic complex surrounded by gardens.
Though many of the Interior Decorators I will be talking about in this paper are dead now, many of them remain big icons in the architecture and interior design field to this day. Elsie de Wolfe, whom is still revered as America’s first decorator to this day. Eleanor McMillen Brown, a pioneer in the interior design field and founder of McMillen Inc.. Dorothy Draper, the first to “professionalize” the interior design industry by establishing the first interior design company in the United States. Elsie de Wolfe was an American decorator born in New York City. Besides being an interior decorator she was also a professional actress that performed various light comic and historical roles throughout the 1890s.
This manipulation of texture to create a highly realistic resemblance to human flesh to create elegance and sophistication is a Hellenistic innovation, and is exemplified well in this section of the
1. Relive a Bygone Era of Design When you purchase and refurbish antique marble mantels and fireplaces, you can relive design features of a bygone era. Often floral details and figurines were part of these elements in settings that have long been discarded by stonemasons in order to modernise
More than any architectural style, however, the Bauhaus promoted principles of creative collaboration—planning, designing, drafting, and construction are equally important when buildings constructed. (Craven,