Mariachi Music
Mariachi music is a widely admired genre in the world now, but just recently it has risen in popularity. The word “mariachi” either means “marriage” in French or is an indigenous word for a wooden stage used by musical group performances. Before European conquest, natives used rattles, drums, flutes, and conch horns for religious occasions. When the Spanish arrived, they brought along violins, guitars, harps, brass horns, woodwind instruments, and colonial dancing, which eventually blended with the music of the natives. With these new additions, indigenous peoples and mestizos began to play European instruments along with their own musical inventions. This new combination of the Old (Europe and Africa) and New Worlds gave rise to the
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Each instrument plays its own role in displaying mariachi’s signature qualities. Six to eight traditional violins are typically used. Coca Indians from Jalisco, Mexico, contributed the vihuela, a bowed 5-string instrument. The vihuela is a little longer than a ukulele but is played with a thumb pick and strummed like one. It 's the harmonic, rhythmic basis of the band with its high-pitched sound. Standard guitars are also used to play rhythms alongside the vihuela. The guitarrón is the deep-sounding bass of the band and has been described as “the single most important element” of mariachi. A couple of trumpets, occasionally played with cup mutes, were added in the 1950s. When needed, accordions, organs, French horns, and flutes can be added.
These mariachi instruments can be heard at a variety of different occasions, ranging from weddings to funerals. Mariachi is also popular at dances, saint 's days/birthdays, baptisms, patriotic holidays, quinceañeras, and even Roman Catholic Mass. It seems that mariachi can be heard at nearly every pivotal moment in Mexico because people say it brings back memories and inspires them for the
Selena Quintanilla was a very successful “Tex-Mex” singer, who, from the beginning of her life to the end of it, had an extraordinary life. After one time of singing to her father, a band was created and she was put into the singing world. Since that day, many journeys occurred. She has performed in many places like Mexico and Texas. She even got married and won a Grammy.
Mexican Americans and Jazz have combined so well, that some good bands have been formed and there is a Texas Jazz Festival being held every year, which has been promoted and planned with the participation of Latinos to a great extent. This has been possible thanks to the flexibility of these people, who have opened their arms –and their ears- to the new sounds and who have found ways to make them their
The kinds of music included a variety of pop, contemporary dance music, cumbia and salsa (mexican dances). There was also older songs for both young and older guest. The music brings
That day we eat tamales and atole. It is a Good time with the family. In November 30 or around December 5 we do some thing that it is call Rasca de reyes. It is a bread that Have a little baby Jesus hidden in the bread represents the flight of the Holy Family,fleeing from King Herod. In my culture , if a person get one they are reponsibility of hosting a dinner and providing tamales and atole to the guests.
It had been utter silence for what felt like an eternity as the inhuman Santa Anna’s forces prepared for an all out attack. That was when the music started. It’s eeriness echoes through the land even now as it slowly gets more intense. One of the Tejanos looked extremely shaken and shared how it was known as El Deguello and it was played to let the enemy know they were about to be slaughtered. Everything is chaos now as my fellow defenders panic and pray to their gods.
The stringed instruments were the accompaniment; therefor, they began with harmonics, chromatics, and tremolo for various measures rather than having a moving part. The melody was given to the flutes and soloist, Sami Junnonen, who was also very talented. The song was about 22 minutes long and he had the whole piece memorized. It sounded very sad, but soothing simultaneously. There were visuals around the theater, which made it easier to understand and visualize what Lopez was trying to describe when writing the song.
) All this recognition helped him to spread vallenato puya across and beyond Colombia. He now does play other styles of vallenato more frequently but he began with puya. Geles demonstrates cultural pride through his music because he utilizes his accordion in the traditional puya context, preserving tradition.
The word Mariachi itself is believed to come from the French word "mariage" (marriage). Which form an essential part of weddings in Mexico. An alternate theory posits that the word comes from a Coca Indian word that originally referred to the platform on which the orchestra performed. Before the arrival of the Spanish, music was played with rattles, drums, flutes, and conch-shell horns as part of religious celebrations.
Latin Jazz, also known as Afro-Cuban jazz originated around 1940. It was due to the gradual and long interactions of American and Cuban music which birthed this distinct style of jazz. African american tunes and dance rhythms traveled north into the United States as well as the musical styles of African-American Jazz found their way down to the Caribbean and Central and Southern America. The fusion of both musical styles; Cuban music and African-American jazz was largely due to musicians and dancers throughout the area beginning to familiarise themselves with both of the musical techniques. The fusion happened in 1940 in the city of New York through the beginning of Machito and the Afro-Cubans orchestra, which was under directorship of Cuban trumpeter Mario Bauzá who essentially created the Latin Jazz through fusing jazz arrangements with Afro- Cuban percussion rhythm.
Throughout history, various ancient civilizations all over the globe have created traditions and customs that have been passed down through generation to generation. The idea of having these customs withstand the test of time is truly remarkable. A perfect example of the passing of tradition is the Mexican celebration of El Dia De Los Muertos. El Dia De Los Muertos, or Day of the Dead, is a holiday that honors and celebrates loved ones of family who have passed away. Although it has its origins from the Aztec Empire, the holiday is widely celebrated in Latin America and even some parts of the United States.
There are only two instruments used in the few scenes that have music, piano is used during the sad and to make the audience feel the anxiety felt by the character. An example of this is after Gilbert snaps and beats Arnie, then he drives away in his truck away from Endora with only this music playing. On the other hand, whenever there is a scene full of happiness a guitar plays. This usually happens whenever Gilbert and Arnie are having brotherly bonding or when there is a love scene between Gilbert and Becky. But the most compelling and used element is this movie is the lack of music.
There are three types of huayno in Peru: Huayno of Northern Peru, Huayno of Central Peru and Huayno of Southern Peru. Each one is strictly classified by the Peruvian regions in which they are play. The huayno of the northern Peru is the happiest, cheerful one, and natives danced with animated swings and steps. It is also the one that displayed the most effort because the dancers are sweating and gasping for air at the end of the song. The huayno of central Peru are animated but the lyrics usually narrate the suffering and sorrow the indigenous people went through when the Spaniards took over.
Piano and violins are in line with each other while the horn steadily plays offbeat in the ' 'though she feels as if she 's in a play. Through out the song, both string and horns come in without us noticing until the mood
Soprano, alto, alto, tenor and bass Dulcian from the Brussels collection. Dulcian came in a range of sizes from the deepest instrument measuring 4’9” to the shortest at 15”. The smaller sizes were used in wind choirs while the longest or the bass Dulcian was used to support the basso continuo lines in wind ensembles along with the viola and other bass instruments as can be seen in in Concerto a5 (c-minor) by Christoph Förster (1693 - 1745). (Kendrick, 2008) The Hautboies (the oboe solo at the top) has rests, the first violin and second violin have intricate moving lines while the viola and basso (Dulcian) have accompanying lines the Dulcian even more so than the viola as seen in bar 6 as the viola has semiquavers to add interest and the basso