Mildred’s fake friends drag her into believing the wrong things revolving around physicality, hence she just does not know anything about truth. Her friends only vote on politics based on looks and manners (93), so Mildred thinks the book Montag reads to her “doesn’t mean anything! The Captain was right!” (65). But she only believes Beatty because he seems logical to her and no one told her against his ideas. In fact, no one is even allowed to know anything because of government laws, so they have nothing to support their false claims.
Mama Elena, in Like Water for Chocolate, assumes masculine power after her husband dies. She dismisses the usual roles of the mother, cooking and feeding, and adopts the role of control while eliminating men from her life. She even ignores the priest’s fears that she would be alone and vulnerable at the ranch with the absence of men, after her husband dies. She even goes as far to say that “it’s worse to have chiles without water” than to be without a man and that she’s “never needed one”. Mama Elena likes
Milkman depends on his mother and sisters to solve his troubles or to dig him out of a situation while his mother and his friend Guitar depend on him for mental support. Being the “Milkman” is shown in his character through his tendencies to be concerned about the events that are taking place around him, but he never takes action to fix it for himself. He stays in his own business and does his own thing instead of actively trying to make everything
Valencia, who epitomizes the average housewife, also represents the unexpressed discontentment of many married couples. She loves Billy excessively, but he does not reciprocate this. Billy continues to have the same “so it goes” attitude and is both indifferent and impassive to her death. This emotionless outlook substantiates the fact that he marries her purely for the sake of having a significant other, and does not genuinely love her. Upon thinking about their marriage together
She doesn’t care what she did the past, it only matters what she is going to do in the future with her new lover. Her son tries to say to her that, the man who makes her so happy is no good to her, and needs to focus on herself. That her lover, Trigorin is an honorable man and deserves to have respect. Treplev is furious at her mother's words screaming at her, instead of being at his side as her son. She decides to be on the side of her lover arguing that she is losing her pride in that man.
Her lie then backfires; she tells the court that John never had any relations with Abigail after John had already confessed to his sin. She takes blame for the affair when she tells the court “...But in my sickness...I were a long time sick...I thought I saw my husband somewhat turning from me...” (1260). This change could be for better or worse, better because she became a more loving, understanding wife but for worse because she takes the blame for something that a woman should never take blame for because it was the man’s choice to
To other people she probably deserves the most pity and sorrow for the things she has been through in life and people after people letting her down. In Of Mice And Men she is referred to as “Curley’s Wife” , she has no name that’s how irrelevant she is to her husband and the other guy’s. Curley to me shows disrespect to his so called”Wife” so much that I just don't get how you could treat someone you love like that, he doesn't introduce her to them or nothing he leaves it up to them if they want to know who she is. She has had the dreams of acting but those have been let down as she tells us “Says he was gonna put me in the movies , says i'm a natural” to me she lets people let her down without standing up for herself and it's not acceptable to be a grown women letting people let you down like that and not standing for yourself. There is a lot of pity and sorrow in this story that we should show our pity and sorrow to
Connie has a conflict with June, her sister. A repetitive notion made in the story, as June is used as a meter to compare Connie too; which naturally, no one would like: “June did this, June did that, she saved money and helped clean the house and cooked and Connie couldn 't do a thing, her mind was all filled with trashy daydreams” (308). Ellie 's character, even as quite as he remains, presents a conflict with Arnold. First when he over steps his boundary with Arnold and asked "You want me to pull out the phone?" (318), then being told by Arnold to "Shut your mouth and keep it shut" (318), only to ask about the phone again.
In the novel, he states: “Except for their humping, Tyler and Marla were never in the same room… This is exactly how my parents were invisible to each other” (Palahniuk 65). Joe compares Tyler and Marla to his parents as how they are never in the same room. There is only sexual attraction but no communication between the two. This collapsed relationship can also be seen as the cause that lead to the narrator’s isolation within society as he has received none of the love from his father but only his mother’s. It affects the way his life turns out to be, his job and his desire.
When Desdemona marries Othello, she neglects to ask for her father’s permission for the courtship and wedding. Desdemona’s love for Othello is so blind and abundant that she forgets to ask the most important person who loves her for a blessing. This neglect of her loyalty to her father brings shame upon her father, which makes him appear that he has no control over his household, implying weakness in his leadership. Desdemona and Othello’s courtship seriously offends Desdemona’s father, which puts the both of their lives at risk. Desdemona’s father states that he should kill her for her disloyalty from getting married without his permission.