Essay On Rap Culture
Thesis: The popularization of rap music in the 1980s shrunk cultural separations between blacks and whites by exposing white youth to the reality that many black people in America were living in poverty and still experienced social and economic inequality to white people.
Such exposure fostered white people’s interest, empathy, and respect for black Americans and created a more integrated country as a result.
One of the most influential moments in rap music’s popularization was the rise of the song “The Message” by Grandmaster Flash and the Furious Five, which the first rap song to stray from the rap scheme of self praise and rather focus on issues in the black neighborhoods in New York. The newspaper article "RAP: THE FURIOUS FIVE” by John Rockwell was featured in the New York Times on September 11, 1982 and provides a powerful insight into the increasingly positive white reaction rap songs such as “The Message”. It was written about three months after the
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MTV Raps” that it became a staple of the American youth. The 6-day-a-week show furthered the popularization of rap and, more importantly, made black culture the height of “cool” among white children in America. The article “Yo! MTV discovers rap is hot” was published on February 4, 1990 by Cary Darling in the Orange County Register and details the unprecedented success of MTV’s “Yo! MTV Raps” and how it brought music to the mainstream. The article was written about two years after the show first aired and had since become one of the most popular shows on television. In this article, Darling reports interviews she had with the cast of the show and remarks on how the hosts connect perfectly to rap music’s far more diverse audience. Rap music’s diffusion from the radio to the television firstly displayed its growing popularity, but also brought rap to a larger and more mixed audience than ever
Summary Of From Fly Girls To Bitches And Hoes By Joan Morgan
1037 Words | 5 PagesMorgan’s obligation to write this article is to change the center of attention of rap criticism and look deeper in to it. The intended audience is for man and women in young age. His intension is to notify us what causes all of the dysfunction and hate actions between man and
Summary Of How # Blacklivesmatter Movement
643 Words | 3 PagesCommercial hip hop is too blindsided by making profit to assist in the rallies for Black justice the same way that hip-hop proper is doing. #BLM has liberated rap from its default setting today, and is beginning to break the white stereotype that hip hop is defined as a consumer market where “rhyming negro gentleman callers and ballers sold vernacular song and dance to an adoringly vicarious and increasingly whiter public” (para.6). Tate concludes with stating that #BLM’s “reclamation of hip-hop proper has brought complexity and revolutionary street cred back to the race conversation in commercial rap. The public can no longer be sold the noxious and recherché notion that 21st-century rap culture is only about trap-happy nigras getting paid for getting dumb, or coldstoopidwackretarded, even. Thanks to #BlackLivesMatter, the beautiful struggle against racialized injustice once again matters where rap and hip-hop proper live” (para
A Rhetorical Analysis Of Azealia Banks
625 Words | 3 PagesIn “Azealia Banks” author James McNally analyzes arising rapper Azealia Banks in order to discuss post-racial politics where political elements of hip-hop and the systemic racial inequalities they address, have become gradually ostracized in favor of “color-blind” conceptions of United States society and pop culture. To do so McNally argues that Banks’ music video for “212” and her public rhetoric rearticulates ideas of the mainstream black female identity in hip-hop and confronts the white gaze. In “212” Azealia Banks raps about growing up in Manhattan and her reactions to the situations that she experienced and declares her dominance over all of her rival, while establishing her extensive “technical skill and stylistic versatility as a rapper (61).” Banks combines multiple hip-hop tropes, while infusing her own character in as well to
Summary Of From Fly Girls To Bitches And Hoes
1268 Words | 6 PagesWhether we are watching the news or reading the newspaper, we hear stories of how women are brutally abused by their husbands, someone who had promised to love her in sickness or in health. Many times we hear that these women end up dead, because the abuse was so brutal that they couldn’t take it anymore. These stories though, are most commonly heard of in the black community, also known as the ghetto. In the article “From Fly Girls to Bitches and Hoes” Joan Morgan connects the abuse of black women in their community to the lyrics of Rap and Hip Hop artists, and how they are influencing the black male. In the title alone, Morgan raises the question of how we went from asking a girl “Suga how you get so fly?”
When Chickenheads Come To Roost By Joan Morgan
1201 Words | 5 PagesLorissa Figueroa Professor Patton ENG 1A 7 February 2018 More than what Rap Portrays When we listen to rap music we don’t really pay attention to how lyrics can affect people as often as we should. Since rap music has started it always influenced violence and sexism, but not everyone notices how it influences the black community. Joan Morgan explains this in a passage of her book When Chickenheads Come to Roost: A Hip-Hop Feminist Breaks It Down (1999).
Color Blind Ideology Summary
343 Words | 2 PagesThis article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.
Misogynistic Hip Hop Music Essay
502 Words | 3 PagesThe fact that a majority of hip-hop music addresses either violence, drugs or sex, black males are found at fault and loathed. Realistically, black males in hip-hop music only focus on crude topics because of the treatment they receive in this “white” world is crude. Essentially, the music artists’ produce are representations of the real world and byproducts of
African American Stereotypes
754 Words | 4 PagesThough within recent times, some media has begun to counter these negative portrayals of African Americans such as the hit T.V show “Empire” that effectively captures the success of the people within the black community. The first piece to be examined is a song written and sung by the N.W.A. “Straight Outta Compton” in 1988 details the struggles of being an African American on the streets within downtown Los Angeles. (Sample song plays). The song is an exaggerated and loose representation of the reality of living in everyday Compton and seeing African Americans commit crimes and kill others.
Hip Hop Culture In Mcbride's Hip Hop Planet By James Mcbride
921 Words | 4 PagesHip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
Analysis Of Hip-Hop's Betrayal Of Black Women
633 Words | 3 PagesIn her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
Hip Hop Planet Speech
1186 Words | 5 PagesHip Hop is seen as something inspiring, but most people see it as a way to speak out the truth about a problem. As in “Hip Hop planet” being able say the truth can sometimes worsen any situation because sometimes what we say can promote violence and whatever happens after is not in our control. The essay is about how hip hop has changed into speaking out the issues that need to be taken care of in order to maintain a proper society. McBride talked about how rappers use violent lyrics to degrade women and gays and because of this it shows how the music has evolved into something entirely different that no one would have ever expected to have changed. In James McBride's essay “Hip Hop Planet,” he argues that hip hop has a negative influence on American Culture despite people thinking of it as inspirational and how people live through different experiences in life despite of your race.
How Has Rap Music Changed
195 Words | 1 PagesRap is an American music style that happened in the 1970’s, and over the year the style of rap changes. Music has the power to shape change people’s mind. Over time music has changed and it still does every day. Throughout history it has been strongly noticed that this favored type entertainment has changed with the passing times. The development of music is freedom of showing emotions.
The Influence Of Hip Hop On Black Culture
1006 Words | 5 PagesThe Impact of Hip-Hop Ever since its birth in the 1970s in West Bronx, Hip Hop has been known as “Gangsta” music and most commonly associated with black culture. Since its creation it has become a fast growing genre of music and has growing fame all over the world. The popularity of it has increased to all races, age and gender. However the growing popularity of hip hop has come with several controversies among scholars. Some scholars argue that the growing popularity of the genre is very helpful to low income families who can use this as their outlet into going to Universities, on the other side some believe associating the genre to black culture is bad for the culture as a whole and they should not be associated together.
Hip Hop Culture Analysis
1882 Words | 8 PagesHip-hop culture has been the topic of various academic, social, and political discourses. Rap music, in particular, has made its way to mainstream media which is evident in the numerous films and movies that centers on what was once a part of an underground culture. Scholars explain that the popularity of hip-hop in both music and films are partly due to its potential to disseminate information, address an issue, and promote social change. Tinson and McBride (2013), for example, note that hip-hop is a “…form of critical education at the intersection of, and inseparable from political engagement” (1). Scholars further note that hip-hop’s current state “…requires frequent accounting of its engagement with the social, political, and cultural climate
Gangsta Rap Made Me Do It Poem Summary
748 Words | 3 PagesThis can be observed towards the end of the song in which Ice Cube speaks about these wealthy African Americans getting on live TV and talking about gangsta rap and its negative influences, with this not necessarily being limited to the these people but encompassing the entire media as well. “Cause 9 times out of 10 you don’t know the f**k you talk about, talk about that bulls**t rap you
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