Hamlet’s first plan of revenge included a play called The Mousetrap, which was shown for Hamlet to confirm Claudius’ guilt. Once his speculations are reassured by Claudius’ reaction, his plans continue in serving justice to his father. Hamlet’s determination to seek revenge on Claudius is what primarily disrupts the peace in the kingdom and steers the plot to its drastic end. In the same way, the death of Laertes’ family causes him to lash out and seek vengeance toward Hamlet. The death Laertes’ father, Polonius, causes him to return home, demanding answers for the crime.
Hamlet is trapped due to certain situation. Hamlet finds that his father has died and is trapped when the Ghost commands him to kill Claudius and take revenge on his father 's death. This was not Hamlet’s fault and this scenario traps him in emotional attachment with his father where that 's his duty to get revenge on his father’s murderer. Hamlet tells himself, “ I 'll wipe away all trivial, fond records, All saws of books, all forms, all pressures past, that youth and observation copied there(Hamlet, 1.5.106-108). At this stage, he has to think because what if the Ghost is wrong and someone else is murderer.
Mercutio defends Romeo against Tybalt’s insults with comebacks and later his sword. As Romeo attempts to intervene, Mercutio is stabbed by Tybalt and Romeo is enraged. Once he finds out from Benvolio that the wound had killed him, Romeo,”Who had but newly entertained revenge,” (III.i.173), kills Tybalt and flees the scene. Romeo declined to
In William Shakespeare’s Hamlet, the lust for revenge forces characters to appeal to their nature or their honor. After learning of his father’s death upon returning from Wittenberg, Hamlet dons the mask of madness and contemplates a means of exacting revenge against Claudius. While Hamlet ponders the ethereal consequences of murder and revenge, his constant self-reflection paralyzes him from taking action. On the other hand, Laertes, a loving brother and civil son, finds himself in the same situation as Hamlet: Laertes leaves for France only to return and discover that his father has been murdered. However, Laertes does not mirror Hamlet despite seeking justice for the same reasons.
Here Macbeth is considering whether life is meaningful. Macbeth’s character changes greatly throughout the play, from a respected thane to a king who people want dead. Macbeth gives in to his ‘vaulting ambition’ and, encouraged by the witches and Lady Macbeth, he murders King Duncan for the power. The guilt from this greatly affects him, he thinks he should carry on this path as he is almost at the
The play Hamlet by Shakespeare is about a man, named Claudius, who kills his brother like if he was a mouse with poison, so he can become the king and marry with his brother’s wife. Then, his nephew, Hamlet wants to get revenge on his uncle for killing his father. To begin with, the play Hamlet contains many themes that have a really deep meaning. When analyzing the play Hamlet by the theme that the real poison in the play is revenge, and ambition, there are many examples of how this theme is shown in the play, like how Claudius poisoned his brother and he also died of poison, Hamlet wanting to get revenge, and Laertes also getting revenge of Hamlet. The theme that the real poison is revenge can be shown at the beginning of the play, since Claudius killed Hamlet’s father,
Hamlet's mischief appears in the script. This moment is important because, at this time, Hamlet realizes that he is now obliged to kill his uncle so that he can revenge his father's death. As we can see, after the play, Hamlet follows Claudius and decides to punish him in the more strict way instead of just kill
Hamlet states “this is most brave, that he, the son of a dear father murder’d, prompted to his revenge by heaven and hell, must like a whore unpack his heart with words and fall a-cursing like a very drab, a scullion!” (Act 2 Scene 2, Lines 569-575) Hamlet is tormented by his inability to physically confront Claudius and that he resorts only to words. Hamlet shortly after contemplates whether or not it “‘tis nobler in the mind to suffer the slings of arrows of outrageous fortune, or to take arms against a sea of troubles and by opposing end them.” (Act 3 Scene 1, Lines 57-60) Hamlet questions if his revenge is worth the agony of his sanity or if he should take a stand against Claudius. This question is manifested in the popular phrase: “to be or not to be, that is the question.” (Act 3 Scene 1, Line 56) How Hamlet’s revenge is affecting the interactions between individuals is clearly indicated by the conversations Polonius has with Claudius. Polonius spews all of his suspicions concerning Hamlet such as his stealing of Ophelia’s heart and his alleged “madness” to Claudius. Polonius falsely believes that “the origin and commencement of Hamlet’s grief sprung from neglected love.” (Act 3 Scene 1, Lines 177-178) Claudius believes the lies Polonius speaks which explains the varied perceptions each character has of Hamlet’s behaviour: Gertrude doesn’t want to believe that Hamlet is mad, Claudius is legitimately concerned for Hamlet, and Polonius is enraged by Hamlet’s advancements towards Ophelia.
77-100) of his play, Hamlet, William Shakespeare depicts Hamlet, following Claudius’s revelation of his guilt, as he is faced with the opportunity to kill his father’s murderer while he prays. Finally, Hamlet has the chance to fulfill his promise to his father and enact revenge, but ultimately decides killing his uncle in prayer would neither bring self-satisfaction nor redemption. Through his seething tone and imagery, Shakespeare demonstrates Hamlet’s extreme hatred of Claudius as well as the difficulty in pursuing internally satisfying revenge on one’s enemies. Upon seeing Claudius in prayer, Hamlet is fully prepared to murder him immediately. Claudius is alone and his guards are not around to protect him, providing Hamlet with a seemingly opportune time to quickly and efficiently enact his revenge, and Hamlet can barely contain his anticipation.
Hamlet turns the tables on her, accusing her of a most grotesque lust and claiming that she has insulted her father and herself by stooping to marry Claudius. In the course of their interview, Polonius hides behind a tapestry; at one point, he thinks that Hamlet is going to attack Gertrude and cries for help. Hamlet stabs Polonius through the tapestry, thinking he has killed Claudius. When he finds that he has merely killed a "rash, intruding fool," Hamlet returns to the business of "speaking daggers" to his mother. Just as Gertrude appears convinced by Hamlet's excoriation, the ghost of Old Hamlet reappears and tells Hamlet not to behave so cruelly to his mother, and to remember to carry out revenge on Claudius.
Once Romeo believes that Juliet is no longer alive, he makes another rash decision to bribe an apothecary for poison. Later in the tragedy, Romeo sees Juliet dead in the mausoleum, and decides to express his love for her, then drink the poison. Once Juliet awakes from her deep sleep and sees Romeo dead, she takes her own life with a dagger. Both Juliet and Romeo’s tragic downfall could have been avoided if Romeo thought about the consequences before he murdered Tybalt. Romeo’s rash behaviors in Romeo and Juliet resulted in many negative consequences, and he consistently acted impetuously that impacted others in an unnecessary way.
The author makes it seems as if Fortunato is a bad guy especially because he’s trying to kill him to find out later Montressor was crazy. 5. A theme statement for “The Cask of Amontillado” is to encourage readers that revenge doesn’t get you anywhere because after it done you’ll have a strong feeling of regret. In the short story Montressor kills his friend and it wasn’t worth it at the end of the day because he started feeling
Frantic, he orders a group of murderers to kill Macduff’s family. Consequently, when the time comes for Macbeth to encounter Macduff on the battlefield, he exhibits a moment of hesitation before proceeding to the duel. Feeling remorse for having Macduff’s entire family violently killed, Macbeth admits that he has a guilty conscience that he does not want to kill Macduff as well. “Of all men else I have avoided thee: / But get thee back; my soul is too much charged / With blood of thine already,” (Shakespeare 5. VIII.