According to the latest forbes list of highest paid actresses and actors, we are surprising about the pay gap between actresses and actors in hollywood. The world’s 10 highest paid actresses received a total of $205 million over the last year, it seems a lot, but when comparing with the 10 highest paid actors combine earning $456.5 million, actresses are paying less than their mate counterpart. Jennifer Lawrence, who earn $46 million as the highest paid actress last year, only rank six if she was an actor. It is hard to image in hollywood, a place where people fight for the inequality and women 's rights, still suffering from gender pay gap. We cannot deny that gender discrimination still underneath hollywood in every aspect and a number of factors are accountable for the gender pay gap in hollywood. From industrial situation, gender discrepancy, patter of payment and social opinion aspect, we can find out why is there gender pay gap in Hollywood.
Misogynistic ideas have been a huge problem in U.S history and other parts of the world. Misogyny can be defined as “A hatred of women” according to the Merriam Webster Dictionary. Not only does misogyny exist today, but it’s motivating sexism as well. Why do these ideas continue to exist and who or what is fueling these ideas? A documentary called Generation Me: Misogyny in Media and Culture explains how misogynistic ideas and sexism is represented in our media and culture. Women are overly sexualized in movies, music videos and other media sources such as the news. Women are also seen being disrespected throughout other media sources. With an analysis of the documentary, women are seen as sexual objects through the eyes of men and it happen
Throughout history the portrayal of gender roles have been maintained by a specific standard, specifically where the man is the main figure, and the woman is the submissive figure that is being acted upon. However, lately, specifically the last ten or so years, many movies have shifted this ideology. These movies in modern times show increasingly more women in positions of power, as well as in marriages where there is an equal amount of power between both the husband and wife. There are also more movies showcasing non-traditional relationships, such as, domestic partnerships and LGBTQ+ relationships. One movie in particular that showcases a shift in the status quo, in terms of the masculinity and femininity expected from individuals especially that of a relationships, is Tyler Perry’s Why Did I Get Married? Before delving into why this movie goes against the status quo an a multitude of levels, I must first give some background to the movie.
Katie Bardaro, from Pay Scale Human Capital, once said “The real issue here is not the gender wage gap, but the jobs wage gap. People are filling positions according to gender, with higher-paid positions being filled by men and lower-paid positions being filled by women. That needs to change” In addition, men and women have differences on how they get paid. People think that men should get paid more because they think that they can do so much more, when women can do the same amount as a man can. Although we live in a society where men earn more money for the same job, this gender gap needs to stop, because equal pay can end poverty for single mothers, makes it harder to provide for family, and can overall will help society.
In this paper I am going to analyze how the media affects the gender stereotypes that the documentary Miss Representation addressed. I believe that, the media perpetuates harmful stereotypes to both men and women. In this paper I will argue that Audre Lorde would agree with my thesis but she would also believe that the minority needs to be looked at more as well. In this paper I will argue that Rebecca Walker would agree with my thesis.
Ridley Scott’s ‘female buddy movie’ Thelma and Louise centres around issues of male dominance and the freedom of release from society. Thelma (Geena Davis) and Louise (Susan Sarandon) are women suppressed by the men in their lives. They take a vacation to escape for a few days and after an attempted rape and murder they end up fugitives on the run for their lives. This unintended event ends up being for them the best adventure of their lives, as they are able to divest from the rules of society and become the independent women they are. By subverting the traditional role of gender in the genre, the film shows how feminism impacted the film industry by challenging Hollywood and the gendered myths and social patriarchy, providing women with a voice, and changing how spectators view how women are looked at through women’s eyes and their experiences.
Do you think it is fair for a person to get paid less than someone else simply because of their gender? It is unjust and unfortunately it happens right here in our country. In the United States, women are oppressed every day by receiving a lower wage than men. This is known as the wage gap. They have been mistreated this way for a long enough time already. This paper will explain that the gap should be closed because of the effects it has on women emotionally and financially and women with families. Also, it is time that women are treated equally to men in this country.
Hollywood films have influenced our values and beliefs of socio-cultural groups within a film. In the context of race and gender the films Cowboys and Aliens (2011) and the searchers (1956) both share similarities. These two successful films are 55 years apart the both convey the perspectives of race and gender through the reflection of American Indians in these films. The films The Searchers and Cowboys and Aliens show that Hollywood has changed the way we see the status of Indians. In the earlier film the Indians are represented as killers and mongrels as in this current day and age we have grown to accept them and appreciate their culture. This is done prominently through both films as they feature the interaction between white Americans and Indians. The searchers depict the Indians as the villains who capture the girls from the white American families and are seen as a risk to the community. In the
In Charlotte E. Howell’s, “Tricky” Connotations: Wonder Woman as DC’s Brand Disruptor,” Howell argues the many points on how DC Comics failed to represent Wonder Woman in a superhero leading role for many years. The author discusses how DC failed to see that the comic book industry fan base consisted not only of males, but also, many female fans as well (141-142). In addition, she points out DC’s use of the word “tricky” in regards to marketing and film production for Wonder Woman; DC Comics couldn’t come up with a way to envision an on screen leading role for Wonder Woman or how to market one (142). As a result, Howell gives examples of how the fans weaponized the term “tricky” to show DC’s business failings (141-143). Furthermore, she points out how the many scripts were leaked and how the public scrutinized the writers on their attempts to represent an accurate Wonder Woman character (144-145). Similarly, she discusses how many female directors were afraid to even attempt to direct a Wonder Woman film (149). Altogether, Howell argues many valid points along with examples of the gender bias in popular culture. With her focus on DC Comics and their failed attempts to market and produce a film for a character, such as Wonder Woman, was a solid representation of the gender bias that has and continues to exist in popular culture.
Throughout the years femininity in Hollywood cinema has changed quite drastically. The industry has gone through several phases that changed how femininity was viewed. This paper will address the postfeminist phase in Hollywood, while focusing on the film Bridget Jones’ Diary (2001). It will show how postfeminism is viewed in cinema as well as the characteristics that make a film considered to be postfeminist. Bridget Jones’ Diary (2001) showcases all the characteristics needed in a postfeminist film which makes the film a great representative of postfeminist attitudes in media.
There is definitely a problem when we talk about gender equality and sexism. It's everywhere: in movies, commercials on television, in music videos, at the workplace and even at school. The gender biases are blatant. One of the sources of the problem lies in the media and the way the media portrays women.
The media has long been recognized as important source of gender related information, television and cinema specifically influences its audience in a considerable way. (Denmark and Paludi 2008). With regards to the concept of gender cinema can offer a space where ambiguities of identities are played out; understanding the play of the categories of femininity and masculinity is very important in evaluating our own understandings of gender and how we react to different representations of it (Tasker 2002).If a film can show different individuals and we can recognize how social forces shape and constrain the individual according to classifications of gender it narrates an experience where we experience the film as gendered viewers. Film reflects and generates out own experience of gender over and above out own recognition and observation of it. (Pomerance 2001). Gender itself is a very complex concept to understand and portray onscreen, the concept of gender performativity was introduced by Judith butler in her book Gender Trouble: Gender Performance and Performativity.
It’s a classic comparison. Ancient vs modern. Misogyny vs liberation through love. The Taming of The Shrew vs 10 Things I Hate About You. Are these films love stories about men liberating women, or are they exercises in misogyny? The truth is, they are different films, made for different audiences, and when compared, the misogynistic contrast is evident between eras. The Taming Of The Shrew, filmed in 1967 by Franco Zeffirelli , depicts the extreme sexism of a classic William Shakespeare romance. Following the life of Katharina Minola, Zeffirelli’s film explores several themes, such as power, love, femininity, masculinity, dowry and relationships, all of which are prevalent in misogyny, when being displayed in the film. The plot generally stays true to the original text written by William Shakespeare in the 1590’s, and in this time the behaviours that are now considered misogynistic, were considered normal. Opposing this, is Gil Junger’s 1999 film, 10 Things I Hate
Hawkins (2017) stated that the definition of beauty has been shaped by society 's standards instead of what people actually look like. It signifies that the society sets up expectations of how we define beauty by manipulating beliefs of people to recognize that body shape, skin color, race, ethnicity, or anglicized features are what makes a person distinguish their beauty instead of what people actually look like in reality. This makes people believe that the beauty that they see, especially in films, is something that they need to attain in order to be considered as attractive.
First, gender stereotype; the Differentiating gender roles in the modern societies can be a perfect example of the negative social effects of using stereotypes in mass media. Nowadays, the differences between male and female roles are smaller, however, mass media still perpetuates traditional gender stereotypes so still seen in TV series. how is theThe man have has been and is still considered to be the financial providers, assertive and independent, whereas the women have been shown in lower-position jobs and careers