THE PERCEPTUAL PROCCESS
Architecture is nothing but creation of a space; it is what gives a physical form to this concept. This is why before creating it; we must understand how we see space & how we perceive it. Thus it is important to link architecture and human psychology to understand this process better.
Perception is the first step we take when interacting with space. It is the interface, our first contact with the surrounding environment. Hence, in this study of understanding the relationship between the built environment and human behavior it is essential to identify what perception really is and how can this process influence our interconnection with space - as users and as well as designers.
Defining the term perception is becoming
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The dimension of the space and its scale in relation with the body plays a vital role in dictating how the person feels within that space. It is a primitive tool of constructing and sensing the space is the body along with the haptic experience. The scale and dimension of a space has a huge impact on us. The experience of architecture is inseparable with the body movement in different spatial events. “As we open a door, body weight meets the weight of the door, legs measure the step as we ascend a stair, a hand strokes the handrail and the entire body moves diagonally and dramatically through space.” (Juhani …show more content…
By touching material we experience more than by what we can by only seeing the material. Structures have a visual effect but by touching them we feel more components of their construct. Hardness, Depth, Temperature these components can vary in materials that give the same visual impression. Touch can also reveal the history and the origin of the matter. “A pebble polished by waves is pleasurable to the hand, not only because of its shape, but because it expresses the slow process of its formation; a perfect pebble on the palm materializes duration, it is time turned into
(Maier
The use of text “sense of places” only focuses on the negative impacts of technology on culture and didn’t talk about the positives at all. But, if he used the word “perception”, he could be able to have better perspectives and convincing arguments against people’s spatial awareness of the risks and benefits of
The material world is the one we can see, touch, hear and smell, are just false truths of the reality. By relying just on your senses is making yourself blind from the real world. The world we see is a reflection of the forms the real world represents. By understanding these forms can lead to true
Author Rasmussen’s book Experiencing Architecture further elaborates on this architectural experience by emphasizing “You must observe how it was designed for a special
Body and objects are always discussed together in a relational sense. In ‘On Longing’, Susan Stewart discusses the body- object relation by way of scale, arguing that when we are presented with a miniature object we are invited into a different temporal and perceived space. The smallness of the object takes us into a private world and changes our focus from public to private spheres. She explains, “This is the daydream of the microscope: the daydream of life inside life, of significance multiplied infinitely within significance’ . This mode of significance and sphere of miniature scale, Stewart argues, returns us to a childlike state ‘the daydream of life inside life’ suggests the way we would play as children creating a safe domestic space,
We all have different ways of perceiving and making sense of the world around us. What an individual considers a golden opportunity another considers a threat. Perception is the process of receiving information about and making sense of the world around us (McShane et al., 2010: 88). Perception crafts our understanding of the world around us and allows us to act within our environment. Perception isn’t a notion a manager or team leader can directly access or fix in others.
Though this may seem as a simple objective, two main limitations stand in the way of achieving it. The first is the limited understanding of the human attachment/inclination towards nature. In spite of the growing body of research (Appleton, 1975; Kellert, 2005a; Heerwagen, 2005; Biederman & Vessel, 2006), still it is not clear why certain natural forms and settings arouse positive feelings in human beings. The second limitation is the difficulty of translating this limited -but growing- knowledge in architectural terms; form, form making principles, form language, structural systems…etc. (Alexander, 2001-2005; Salingaros & Bruce, 1999; Kellert,
Gottfried Semper was a major figure in the field of Interior designing. He was an architect and an art critic who contributed majorly to the study of interiors .He proposed his ideas and thoughts in his book, “Four elements of architecture”, in the year 1952 and it was a huge success. In his book, he developed the theory that origin of architecture could be dated back to the primitive era when human civilization was at its peak. As compared to the modern ideology that architecture consists of structures made from materials, his theory revolved around the four main elements of the primitive era that were essential to human life.
Tectonics is defined as the science or art of construction, both in relation to use and artistic design. It refers not just to the activity of making the materially requisite construction that answers certain needs but rather to the activity that raises this construction as an art form. It is concerned with the modeling of material to bring the material into presence - from the physical into the meta-physical world (Maulden, 1986). Since tectonics is primarily concerned with the making of architecture in a modern world, its value is seen as being a partial strategy for an architecture rooted in time and place therefore beginning to bring poetry in construction. Tectonics, however, has the capacity to create depth-ness of context resulting in the implicit story being told by the tectonic expression.
In this essay I will write about the strengths and weaknesses of perception as a way of knowing. Perception is the way we perceive the world through our senses. We use all five of our senses, which are sight, hearing, smell, taste and touch to understand the world and interpret it. We can then say it’s a Primary way of knowledge. We can also say that, because the senses is the way our body communicates, we have at least three more senses: kinesthetic sense, which is our awareness of our body’s dimensions and movement; vestibular sense, which is the awareness of the human’s balance and spacial orientation; and organic sense, which is the manifest of the internal organs (for example, hunger or thirst).
In the architectural realm these nonvisual experiences become important in how our space is perceived, how it makes people feel and even perform. The scale of architecture in relation to the person, the sensation a hand feels while touching a handrail, or the sound a person makes on the building as they walk: all of these