Essay On Stereotypes In Janie's Hair

Just something she had grabbed up to drape her dreams over” (Hurston 72). Janie figures out that Joe is not the man she had married when the “image of Jody tumbled down” she begins to understand that Joe was not at all significant to her because he never cared for her and instead he was a bad influence. Janie figures out that he “never was the flesh and blood figure of her dreams” the life she desires of with Joe Starks, is an allusion and Janie’s dreams are once again crushed. Janie is deceived by Joe because he represents empty dreams for Janie, he was a “drape [for] her dreams” Joe took advantage of Janie and manipulates her to do excessive labour for him in the store and constantly silences her. Furthermore, Joe Starks never treats Janie with respect as he views her as an object and spends his time commanding her.

Her unsuppressed sexuality produces the appearance of a wild and uncontrolled woman, but in her relations with men she proves to be tamed and submissive. She is used, and often abused, by her powerful lovers, firstly, the colonial representative, the Englishman who fathered her child, and, secondly, the new neocolonial delegates: the General and the tycoon. For the renowned movie star, these men were “all the same… Carrying around her used panties as if they were a fetish, like a piece of her they had carved off, like her skin” (Hagedorn,226). Sex, for her, is the means of support, it provides her with luxury and she willingly accepts the price she has to pay in return.

Janie disliked the rag, but said nothing because it please Joe. Janie would do anything to please her husband's. Hurston shows this through her text, “This business of the head rag irked her endlessly. But Jody was set on it”. This not only reveals the willingness Janir has to please her husbands, but also resembles the power her husbands had over Janie.

Her hair was NOT going to show in the store. It didn’t seem sensible at all. That was because Joe never told Janie how jealous he was. ”(p 55) When Jody dies Janie reveals her power and identity again by letting her hair free. She ignores what the townspeople have to say about it and

She lacks sexual determination. While Jasmine feels that sex is something that “he did that to everyone,” (11) when referring to the lifeguard, Erica still believes that one has to make a decision on whom to sleep with. After losing her virginity, Erica loses her naivety and gains full control of the situation to Erica, making her the subject of her own sentence, and allowing her to have total autonomy. She embraces her new sexuality. According to the article “Sexualities”, the genre of virginity loss is considered to be most popular and significant in the 21st century (McAlister 1).

She questions why Janie would marry a dark man like Tea Cake. Mrs. Turner falsely assumes, like the rest of the people form the town, that Janie only married Tea Cake for his money because she could not possibly love him. Janie informs Mrs. Turner that her assumption is incorrect because Tea Cake was not wealthy when they met, and he is the only person that has made her truly

Anne McClintock wrote her essay “Gonad the Barbarian and the Venus Flytrap: Portraying the female and male orgasm” to examine pornography and how it has changed throughout history and its effects on how women perform as sexual beings. McClintock focuses on the various roles of pornography such as its emphasis on voyeurism, pleasure, and the male ego. She wants her readers to know that women are still not represented in pornography to satisfy their own desires, but they are there to cater to men and their subconscious. I will analyze how McClintock argues that due to the history of sexism towards women, the roles that men and women have in pornography are inherently different because of the societal belief that women are only seen as objects of sexual desire and are solely there to satisfy the male audience.

As demonstrated within Deadwood Dick the Prince of the Road by Edward L. Wheeler, the critique of the manhood is presented with Calamity Jane, who exerts her femininity in the form of a rugged masculine persona. Jane, whose reputation for dressing like a man and being able to shoot like a cowboy, often makes her audience question her sexuality, but not in terms of merely preference, but as a role within the Western society. Ultimately, in Wheeler’s novel, Deadwood remains unmarried and without an inherited fortune--automatically denouncing his success

Janie was married three times and slowly changed significantly with each marriage. These life changes are reflected in some articles of clothing that are symbolic of what she is going through. Janie changes throughout the novel which is reflected in the apron she wears when she is forced to work for her first husband, the head rag that Joe uses to restrict

Janie the protagonist of the book Their Eyes Were Watching God is introduced as a forty-year-old harlot by the woman on the porch. “They made burning statements with questions, and killing tools out of laughs” (pg 2). From this porch Janie’s best friend Pheoby comes in to save her rep, Pheoby refutes, saying “You mad ‘cause she didn’t stop and tell us all her business” (pg 3). From this friendship we see that Janie is not a harlot she is just the talk of the neighborhood; she describes it as “Mouth-Almighty … got me up in they mouth now” (pg 5) . She then replies to the gossipers saying “They don’t know if life is a mess of corn-meal dumplings, and if love is a bed-quilt” (pg 6).

Janie goes along with Jody’s requests for a while before she realizes what he is doing to her. Jody needed to have complete dominance of everything in Janie’s life to be content with their relationship, and when Janie had different opinions than his, this caused problems in their relationship. In another instance, Jody insults Janie’s age, which leads to a significant argument between them. When Jody insults Janie, it is accepted in their society, but Janie finally gets fed up when she says, “But Ah’m uh woman every inch of me, and Ah know it. Dat’s uh whole lot

While working in the store, Joe makes Janie wear a head rag so that it would cover up her hair from the other men gazing at her luscious hair. Hurston writes about Janie’s realization of her situation by mentioning, “Her hair was NOT going to show in the store….She was there in the store for him to look at, not those others” (Hurston 73). Joe clearly illustrates that Janie’s sole purpose is to serve and please only him. Joe will do as much as to demand Janie to wear her hair in certain ways so it doesn’t distract any of the

This reflects her rebellious spirit and desire for independence. By her ignoring what is socially acceptable, she portrays as a modern woman now by being independent but desiring to have a family. Another way Janie’s hair is used as a symbol is showing her masculinity. By describing her hair in a masculine way, it implies the power she has desire. Which ultimately shatters the gender wall that separates them, making her free from the norm.

The novel 's plot is driven by Janie 's series of relationships with different men: a kiss with Johnny Taylor, followed by marriages with Logan Killicks, Jody Starks and finally, Tea Cake. Logan Killicks and Jody Starks see Janie as defined by her relationship with them, and expect her to be obedient, silent and proper. Jody sees her as a kind of ornament that bolsters his social standing and that helps to justify his efforts to assert control over everyone, men and women alike. Tea Cake, in contrast, defines himself not by political power but rather by his physical strength and ability to have fun. Even while Tea Cake treats Janie as an equal, there still exists a certain power struggle in Janie 's relationship with him, as her increasing ability to recognize her needs as an individual throughout the novel emerges in response to Tea Cake 's treatment of her.

Eliza Haywood writes the cautionary tale Fantomina in order to instruct women against pursuing their sexual desires. The protagonist, an unnamed “Lady of distinguished Birth” (41), secretly pursued her desires for Beauplaisir under the guise of four different personas, ultimately leading to the ruin of her reputation and being sent to live in a monastery. I will refer to the main character when she is not disguised as the protagonist to avoid confusion. I will be discussing female sexuality, where I will be focussing on certain aspects including sexual identity, sexual behaviour, and how social and religious aspects affect this sexuality. I will argue that Haywood uses the cautionary tale in order to represent female sexuality as distinguishable