Travel has been an essential part of existence for both the human and nun-human entities for number of reasons. Human travellers have earnestly felt the need of recording and narrating these different travel experiences. Attempts have been made to convert such experiences into written documents, and though such accounts are available now in abundance, the genre of travel writing has been considered as marginalized in the gamut of literary studies/academia. But at the same time, the genre of travel writing has always been a very accommodative in its themes, narrations and techniques, it is earning acceptance in the modern era as a form of literature. Travel narrators extend the same experience of delight and knowledge to their readers which they had enjoyed and made them relish variety of different cultures. There is an intersection of different cultures for a traveller at a different and foreign land. This vantage point generates dialogue between two …show more content…
Accounts of travel satisfy a reader’s curiosity about foreign countries and ‘strange’ experiences; depending on the type of journey and the place involved, they may also fulfil a need for adventure. A traveller tries to capture lives on a different and foreign land and develop communication between two or more different cultures. Travel writing implies decoding an unknown, unfamiliar culture and recording it in terms of another known and familiar culture; it is an act of translating a culture, it provides a space in-between. Travel is a cultural comparison, an intercultural perception, a dynamic act of cultural translation and cultural construction, which is entangled in time and space. The resulting travel literature is, therefore, an interface of two cultures, one editing the other. In this process, the traveller’s own country may equally be the object of his or her
One may counter this quite controversial technique. These re-enactments of explanations are how Richter reasonably devised the Indians’ point of view. However, chapter-by-chapter, this stylistic approach laces together diverse material into a single narrative thread.
In extraordinary scene, a remarkable cast of characters encountered adversity of epic proportions and struggled through one adventure after another. U.S. n novelist Willa Cather once noted that there are only two or three great human stories—and that we are destined to keep reiterating them perpetually again. One of these is the peregrination. Some of the oldest Indian stories are about journey. There are the peregrination of African s and Europeans approach to North America, settlers pushing west by way of the Oregon Trail and the transcontinental railroute , and Chinese women and men peregrinating from seat such as Shanghai and Guangdong Province to California, Idaho and Wyoming.
Throughout the book Braided Lives many cultural clashes are brought forth and developed. The roots for these clashes are deep within the differences of religion, language and race in others and in oneself. Examples of cultural clash can be found within Native American, Spanish and English cultures, and developed as many of these different cultures find themselves in contact with each other and things they don’t understand. In the story “Man to Send Rainclouds” two Indian men plan to bury their grandfather in the old ways of their ancestors.
He has been instrumental in teaching her about their heritage, culture, and their lifestyles. Comparatively, the story "Borders" by Thomas King has a comparable presentation; but
People from various ethnicities are moving and have moved, settled and become citizens of countries other than their ancestors’. Even today, there is discrimination based on looks and the parent country just as the Japanese Americans were discriminated against, although in different ways. Today, people struggle with identity problems and the problem of nationality. Like Oliver Goldsmith, there are few who claim to be citizens of not of any country, but citizens of the world. There are several who adopt and choose a country to be their own and call it their own.
“Once More to the Lake” by E.B White, and “Summerland” by Peter Jon Lindberg are examples of great traveling experiences “to lose and find ourselves.” In these essays there is not any travel solely for adventure, but mostly for a tradition. They show us that traveling does not really need to be just “about the unfamiliar, the discovered, the passport full of stamps” (Lindberg), but may also be to regret nothing from the trip, even if it was unexpected. In his essay, White addressed his most hidden thoughts and feelings about mortality in a beautiful way, which leads him to lose and find himself. His flashback began the first time White brought his son to the lake in Maine where, after many years since he had come with his father for summer vacation, he became confused by his role.
Everybody judges others, despite being right or wrong, it’s the way people act upon those judgements that shows their true character. In a travel or any type of writing there is either reporting or producing. When the author is reporting what they are writing about, they try to be as accurate as possible and stay open-minded. However, when you produce you are already have an opinion on the matter and are more close-minded. Their composition about their subject is based more off of their own personal perspective than the reality of the situation.
He divides his essay into two parts that of the tourists and students, explaining how humans are consumers that need to come to a more logical conclusion of experience, illustrating that their ways of interpretation need to be changed. An American couple travel to Mexico in hopes of finding “it” in order to return home. Percy gives this example as a way to refer to the development of the “symbolic complex” in society. The couple are tourists with preconceived notions on what to expect and what to experience during their travels.
Literature is a nice way to view American society. Several scholars have analyzed the social and economic forces in American life following WWII. Martyn J. Lee describes this period as involving a “foreclosure of economic contingency via a process of bureaucratic planning and calculation” (Lee 93) that developed “an economy of symbolic or cultural goods […] aligned sympathetically with Capitalism’s fundamental objective” (Lee 18). This alignment required “the agencies of capital to turn their attention towards […] prevailing familial, kinship, gender” and other relations (Lee 67) to ensure the transformation of individuals into consumers (Johnston 105). Poets went against this kind of framework, their drive was counter culture, if there is
The travel market had expanded from the male elite to include male and female travellers from the “middling sort” and as result, a profusion of travel related letters were written to private correspondents. A large number of these letters were collected, collated and entered onto a the Grand Tour Database (www.grandtour.amdigital.co.uk.) together with published collations and travel guides that formed a genre of factual and entertaining travelogues and guides related guides which were widely circulated for those about to travel and for those interested in, but unable to afford foreign travel. Both printed and personal correspondence allowed its reader to extend their understanding of places, cultures and social structures. (Goodrich, A. Chapter 17pp24-25)
The novel, “There There” by Tommy Orange follows the stories of a plethora of characters, sharing many unique experiences with the readers. Themes of gender, identity, community, race, and assimilation can be seen throughout these stories, as the characters experience them firsthand. The journeys these characters experience connect these themes to the terms culture, multiracial person, and stereotype through showcasing the impact that these terms have on the characters and their stories. Culture is a term referring to the practices, arts, and achievements of a nation or group of people. Strong traces of culture can be seen throughout the novel, as the characters all have unique experiences with the same culture.
Many people who take trips to other countries use it to escape the boredom of their own life and to have fun in another country. Taking vacations can provide excitement when heading to different locales, give a person the tastes and sights of a new place, and overall provide a sense of pleasure to a tourist. However, there is an aspect of this that many tourists do not get to see. In her essay A Small Place, author Jamaica Kincaid makes this aspect very clear. Kincaid, along with many other natives of foreign islands, believes that tourists are “ugly human being[s]” who seemingly feed off the boredom and desperation of the natives of a certain place, creating a source of pleasure for themselves (Kincaid 262).
Through the fluctuated characters of Badami, the novel highlights the cultural conflict between east and west in the form of physical as well as emotional integration. Igor Maver writes, “There has recently emerged a pronounced shift to emphasis in contemporary Canadian diasporic writing, for many new texts are set outside Canada and feature reversed migration back to a home place by a westernized / Canadian protagonist who does not so much want to return home as to write back home (e.g. Anita Rau Badami, Michael Ondadje, Janice Kulyk Keefer, Rohinton Ministry, M.G. Vassanji etc.)” The Hero’s Walk is a milieu fluctuates from Toturpuram to Vancouver. A cosmic cultural bay separates the two places.
By using “travel companions,” writers are trying not only to acquaint the the reader with racial issues but to show HOW these issues affect others in society. The extent and of the problem and the contexts of the encountered problems are different. In the poem, while narrator doesn 't explicitly discuss the issue of racial discrimination, she describes this problem as " life long practice.” On the other hand, author of the second text, explicitly detests what she has seen in the Johannesburg, but it 's her “first time
Most people dream about sudden trips to exotic lands or planned voyages to previously familiar locations, but what is it that drives us to seek to leave our home? Why is it that we travel, even if we are completely comfortable in the country we live in? Pico Iyer, in his travel essay titled ‘Why We Travel’ states different reasons why he believes we seek the unknown. One of the points he claims that we travel for the “self and anonymity”. As he expands on this idea, it is clear to the reader that Iyer believes one of the reasons we travel is to be able to be “free of caste and job and standing” in order to better comprehend ourselves.