Playing God as a Fallen Angel
As scientific progress continues to charge forward at an increasingly rapid pace, the ethical implications of certain areas of research have become increasingly blatant. Stem cell research is a discipline of science that attempts to procure human stem cells in order to develop new ways to treat various diseases. Stem cells are cells that have not become specialized for a certain role in the body yet and are thought to hold the key to solving countless physiological problems; the downside of researching the cells comes from their origin, which is most often a fetus, and even after technological developments allowing for non-fetal cells to be used, the moral implications have still been debated by many. The ethical
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Victor is desensitized to the typical reverence one may hold for the dead, considering “a churchyard… merely the receptacle of bodies deprived of life, which, from being the seat of beauty and strength, had become food for the worm” (Shelley 171). Though he is handling one of the most somber and serious matters in human existence itself, Victor is entirely numb to any sentiment or respect the typical person has for the dead. In a similar vein, stem cell researchers must force themselves into this stoic and unfeeling state before performing their work, or else be riddled with distress while they fiddle with human parts. Victor, in his eagerness to create life from death, scours the graveyard for supplies, asking himself “Who shall conceive the horrors of my secret toil as I dabbled among the unhallowed damps of the grave or tortured the living animal to animate the lifeless clay?” (Shelley 173). Victor may have enough self-awareness to recognize the reprehensible nature of his actions, but not enough to actually put a stop to them. Just as Victor is, stem cell researchers are conscious of the moral objections to their actions, yet they still plow ahead with their …show more content…
At the success of his experiment, Victor’s perspective towards his creation immediately takes a left turn, changing from hopeful optimism to a state of torment and fear brought about as a product of his toils. Though the ramifications of highly experimental stem cell research such as tetraploid complementation are unknown as of today, their excitement as of recent is still analogous to the hopefulness Victor possessed before the tragedy that befell him. In response to the creature’s murder of Victor’s younger brother, he laments “But I, the true murderer, felt the never-dying worm alive in my bosom, which allowed of no hope or consolation” (Shelley 196). Victor may not have wrung his brother’s neck with his own hands, but upon realizing that the monster had done so, he is wracked with guilt as if he had. Although he is hounded with regret upon seeing the damage the fiend can inflict, Victor once felt a sense of excitement at the prospect of his findings before they truly manifested themselves, perhaps foreshadowing what may be to come in the process of stem cell research. Stem cell
Victor studied anatomy and became fascinated with the thought of making life from the dead. Soon, he put a plan into action and began his endeavor to fulfill his fantasy. He “dabbled among the unhallowed damps of the grave, [and] tortured the living animal to animate the lifeless clay.” (p. 48-49) This is evidence of Victor’s early immoral judgments as he tortured animals and stole from graves in order to create life from cadavers.
While Victor is at college he makes the decision that the best and only way for him to gain glory is to be the first man to create life. After Victor “had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (45) in order to gain glory and fame he claims that “[he] imagined that the monster seized [him]; [he] struggled furiously, and fell down in a fit” (48). Victor remains mentally ill for a long period of time while his creation dangerously goes out into the world with minimal knowledge to fulfill his own needs. Victor believes that he falls ill because of his fear of the creature making it out to be a monstrosity when it is actually his own ambition that scares him the most. Virginia Brackett comments on the way Victor continues to shift blame and makes the creature out to be a monster because he begins to regret the decisions that his ambition lead him to
Victor was a young boy when his curiosity sparked an interest in modern science and natural philosophy. After spending his childhood reading about philosophers and alchemists, he entered the University of Ingolstadt to continue pursuing these interests. He soon met a professor who inspired his new found attention to the mysteries of creation. However, his curiosity soon turned into an obsession and Victor spent the next few years researching the fundamental concept of life. He began isolating himself from family and friends and spent all his time deep in research, deprived of sleep and health.
Once Victor is acquainted with modern science and contributes it to his current studies, he discovers that creating life through electricity is possible on a large scale. His immediate idea is to ”attempt the creation of a being like myself” without having any previous experimentation or analysis to base his assessment upon (Shelley 53). Although he pondered the thought of creating a simpler project, his ignorance led him away as he “pursued nature to her hiding-places” (Shelley 53). Not understanding what he had created, Victor cast the creature away, ignoring the creature’s need for proper nurturing and affection. His drive for harnessing life also made him grow ignorant of his personal needs.
Many people, after experiencing the loss of something they love, experience a period of grieving, as they learn to cope with the loss. No two people will grieve the same, and learning how to not let the sadness of the loss consume one’s life is necessary to live with the loss. However, in Mary Shelley’s “Frankenstein,” the narrator, Victor, never truly processes the death of his mother, instead pushing his grief aside and burying himself in his school work, as a result of his complicated family dynamics. The complex relationships in Victor’s family complicate his grieving process for his mother, causing him to completely neglect his emotions.
Ignorant of the implications of his work, Victor creates a living creature that he himself regards with disgust and horror. Out of fear, Victor abandons
Mary Shelley's novel Frankenstein examines the moral dilemmas brought on by scientific advancement. Victor Frankenstein, a young scientist in the story, uses science in unnatural ways to create a creature. Shelley poses questions about the ethics of science and the potential effects of unchecked scientific ambition through the lens of Victor's experiences. Through the use of imagery, characterization and foreshadowing, Shelley is able to convey the potential consequences of neglecting ethical consideration.
In this, Victor brought up things that no mortal should know about, such as: cloning, stem cell research, and IVFs. Examples of these were shown when the author states, “It was the secrets of heaven and earth that I desired to learn… my inquiries were directed to the metaphysical… the physical secrets of the world” (43). Victor is knowingly tampering with knowledge that is essentially too great for man. He is also essentially trying to be like God, which is the original sin, and as a result, he is put in eternal despair.
Although Shelley’s Victor abandons his creation because of horror, shame, and disappointment, Branagh’s Victor tries to help the Creature before realizing he is dead and leaving him behind. Because he is overly conceited, this scientist expects to create a being that reflects his perfection. However, he is horrified and disgusted when he realizes that his creation is different from what he has envisioned (Shelley 35). Indeed, the Creature, instead of being beautiful, has a “yellow skin [that] scarcely covered the work of muscles and arteries beneath . . . watery eyes . .
Victor is stirred by his work, but not in a positive manner. He goes on to explain his feelings towards the creature by saying, “… my heart sickened and my feelings were altered to those of horror and hatred” (136). Victor is so bewildered and repulsed by the creature that he misses key signs of violence, from the creature, that may have saved Victor’s family had he not been so
Kelsi Hostetler Mrs. Holloman ENG 1113 March 29, 2023 Victim of the World In Mary W. Shelley’s novel Frankenstein, Victor Frankenstein creates a living being. Although he creates this being for science with good intentions, Frankenstein slowly kills the creature with his rejection and mistreatment. Not only does he lie to this creature, but he also rejects him, leaving him alone and isolated. While many argue that Victor is the victim of the novel because he suffers the deaths of most of his family, Shelley’s intended victim is the creature because he suffers from Victor’s abandonment, society’s harsh rejection, and the denial of any chance of happiness.
Victor would stop at nothing to finish his project and became so obsessed that he was isolated from his family and friends. His way of collecting lifeless matter for his creation is unethical and morally wrong. Eventually, he is punished for his actions: “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body.” (pg.56) Additionally, extreme devotion to the building of his creation caused Victor mental distress due to the fact that he neglected his own needs in order to work exclusively on the creature: “I had deprived myself of rest and health.”
Victor never listened to the warnings that Henry Clerval gave him and still went ahead with his experiment, even after knowing the potential consequences. He put his friend in harm's way and gave no thought to the danger he was putting him in. When Henry decided to leave him, Victor could not understand why he was doing so. He should have taken responsibility for his actions and listened to his friend's
For this I had deprived myself of rest and health”(p 42). Victor devoted his entire life to a science experiment that would become his biggest regret. When Victor first laid eyes on the creature he realized what kind
Shelley’s novel encompasses the unknown and how ambition drove Victor’s passions, ultimately leading him to the tragic end with many other bumps in the road along the way. As Victor had been in the study of life and its cause, the death of his mother had catalyzed a movement of grief which had started, “…depriv[ing him]self of rest and health. [Which he] had desired it with an ardour that far exceeded moderation…” (Shelley 35). Even though he knew that he had been raiding graveyards, Victor believed that he created the body with the ‘finest body parts’ available.