Eurydice V. Osterman Analysis
WHAT GOD SAYS ABOUT MUSIC Eurydice V. Osterman, D.M.A. AWSAHM MUSIC, INC. P.O. Box 3586 Huntsville, AL 35810-0586 Copyright 1997 by Eurydice V. Osterman Huntsville, Alabama Edited by Oliver J. Davis, D.A. Cover Design by Howard Bullard, Oakwood College Graphixx Author’s Photo by Glamor Shots All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system without written permission from the author. For information, address AWSAHM MUSIC, INC., P.O. Box 3586, Huntsville, AL 35810-0586. ISBN 0-9661690-0-X Library of Congress Card Number: 97-94873 …show more content…
MUSIC MINISTRY.............................................................................................................. 9. SINGING IN WORSHIP........................................................................................................ 10. INSTRUMENTS IN WORSHIP........................................................................................... 11. THE “HOLY” DANCE...................................................................................................... 12. THE EFFECTS OF MUSIC UPON THE MIND AND THE BODY.................................... 13. SECULAR MUSIC............................................................................................................... DEDICATION This book is dedicated to my mother, Ella L. Osterman, for the musical genes that she passed on to me; for the training that she provided; and for all of the prayers, encouragement, and support that she has given me through the years. iv …show more content…
To say that a song is “sacred” when in fact the nuances of the music, the beat, and even some of the lyrics imply sensuality is indeed bearing a false witness. This is a common occurrence in crossover songs of “religious pop music.” Take for instance, phrases like “no one can love me like you do,” “I need your love,” or “you bring your love to keep me warm.” Songs like these have reduced God’s pure and holy love (agape’) to mere human eroticism. If the lyrics and the character of the music do not reflect the principles of Christianity, then they indeed bear a false witness. “An intention to deceive is what constitutes falsehood... Every hint or insinuation calculated to convey an erroneous or exaggerated impression, even the statement of facts in such a manner as to mislead, is falsehood” (White: PP
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1295 Words | 6 PagesDeception comes in many forms and can be seen in all kind of ways but mainly when someone purposely causes someone to believe something that isn 't true to gain a personal advantage. Many authors use this tactic in their plays books and other literary work like in the play Hamlet by William Shakespeare, the author uses the technique of deception to mislead Claudius, Gertrude, himself, Ophelia and his friends Rosencrantz and Guildenstern to spare their feelings and to carry out a crime. Hamlet uses deception throughout the novel, but one way is to distract everyone from his true intention which is to gather information against Claudius to prove he killed his father. Shakespeare contributes all this back into his work by making each character in the play enact on some form of deceit to uncover the obscure truth.
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