The first chapter in How to Read Literature Like a Professor: a Lively and Entertaining Guide to Reading Between the Line by Thomas Foster, that I was able to draw a parallel with was “Every Trip is a Quest”. Within this chapter the author explains how the standard creator may loosely base their writing around the design of a quest. As a result, the author starts with a character who orders another to journey somewhere, to retrieve something, and then the character comes to a revelation about their life in the greater scheme. Foster stresses the importance in the knowledge that these minuscule errands the characters always seem to detect a growth in self- knowledge. Additionally, Foster introduces the concept of a standard pattern, he describes …show more content…
Finally by the end of act two, the reader catches that the trip to the Capulet party has now become the quest for a forbidden love. However, Foster made another brilliant argument; “You don’t believe me. Then why does the stated goal fade away? We hear less and less about the will and the estate as the story goes on, and even the surrogate goal, the mystery of the postal conspiracy, remains unsolved” (Foster 5). Remembering back to plot in Romeo and Juliet, Romeo states that his objective in traveling to the party was to rendezvous his ex- girlfriend - Rosaline. “At this same ancient feast of the Capulet’s, Sups the fair Rosaline whom thou so lovest…” (Shakespeare 11). After he arrives at the party his initial intention seems to disappear, and thereafter the party, we never learn of the name Rosaline again. Subsequently, when any reader understands this pattern that so many writers use, noticing it within other works of literature will be fairly
How to Read Literature like a Professor Connections Chapter 1: Every Trip Is a Quest (Except When It’s Not) The main idea of this chapter is literally the title. Every trip is a quest, mostly, whether or not it is stated. There are certain factors that you notice while reading that will give it away.
The underlying theme of the play, Romeo and Juliet by William Shakespeare was the clash between the company pursuing their personal desires or deciding to conform to what is socially expected. The circumstances of this affray were on display when Romeo presented his plot of marrying Juliet to Friar Laurence. The consequences of Romeo deciding to pursue personal desire were also on display when displayed his disapproval to his punishment for extirpating Tybalt. These instances culminate Shakespeare's idea of that the pursuit of personal desire not always rewarding the aspirant. The asininity of carelessly pursuing your personal desires and not thinking about the ramifications was on display when Romeo presented his notion of espousing Juliet.
Thomas C. Foster’s How to Read Like a Professor highlights “the quest” or journey, in terms of literature, as a dominant story structure. A quest can be distinguished as an expedition of self-knowledge. The journey’s purpose, in most cases, does not involve the original or stated intent. The literary quest consists of a person, a place, a stated reason, an obstacle, and a true intention. For Example, in J.D Salinger's cult 20th-century classic novel, The Catcher in the Rye, Holden Caulfield's city explorations serve as a tool to break the cynical self-loathing shell surrounding him.
The plan is to fake Juliet’s death even though there were much simpler ways to reunite the lover. However, it is said that acts of deception are more likely to fall through and cause damage than acts of forthrightness. This means that the friar, instead of lying and scheming, should have either told the two households about the marriage or not have married the two children at all. At the end even Friar says “A greater power than
Capulet was keeping a bad relationship with Montague’s family and objecting Juliet’s love with Romeo thoroughly. Finally, he became a villain who forced Juliet to marry Parris who belongs to other family, not Romeo and gives them tragic ending as they all killed themselves. Also, he is
Behind each movie lies the meaningful aspects and significant features worth noticing. All movies and books can be carefully examined and interpreted. Thomas C. Foster’s How to Read Literature Like a Professor provides a new view on interpreting literature. In the novel, Foster identifies and analyzes common patterns, themes, and motifs found in literature, many of which are also present in Disney’s film, Maleficent. This movie showcases several of his ideas, including quests, flight, geography, and symbolism.
This goes against the family feud as Montagues and Capulets are supposed to hate each other. His love of Rosaline motivates him to trespass on Capulet property where he meets his next love, Juliet Capulet. Even though he is
How to Read Literature Like a professor chapter1 In the first chapter of How to Read Literature Like a professor author Thomas C. Foster discusses how almost every story has some type of quest, the title of chapter is “ Every Trip Is a Quest (Except When It’s Not)” he clearly alludes to the fact that the chapter is about the quest aspect of a story and its significance. As the chapter developed Foster began to cover the essentials of a quest and the purpose behind a quest, according to him there are five significant aspects of a quest “(a) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, and (e) a real reason to go there. He then expands of each of these things.
Every Trip Is A Quest For many people who study literature almost all works of literature are related to eachother in some way or another. The most common relationship found between texts is some structure of a quest. In Thomas C. Foster’s book How to Read Literature Like a Professor a quest is described as “[consisting] of five things: A quester, a place to go, a stated reason to go there, challenges and trials, and a real reason to go there”(3).
The fact that these two lovers still had the chance to cross each other’s paths despite the clash of their families, shows that fate was in full control of their lives. In the first act, a Capulet serving man comes across Romeo and Benvolio and unaware that they’re Montagues, he invites them to the Capulet party, “My master is the great rich Capulet, and if you be not of the house of Montagues, I pray come and crush a cup of wine.” (l.ii.80-82). It is by fate that Romeo and Benvolio ran into the illiterate Capulet serving man who asked for their help and by gratitude, invites them to the party, at which Romeo is destined that he will meet his love, Juliet. When Romeo attends the party, he already foreshadows what destiny had in store for him, “With this night’s revels and expire the term/Of a despised life clos’d in my breast,/By some vile forfeit of untimely death.”
Choices and Consequences in Romeo & Juliet (ROUGH DRAFT) Many choices in Romeo & Juliet lead to Romeo and Juliet’s deaths, but the most responsible are the decisions of Romeo and Juliet. Even though the choices of people like Friar Laurence, Tybalt, and Lord Capulet lead to the deaths of Romeo & Juliet, the choices Romeo and Juliet make throughout the play ultimately leads to their death because of Romeo and Juliet’s decision to be married and Romeo’s decision to go to the party. Romeo’s choice to go the Capulet party is the most influential and contributing to the deaths of Romeo and Juliet. Due to Romeo’s depression Mercutio & Benvolio convince him to go to the Capulet party.
After receiving their help the serving man invites them to the Capulet’s party, “and, if you be not / of the house of Montague’s, I pray come and crush a / cup of wine”. Shakespeare uses dramatic irony in this line as the audience, unlike the other characters are aware of the fact that Romeo is a Montague. The use of this technique to is to put the audience above the other characters and forces them to anticipate the moment when the other characters will find out the truth. It was by fate that the serving man chose Romeo and Benvolio out of all people to assist him in reading an invite to the Capulet’s party. From the beginning play, Romeo is shown to have a special relationship with fate, which is illustrated by the several visions he as of his unfortunate death.
As the Capulet house plans Juliet and Paris’ wedding . Capulet believes it will help her depression, because he thinks that she is still sad about the passing of Tybalt, a loved relative . but he is not knowledgeable of her already husband Romeo. Thus wedding being moved up a day earlier, he also states , “Send for the county.
The prologue explains that the Montague and Capulet families have had a long lasting disagreement and it has been taken to a whole new level, where blood is being spilt on the streets of “fair Verona”. The feud between the families’ acts as a pressure cooker throughout the play and reinforces the majority of the character’s actions and events which take place. The family feud causes civil unrest in Verona and the city is consumed by it. Had there not been a dispute between the families, Juliet and Romeo would have no reason to hide their love and marriage. Similarly, Friar Lawrence would not have to contribute and devise a plan for the couple to escape.
Romeo and Juliet: Pursuit of Happiness Essay by Grace Kabengele Life is full of twists and turns in which we are trying to steer ourselves towards the correct path. Occasionally we made need the help of other individuals, in an attempt, to gain contentment, and in order to individually appease our emotions and regain individual complacentment. So, in order to, achieve true bliss shall we search within ourselves or seek refuge in our encounters with other people. In William Shakespeare's play Romeo and Juliet, Romeo is aware that he will only truly be happy through his close associations with his peers and his soul mate Juliet. In the course of the play it is evident that Romeo understands that to seek his true Gratification, he must rely on his acquaintances and Juliet to encounter his euphoric world.