“Never affirm, always allude: allusions are made to test the spirit and probe the heart.” Here, Umberto Eco speaks of the power of allusions. One simple reference can stimulate hundreds of ideas, relations, and images in a reader’s head. Allusions guide the reader on the journey to understanding a work as a whole. Shakespeare, inventor of over 1700 commonly used words, and one of the most quoted authors of all time, used allusions to enhance his works. In Romeo and Juliet, Shakespeare frequently alludes to Cupid, the Roman god of love. This sustained allusion occurs in order to show how fate influences Romeo’s love. Since fate was a common belief in the Elizabethan era, Shakespeare used the allusion to Cupid in order to show how Romeo and Juliet were fated to fall in love, and this sustained allusion affects the work in many ways. In Romeo and Juliet, Shakespeare alludes to Cupid, the Roman …show more content…
Mercutio, who continually acts as the comedic relief in the play, conveys his hidden wisdom in the form of jokes. When he learns that Tybalt has challenged Romeo to a duel, he facetiously proclaims, “Alas, poor Romeo, he is already dead!...the very pin of his heart/cleft with the blind bow-boy’s butt-shaft; and is he a/ man to encounter Tybalt?”(II.iiii. 16-18) Mercutio wisely suggests that one so consumed with grief as Romeo cannot possibly duel Tybalt and win. But perhaps even more wisely, Mercutio suggests that Cupid only hit Romeo with the butt-shaft of his arrow, meaning that he had a limited influence on Romeo falling in love with Rosaline. But by this point, unbeknownst to Mercutio, Romeo has already fallen in love with Juliet. However, Mercutio’s words could also demonstrate how Romeo’s love for Juliet occurred without much persuasion on Cupid’s part. All in all, this final allusion in reference to Cupid introduces the fact that Romeo may have more control of his love than he
As Mercutio and Tybalt fight, Romeo intervenes and in doing so, Tybalt stabs Mercutio under Romeo’s arm. After the death of Mercutio, Romeo is disheartened by his death and avenges his friend by murdering Tybalt.
Why Mercutio Died For many, the death of Mercutio came as a shock while reading Romeo and Juliet. As royalty, Mercutio is one of the only characters that can roam freely between the houses without wreaking havoc and offending either rivaling family. Mercutio’s role in the play is described as comedic relief. He has a way of distracting the audience from the impending tragedies.
Tybalt and Mercutio want to fight, but Romeo tries to stop it. He fails, and Mercutio dies. This angers Romeo and he chases after Tybalt and kills him. “That late thou gavest me; for Mercutio’s soul/Is but a little way above our heads,/Staying for thine to keep him company./Either thou or I,or both, must go with him.”
When Romeo refuses to fight, Tybalt and Mercutio become angry and fight each other. The result of this fight is that Tybalt stabs Mercutio underneath Romeo's arm. Once realising what he has done Tybalt flees from the scene of the fight. When he comes back to finish what he started, he ensures Romeo, “Thou, wretched boy, that didst consort him here. Shalt with him hence.
There are many characters in Romeo and Juliet that are interesting in personality and actions, but Romeo and Mercutio have a special bond to each other. They are foils in the play, meaning their two personalities and actions offset each other. When Romeo is sad and heartbroken, Mercutio is there to joke and tease Romeo about his terrible love life. When Romeo is complaining about how love is, “Too rough, too rude, too boist’rous,” (Act 1, IV) Mercutio replies with a joking statement of, “If love be rough with you, be rough with love; Prick love for pricking, and you beat love down.” (Act 1, IV)This small retort shows that the characters are nearly opposites, but could not be foils if they were not alike in many ways.
In the beginning of the story, Mercutio tries hard to cheer Romeo up from being so heartbroken. Mercutio is invited to go to the Capulet’s party and Romeo sees that Rosaline is invited
Mercutio is one of the most intelligent characters is this play. In this quote Mercutio is telling Romeo that he shouldn't let a dream he had keep him from doing what he wants. "True I talk of dreams which are children of an idle brain. Begot from nothing but vain fantasy; Which is thin of substance as the air, and more inconsistent than the air. Who woos even now the frozen bosom of the north and being angered puffs away from thence turning his face to the dew dropping south.
Mercutio is different from Romeo because he does not believe in love and makes fun of Romeo and falling in love so heavily all the time. When Romeo describes his love for Rosaline using a rose with thorns as a metaphor. Mercutio laughs and says ”If love be rough with you, be rough with love; Prick love for pricking and you beat love down”(I.4.27-28). In another scenario of Romeo and Mercutio’s foils is when Romeo tells his friends about a dream he had about the party and is expecting a disastrous outcome of the party. Mercutio makes fun of Romeo because he does not believe that dreams can become visions of impending danger.
Placing the Blame The Tragedy of Romeo and Juliet truly becomes a tragedy once Mercutio, Romeo’s close friend, is killed by the hand of Tybalt. Multiple claims could be made regarding who is responsible for Mercutio’s death, but he himself is ultimately to blame. Once Tybalt approaches him, Mercutio begins to instigate. The heat at the time of this scene was hardly bearable, making matters worse as Mercutio quickly becomes irritable. He made insulting comments and aggravating remarks, pushing Tybalt to the point of fighting.
Mercutio is making light of Romeo’s deep depressing love for Rosaline, he’s mocking love and making it a joke. This creates an emphasis on Romeo’s utter affixation with love. Mercutio’s playfulness and ability to make a serious subject humorous and reasonable bring out the deep, dark, and depressing side of Romeo, who is completely the opposite when it comes to love. Romeo does not see love as a joke and we see him fall into a depression, Mercutio only makes this sadness more apparent as he talks so jokingly of love. Shakespeare uses Mercutio to lighten Romeo’s depression and make it more
In doing this, Mercutio is killed by Tybalt all because Mercutio tried to honor Romeo. In this quote Tybalt shames Romeo for not accepting his challenge for a duel. “Romeo, the love I bear thee can afford No better term than this:
In Shakespeare's tragic play, “Romeo and Juliet” the climax had reached its limit in Act III. Before the two lovers thought about a different route to take all because of Romeo’s impulsive decision, the turning point started to take off in Act II when Mercutio and Tybalt had an argument. On page 846, line 64, Tybalt states, “ Boy, this shall not excuse the injuries that thou hast done me; therefore turn and draw.” After Romeo tried to plead with Tybalt to stop the foolish argument, Tybalt ignored what he said and still begged for a fight. This childish argument that could've been avoided soon led to Mercutio getting murdered by Tybalt.
In this passage, Shakespeare utilizes metaphor and negative diction to characterize Romeo as a person who is conflicted and frustrated by love, which ultimately reveals the theme that love is uncontrollable, conflicting, and short-lived. Towards the end of act 1 scene 1, Romeo still has a big crush on Rosaline, but Rosaline has no feelings for him. Hence, Romeo experienced a sense of depression and is conflicted by love. In this passage, Shakespeare uses numerous metaphors. “Love is a smoke raised with the fume of sighs.”
Tybalt challenges Romeo to a duel and he declines the challenge and insists that he won’t fight Tybalt. Mercutio is angered by Romeo’s “cowardice” and takes on Tybalt himself. Romeo wants Mercutio to stop fighting Tybalt so he decides that it’d be a good idea to block his arm in mid combat and Tybalt stabs Mercutio from under Romeo’s arm and Mercutio falls dead after rambling about plagues and a pun or two. Romeo doesn’t realize that it is his own fault that Mercutio died after Mercutio even blamed his wound on him. Romeo lets his emotions decide his actions and becomes enraged and ignores that Tybalt is now his family and fails to see that he was the reason Mercutio was killed.
Love is one of the most important themes of Shakespeare's Romeo and Juliet, and a distinction can be made between love guided by thought and love led by passion. In classical mythology it is easy to find the second kind of love. The Greek deity Eros is the personification of passionate and physical desire – and he is not the only example. As a result, it is not surprising that Shakespeare portrays this kind of love with classical mythological references. Shakespeare uses classical references not only to refer to love (as was often done in literature), but also to make a statement about love that is guided by passion.