Grendel, or Anxiety? In today’s society, we face many monsters that cause us to become fearful and weak when faced with a challenge. In the epic Beowulf translated by Burton Raffel, Grendel is a miserable monster who causes pain upon faultless people, and is motivated by their pain. Today’s monsters may not be actual creatures, but they do cause the same terrifying effects on people, symbolizing evil in our society. Anxiety, like Grendel causes you to feel alone, attacks innocent people, and creates jealousy of others happiness. Grendel has been isolated into darkness, causing him to be miserable. For example, “A powerful monster, living down in the darkness, growled in pain,” he chooses to isolate himself from all people because he is a coward (lines 1-2). Grendel represents that Anglo-Saxon theme stating that without companionship, one cannot survive. When confronted in a battle with Beowulf, he becomes fearful, weak, and …show more content…
In Beowulf, it says “their ears could not hear his praise nor know his glory,” this is a connection to God in this epic, but in modern society, people with anxiety don’t hear praise they receive from others because they don’t believe it (lines 97-98). Grendel can’t help who his ancestors are, but he can help himself instead of living down to their expectations. In The Monster Called Anxiety, it says “The inside of my head is a loud place. Something is constantly bouncing around. I think about things I said or did years ago, about how ‘stupid’ I was,/ Anxiety makes me a difficult person to be friends with” (Ann). Grendel needed a friend to keep him alive, he was always thinking about what his people did years ago when that’s irrelevant to him now. To overcome anxiety, you need companionship, but you also need to learn to love yourself so you can create a more confident, happy, and healthy lifestyle for
He is portrayed in the poem as a horrendous beast with human characteristics, but looking closer to the text, he is a human out-casted and raised to be a monster. Although Grendel is written as a monstrous villain who kills with no remorse, he is actually a complex human with a repressed anger exploding in bursts. Grendel is often described in a negative way. He is reffered to as a demon in the text “from Beowulf”
Society shunned him and, again, he was alone. Left to struggle with determining who he was and what his place was in the world. He had no self-identity, no idea as to who or what he was meant to be. Grendel seemed to only want to be accepted into society, to interact in their songs and gatherings. He would often ask, “Why can’t I have someone to talk to”.
As we know, Grendel is the story of a lone monster trying to find his way in a world that despises him. Throughout his journey, Grendel is thrown into situations where he is challenged, both physically and psychologically, until he finally discovers what he was looking for all along: peace, and in this case, peace through death. Ultimately, Grendel is meant to show us that cycles will always exist in our lives, may they be considered good or bad cycles, and the only true escape is to notice these cycles and break away. A similar connection to this story can be made when observing Over the Garden Wall, a story in which two brothers, Wirt and Greg, find themselves lost in a mysterious place called the Unknown, where it is said that long forgotten stories can be revealed. Along their
This reinforces the idea that Grendel would be open to friendship if only the Danes were. Unlike Grendel, the Monster struggles to justify his actions; he is beyond remorseful, asking if Walton thought “that the groans of Clerval were music to [his] ears? [His] heart was fashioned to be susceptible of love and sympathy; and when wrenched by misery to vice and hatred, it did not endure the violence of the change” (Shelley 164). By stating that his heart was brought to vice and hatred by misery, the Monster implies that no life would have been lost had he been given a companion with whom he could be happy; with a mate he could have remained a being of love and sympathy.
He takes out his loneliness on the prosperous hall of the Danes. The news of Grendel terrorizing the kingdom became a tale overseas, which is how Beowulf hears of Grendel and his acts. The kingdom had not received successful help, and Beowulf believes that he is capable of helping and takes this as his calling. After the call in a Hero Quest, the hero must make a decision.
Grendel in the novel is very different from the monster in Frankenstein because Grendel wants to and enjoys to humiliate and kill people, the monster in Frankenstein wants to be able to socialize with people without them getting frightened by his appearance. They are alike because they are both alone, they both frighten people with their looks, and they are not welcome in the human world. Grendel in the novel knows he is a fright to people, he is danger. He doesn’t seem to have a problem with that, but at the same time is not proud of it, either. He does like the pain of others, preferably king Hrothgar and his men.
Both authors paint a grotesque picture of their creations and how they both desire to destroy beauty; Aesthetic Iconoclasm, that is shared between the two figures. However, both authors present their monsters separate to one another in philosophy; with Grendel being a mindless savage and the Monster being more contemplative and questioning the nature of its own creation. ‘Monster’ characters have always been a target of both folk tales and pagan myths since the dawn of humanity, the very concept of a monstrous creature harkens back to the primal fear instinct of facing a dangerous predator that presents a danger to humanity. Grendel from Beowulf is the perfect example of this hysteria and
Grendel begins attacking the humans, “I eat and laugh until I can barely walk, my chest-hair matted with dribbled blood... my belly rumbles, sick on their sour meat” (Gardner 12). Grendel went from crying for his mother when his foot got stuck in a branch to killing and eating dozens of people. Seeing the events that lead up to this how Grendel did helps us further see the transformation he is making. It’s the isolation from the humans that transforms Grendel, “Not, of course, that I fool myself with thoughts that I'm more noble.
He shows no remorse for the violent crimes he commits and acts as the main source of what barbaric truly is to the audience. The author introduces him in the poem by writing, “Grendel was the name of this grim demon haunting the marches, marauding round the heath and the desolate fens; he had dwelt for a time in misery among the banished monsters” (Beowulf 101-104). He is the farthest thing from God and everyone that encounters him can immediately identify him as someone who has no morals. Grendel’s outright defiance of all that is good is what leads him to own his demise because he is the reason Beowulf comes to the Danes.
He asks the cosmos for someone to talk to, but of course receives no answer. Despite his aspirations to philosophical introspection, Grendel is essentially a lonely child looking for a friend. He envies both the Shaper and Hrothgar their companionship, even though he is constantly complaining about their self-deception and futility. Grendel sees the companionship of another as something higher (at least at the moment) than some abstract set of principles by which to live his life. So much for heroism.
The common characteristics of what makes a monster have remained constant throughout society: evil, isolated, violent. Monsters have no regards for social normatives, and cause chaos and destruction wherever they go. Grendel is no exception. In Beowulf, Grendel manifests every characteristic of a stereotypical monster. He is considered inherently evil, and is an outcast; he roams alone and commits devilish atrocities whenever he pleases.
In the epic poem Beowulf, the protagonist, Beowulf, faces three “monsters” at different times in his life. The poem begins with Grendel, a monster who attacks only in the dark of night, tormenting the kingdom of Hrothgar. The last two sections of the epic detail the conquering by Beowulf of Grendel’s mother and the dragon. The battle between the monsters and Beowulf represent the theme of good versus evil in the poem, as well as the fusion of pagan and Christian ideals in the changing Germanic society. Grendel’s mother’s actions directly juxtapose the role of a woman in this time period, and the greediness of the dragon with his treasure contrasts with the virtues of what would be considered a good king.
This is the beginning of Grendel falling directly into the role that the dragon said he would need to fill. Grendel’s murderous tendencies completely reflect the monstrous side of his personality and the more he kills the more he grows insane, separating from rational, humanistic thought. “I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bone-fire... I am blazing, half-crazy with joy” (168). It is clear that, by the time Beowulf arrives, Grendel has embraced the fact that he is required to be evil, despite the fact that he previously claimed he would oppose that destiny.
The way they treated him affected his personality to be more aggressive and to put up a wall when it came to humans. He had, however, tried to “befriend the exile” on other occasions, but “they were treacherous and in the end [he] had to eat them” (Gardner 33). Grendel knew the appropriate way to interact with people because he had watched them all these years. He had learned from them the way he should react in certain situations and knew you had to be friendly in order to make friends, but in the end, not being able to communicate was the biggest
Grendel in the novel displays the idea that he is far more superior than mankind. He mentions, "I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bonfire" (Gardner 167-168). Grendel knows that that the people fear him because he is different and he uses that to his advantage. The "Monster", Grendel, seems to be fascinated in attacking Meadhall and is not frightened at all. Although he is brave in the novel, Grendel in the epic poem is described in being scared and weak on the attack at Meadhall.