Over the course of the play, multiple characters make an issue with Othello's race. These characters share a common theme of hatred and resentment against Othello. Their hatred is fueled for various reasons, but these characters have no qualms of using Othello's African descent as a cause for concern. Right from the beginning, Iago shows hatred towards Othello for not getting the job he wanted. Instead of making his hate for Othello public, he elects to hurt Othello over time. He doesn't respect Othello and the only reason he follows him is to “serve my turn upon him.” (Act 1. Scene 1. Line 45) Iago becomes the number one instigator of Othello's own self discrimination. He plays mind games with Othello and often brings Othello to a point where …show more content…
Most of these are introduced by characters against Othello. First, Roderigo replies to Iago with, “What a full fortune does the thick-lips owe / if he carry’s thus!” (1.1.66-67) Next, Iago says to Brabantio, “You’ll have/ your daughter covered with a Barbary horse” (1.1.112-113) Talking about Othello, Iago and Rodrigo disclose notable racial slurs of that time against Moors/Africans through these lines. Also, the reference to a “Barbary horse” depicts Othello as a person with similar qualities to that of an animal. Even “Thick-lips” is a disrespectful term referencing the difference between the facial features of Africans and Europeans that contains negative suggestions. These quotes also reference how black men are lesser than whites, and how people view them as less attractive animals at least compared to themselves. As the play continues, Othello has to console himself thinking of reasons why Desdemona would prefer a man like Cassio over himself. He still believes and trusts her, but the thoughts of her possible betrayal are looming over his mind. He even says, “Haply for I am black and have not those soft parts of conversation.” (3.3.304-305) This quote reinstitutes the idea of a stereotype that black men are inferior to whites because they are not as smart or as soft spoken as them. Even though Othello acts with great dignity and courtesy among others in the court, he still considers the idea that he is less civilized to others because of his race. Next, multiple times the word “black” (3.3.507) is used in a negative way to describe other topics. Often times “black” (3.3 507) becomes referenced to something that is dirty or corrupted, especially when comparing it to white. When comparing his own skin to that of his wife’s, Othello says, “begrimed and black/ as mine own face.” (3.3.441-442) He again makes the reference that being black is being unclean and tainted. A few lines later he
The tragedy that unfolds in Shakespeare's Othello (1604) is caused by societal prejudice that triggers Othello's inherent naivety and susceptibility to jealousy. The Jacobean era's newfound creative nature influenced Shakespeare to include certain religious ideologies such as The Great Chain of Being. Through consistent racial prejudice directed towards Othello, we witness the belief that those of African descent are low class. Through prejudice, Othello gains a reverence for social status, which manifests into jealousy that allows him to be easily manipulated. The nature of Venetian society made it exceptionally difficult for Othello to gain social status.
Since Othello utters that since he is with Desdemona, her reputation “is now begrimed and black,” it presents how a black man can tarnish the “fresh” identity of a white women. Since Othello is accepted and praised as a war hero, but not accepted as lover, love becomes a barrier that leads to a tragedy. Societal expectations push people to the point where they try to surpass society’s norms. Though, when they reach this tipping point, tragedy will
When Roderigo and Iago visit his home to warn the senator of Othello’s marriage, Bribantio only reacts because Iago vividly describes Othello as a “Barbary horse” (Shakespeare, 1.1.125) covering his “white ewe” (Shakespeare, 1.1.98). Iago’s emphasis of Othello’s blackness indicates how Bribantio despises blacks, not foreigners: were the senator’s hatred of all foreigners as strong, then Iago would have made a heavier emphasis on Othello’s birthplace rather than his skin color. Bribantio proceeds to gather an angry mob and confronts Othello, expressing his dislike of blacks by referring to Othello as a “thing” with a “sooty bosom” (Shakespeare, 1.2.89-90). In doing so, Bribantio not only dehumanizes blacks, but also implies that they are as dirty and undesirable as
(III.iii.230-234). Thus he reminded Othello that possibly he was not considered suitable for her love. Knowing that his blackness placed him in society as an outsider, Othello began to suspect that his personality and accomplishments could never overcome his inferior background. He questioned his confidence in the reputation and social standing he thought he had gained, and he failed to notice the presence of evil and dishonesty in others. Iago’s appearance, as a
Brabantio, Desdemona's father, exemplifies overt racism as he openly refers to Othello as a "moor" and employs derogatory terms such as "sooty bosom" to demean him (Shakespeare 1.2.88-89). These racially charged comments shed light on the deeply ingrained prejudice within society, where skin color dictates social hierarchy and denies equal opportunities. In Geoffrey Sax's cinematic adaptation, the film techniques of lighting and costume design can further accentuate the racial prejudice depicted in the play, similar to how Shakespeare's text emphasizes the racial discrimination experienced by
Prominence of Racism in Othello “When Othello committed atrocious crimes because of his unfounded jealousy, those who had previously believed him to be admirable and good condemned him, not by criticizing his character, but by criticizing his distinguishing racial characteristic: his color” (Speaks 1). The play Othello, by the one and only William Shakespeare, is chocked full of tragedy, trickery, and frequent racist slurs. This play was written in the early sixteen hundred, when interatrial marriage was almost unheard of and greatly frowned upon.
This extent of hostility and aggression coming from several other sources in the play was enough to ruin Othello. Thus, Othello’s downfall was more of a result of his race being that the main underlying motive behind the characters’ efforts to destroy him was racism. It is inadequate to bypass the sociology behind racism, the concept of race, prior to defining what racism actually is. The common understanding of race suggests the division of groups based upon the color of one’s skin, hair, eyes, etc. “Although biologically meaningless when applied to humans – physical differences such as skin color have no natural association with group differences in ability or behavior – race nevertheless has tremendous significance in structuring social reality” (Clair).
Allusion • In act 3, Scene 3, Othello says “Her name that was as fresh / As Dian’s visage is now begrimed and black / As mine own face.” • Othello alludes to Diana, who was the Roman Goddess of Chastity • States that Desdemona’s name used to be pure like Diana face, but now her name is begrimed and black like Othello’s face, calling her impure and not celibate • Desdemona appears to be impure in Othello’s eyes, when in reality she is still pure and celibate • In act 1, scene 1, Iago says “I am not what I am.”
When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.
Othello’s Role in Venetian Society If we take the textbook definition of ethnic groups and apply it to Othello and the Venetian society it is striking that he lacks a lot of features when compared to the “regular” Venetian society: no common background nor history and no shared customs. Therefore, not only his skin color sets him apart, but also his origin from another ethnic group, opening all kinds of
The exploitation of Othello’s race leads to the manipulation Roderigo, Cassio, Brabantio, the Venetians, and the audience to see Othello as inferior although, the only difference between him and the Venetians is his lineage. In the first act of the play, Iago and Roderigo go to Brabantio’s house to rile him out of his sleep. This is seen as the first step of defaming Othello’s character. The two
We find both racial attitudes towards Othello even though he is a man that works hard to get what he wants. The racial attitude is only because of the era that they live in, the Elizabethan era in
Iago goes against everyone whom he seems to side. Everything seems to work out in Iago’s favor; his trickery and deceitfulness lead him to becoming the swindler he yearns to be, with success in his schemes. Iago’s hatred towards Othello is evident from the very beginning of the play. In Act 1, Scene 1, Iago presents a couple of different reasons for hating Othello.
According to Kader Mutlu in “Racism in Othello,” Othello “has a harmony of racism. This harmony is provided by the tireless verbalization of ‘otherness’ in the words of ‘Moor’ and ‘Black’” (Mutlu 136). In addition to
Racism is seen throughout Shakespeare's play Othello, characters in the play held views on the main character. Racism racism is used in Shakespeare's play Othello through Iago’s abusive language towards Othello and to control Othello and his wife Desdemona’s interracial marriage. Iago’s abusive language shows racism because he degrades Othello as a black man, as a man with power as well as a married man. Discrimination, prejudice, directed against are all forms of racism and Iago states “Have your daughter covered with a barbary horse, you’ll have your nephews neigh to you”( lines 125-126). This illustrates racism because Iago is referring to Othello as a horse, but he’s also associating to savagery, his remarks are comparing him to