Doll House Essay When most people see the word “exile” they might think of an individual forced away from one’s home to an undesirable place just like in Oedipus Rex, Oedipus was exiled from his kingdom, blinded and doomed. However, in Henrik Ibsen’s play, A Doll’s House, Ibsen portrays the act of exile as both a detachment from an individual and a path for self-discovery. In the play, Nora, a seemingly typical household wife during Ibsen’s time, experiences multiple self-imposed exiles, from exiling from her father to her husband to her children and finally leaving home altogether. Each time she chooses to exile from a loved one, she becomes more enclosed until she realizes that the person she portrays to everyone she knows is no longer …show more content…
For instance, Dr. Rank was punished with tuberculosis he inherited from his father who was very promiscuous. By having Dr. Rank inherit an illness from his father, Ibsen hints at the misdeeds by Nora’s father to Nora. While Dr. Rank received a physical manifestation of the punishment for his father’s misdeeds, Nora was given a more internal punishment as a result of her father. Nora’s suppression of her opinions, essentially everything that should have made her a distinct individual, and her series of exiles all started with her father. “When I was at home with Papa he told me his opinion about everything, and so I had the same opinions; and if I differed from him I concealed the fact, because he would not have liked it (pg 66).” As seen in this statement by Nora, Nora would give up her opinions in order to please her father and remain the dutiful daughter her father expects her to be. By having to conform to the roles other expects her to play from a young age, Nora grows more expectantly to conform, instead this time it was to conform to the role of a child-like wife to Helmer, Nora’s …show more content…
Linde and Nora regarding their independence. Mrs. Linde was in a situation where she had to be independent in order to support her family. She selflessly gives up her love to marry someone she doesn’t love in order to secure financial security for her family. Ibsen makes it clear that Mrs. Linde marries someone she doesn’t love, not for her own financial security, but for her family’s welfare by introducing the relationship between Mrs. Linde and Krogstad. Krogstad was by no means well off financially, but Mrs. Linde still stayed with him despite his lack of financial security. It was until Mrs. Linde’s mother fell ill; leaving Mrs. Linde with two younger brothers to provide for did Mrs. Linde accept another man’s marriage proposal. By making Mrs. Linde a selfless character, Ibsen manipulates his audience into siding with Mrs. Linde, instead of thinking she is a villainous gold-digger. By siding with Mrs. Linde, readers are more likely to see that Mrs. Linde marrying someone she didn’t love for her family was an act of selfless independence. When Krogstad and Mrs. Linde finally reunite after Mrs. Linde has experienced independent life, they are able to have an equal relationship, unlike the one between Nora and Helmer. “No, Nils, you must not recall your letter (Mrs. Linde)...But, tell me, wasn’t it for that very purpose that you asked me to meet you here (Krogstad).” This dialogue between Krogstad
Nora on the surface seems to be the epitome of a 19th-century wife, but the audience quickly realizes that she defies gender expectations with the forged loan and eventually with her separation from Helmer. Helmer not only fits perfectly into his masculine role but blindly
After eight years of marriage, what allows Nora to see that she must break free from the “Doll’s House”? “A Doll’s House” is a play written by Henrik Ibsen, set in late nineteenth century where women were expected to uphold social norms of being a submissive wife and a caring mother. In the beginning of the play, Nora is initially portrayed as a naive and obedient “doll” trapped inside of a “Doll’s House”, but towards the end of the play, Nora is able to come to the realisation that she was never happy during her eight years of marriage with Torvald, leading to her leaving Torvald and breaking free from the “Doll’s House”. This essay will explore the different factors which allows Nora to see why she must break free.
A Doll’s house is a realistic three act play that focuses on the nineteenth century life in middle class Scandinavian household life, where the wife is expected to be inferior and passive whereas the husband is superior and paternally protective. It was written by Henrik Ibsen. The play criticised the marriage norms that existed in the 19th century. It aroused many controversies as it concludes with Nora, the main protagonists leaving her husband and children in order to discover her identity. It created a lot of controversies and was heavily criticised as it questioned the traditional roles of men and women among Europeans who believed that the covenant of marriage was holy.
Nora is a married woman and has children to take care of. She really has little freedom because of the way Torvald treats her. She is not even I feel as if deep down she knows she is not free and wants something more in her life then to be a entertaining puppet for Torvald. She realizes at the end of the story that Torvald is not good to her because of the way he acted when she told him about forging the signature. When Torvald called her a criminal and other harsh words she realized that she had no true love from Torvald and wanted to be free from him.
Henrik Ibsen’s use of the ‘miracle’ in ‘A Doll’s House’ highlights the various themes and mainly, showing his disapproval of society through the deceit, lies and manipulation done by Nora, appalling the 19th century audience with his unconventional ideas that are portrayed in this play. The play is set in the late nineteenth century in Norwegia (Norway), starting off at the time of Christmas in Torvald Helmer’s house. The play is about a protagonist Nora, an innocent immature wife of Torvald and a mother of two children, who leads a normal, happy life until her past mistakes catch up to her. The play starts with a vivid description of Nora’s house and her actions of decorating for Christmas. A very homely and happy setting can be seen, with
At the beginning of their marriage Nora did everything on her power to save his husband health including going against her husband beliefs by lying about how she obtained a large amount of money (money that she told her husband that was borrowed from her father and not by doing business with Krogstad) Nora told Mrs. Linde that she has been using her allowance to pay the debt. She was looking forward to New Year, because she will have paid off her debt completely and then will be “free” to fulfill her responsibilities as a wife and mother without impediment. At this point we can notice the fact that Nora doesn’t feel “free” and realizes in her wife and mother
This brings in to question whether or not it is acceptable for a woman to simply walk away from a marriage, involving three children, and not attempt to work things out. Nora realizes she and the life she has been living has been a complete construct of the way society expects her to be. Nora is Torvald’s doll and her life has not amounted to anything more than making sure he and the world around her is happy. The result of the inequalities she is faced with results in Nora being completely unhappy. Torvald fails to recognize everything that Nora does to ensure his happiness.
During act III, Nora asked to speak to Torvald after her performance of the tarantella dance. The following conversation demonstrated her quest for autonomy and freedom, as well as Torvald’s inadequate responses to her arguments and demands; it also showed how deeply connected her unhappy situation is with society’s regulation of the relationship between the sexes. She asserts that she is “...first and foremost a human being”, and her strong conviction that her womanhood, and the expectations associated with it, are secondary, strengthens her resolve to make a radical choice: A break with both husband and, with necessity due to her legal position, her children (Ibsen, 184). During her conversation with Torvald, she proclaims, “I have other sacred duties... The duties to myself (Ibsen, 184).”
Nora is depicted as a dependant, childish and unexperienced woman (as said by mrs.Linde p.34). Torvald sees Nora as a dimwitted person as can be seen on p.89 where Torvald finds it impressive when ‘little Nora’ used to word ‘Scientific experiment’. Evidently Torvald
(Ibsen 7). Torvald questions Nora, as a father would, while Nora lies, like a child. Although, Nora and Torvald are married,
The two women further differ in their view of the men in their life. The actions of these two women bring their similarities and differences out for the audience to see. Nora and Kristine are very independent for women in the 1800’s. Kristine is a widow of three years, and has yet to remarry. She touches on this in Act I, while speaking to Nora about being a widow.
First, Nora is treated like a child by her husband Torvald. Torvald had nicknames for Nora like squirrel or skylark that was often accompanied by demenors like sweet or little. At the end of the play, Nora tells her husband that he treated her like a weak, fragile doll just like her father. Nora’s feelings about Torvald’s attitude is evident in the quote from Nora and Torvald’s conversation ”I was your little songbird just as before- your doll whom henceforth you would take particular care to protect from the world because she was so weak and fragile. ”(Pg.
She does not begin to fully develop as a grown woman mentally until she believes she can no longer take pride in being a good mother. Nora, only trying to take care of her husband, borrowed money without Torvald’s knowing. This guilt causes Nora to exemplify Freud’s reaction formation. (Myers). This occurs when a person who feels one way towards a person acts the opposite of how they are feeling.
In Henrik Ibsen’s A Doll’s House, appearances prove to be deceptive veneers that disguise the reality of situations and characters. Ibsen’s play is set in 19th century Norway, when women’s rights were restricted and social appearance such as financial success and middle class respectability were more important than equality and true identity. Ibsen also uses realism and naturalism, portraying the Helmer’s Marriage through authentic relationships, which are relatable to the audience. In A Doll’s House, Nora represents 19th century women entrapped by society to fulfill wifely and motherly obligations, unable to articulate or express their own feelings and desires.
Ibsen uses doll’s house metaphor to support that aberrant decisions are made by women who are discriminated by an unfair society. Nora realizes truth about real love and marriage. In the house, Torvald reads the letters from Krogstad and shows skeptical changes in mood by showing anger, fear and adoration toward Nora. After all his reactions, Nora asserts, “ I have been your doll-wife, just as at home I was papa’s doll-child; and here the children have been my dolls” (Ibsen 76). The “home” is an appearance of cage where dolls are kept in.