The narrator in ‘The Black Cat’ seems to act like two people at once . The narrator starts his story by trying to tell his readers he is not crazy. He says, “Yet, mad am I not -- and very surely do I not dream (“The Black Cat”).” This is a good example of unreliable narrator, because only crazy people try really hard to make others believe they are not crazy. The narrator does not help his case when he admits to hurting the cat for fun.
Through his fear of dark and the devils that haunt the night…”(69). Those devils are Greed and Jealousy. Those two devils take control in one little chink, more common than the oxygen in our atmosphere, worse than torture. It also says “Kino stirred in a dream, and he cried out in a guttural voice, and his hand moved in symbolic fighting.” (72) This could be symbolism of an inner conflict like a deep set resistance in Kino, a part of him that knows where this is going.
The relationship between the black cat and The Tale-tell Heart, there is definitely similarities with these short stories because both narrators claim their sanity and then contradicts themselves by acting unusual and bizarre. The Tale-Tell Heart seems to focus more on his sanity and the “Evil eye”. Both the Tell-Tale Heart and The Black Cat have the theme of insanity, most of his stories are also told in first person The Tell Tale Heart is about a man being disturbed by an eye, the eye of the old man is harmless but drives the narrator mad and the eye seems to be a problem. Then the old man’s body is hidden within the house and hidden from police and eventually the narrator claims insanity with the heart beating faster and louder.
The abnormal way in which these sexual anxieties are presented permits the discussion of these apprehensions. The supernatural renders Lucy inhuman — her twisted face resembles “The coils of Medusa’s snakes ” (Stoker 250) — and as such, the sexual and moral dangers she posits in her independence are punishable by the four men. The same men who once desired nothing more than her pure affections are those who persecute her to the grave, for Lucy now personifies the destructive morals of the transgressive female. The violence employed in their fight against the vampire, in addition to their destruction of Lucy’s egregious body, demonstrates that male anxieties and fears often transform into hatred towards that which questions their masculinity.
James Gargano believes the black cat of Poe’s short story is a direct analogue to the narrator, with inclinations for both good and evil. However, Jungian psychology reveals the cat as a function of the narrator’s anima. Jung argues that instinct, like a cat, commands a wider range of perceptions because it relies on irrational impulses. As the cat grows intolerable, Jung argues that the narrator’s subconscious begins to express itself through abusive acts toward the wife and cat in order to gain control over his anima. The narrator tries to remove his anima through the hanging the cat; however, failure is shown in the cat’s reappearance.
“But little Mouse, you are not alone,” is a quote from the poem by Robert Burns, To A Mouse. This quote directly relates to how some of men treat Lennie, Slim and George want to feel like Lennie’s companion. However, Curley feels very intimidated by Lennie because he is big and gets special treatment from the men. In chapter 3, Curley picks a fight with Lennie and instead of stopping Lennie from hurting Curley the men egg Lennie on, Lennie ends up breaking Curley’s hand. Crooks and Curley’s wife have another point of view on Lennie, both of them at different times try to show Lennie that George might not always be as faithful as he has been.
Obsession, an idea or thought that constantly keeps invading one’s mind, sometimes leading them to do terribly foolish things. This is proficiently depicted in the short stories “The Tell-Tale Heart” by Edgar Allan Poe and “The Possibility of Evil” by Shirley Jackson. In “The Tale-Tale Heart”, the protagonist was so strongly obsessed with the old man’s vulture-like eye and hated it with such a great passion, that he decided to take the old man’s life. Similarly, in “The Possibility of Evil”, Adela Strangeworth was so excessively addicted to helping stop spread “evil” in her town that she did not realize that she was being intrusive and invading peoples personal lives. Even though in these two stories tackle different things the main character is obsessed over, the main idea of harming other peoples lives because of their strange obsession remains the same.
Weaver’s laughing is also a huge contributor to Orin’s frantic and disturbed characterization. Every time he inhales the nitrous oxide, he explodes out into loud, hysterical, over-exaggerated laugh either for short bursts or extended amounts of time. I think his exaggerated laughter was spot on, capturing the euphoric insanity of the character. He even pleasurably grunts and moans in response to inflicting pain on others, revealing his animalistic and masochistic side. The erratic use of nitrous oxide also serves to represent Orin’s problems with addiction and his underlying insecurities.
Many authors or poets use this theme to depict how past experiences or events affects people mentally and can leave them demented in many cases. “The Raven” by Edgar Allan Poe encompasses this theme. While searching for answers from the raven, “respite the nepenthe from thy memories of Lenore” (Poe 439) the man cannot get over the loss of his wife causing psychological issues for the man such as trying to obtain info from a raven about his dead wife. Correspondingly, in “The Black Cat” by Edgar Allan Poe, the man becomes agitated with the cat and decides to hang it. He “hung it because (he) knew in doing so (he) was committing a sin” (Poe 2).
Power can quickly change a person. In Edgar Allan Poe’s “Cask of the Amontillado” the narrator has power over an intoxicated Fortunato as he leads him down it to the depths of his family vaults. The narrator has power over Fortunato and it ends up changing the narrator to be a different man from whom Fortunato knows. Power has also has changed characters for the worse in the Percy Jackson books written by Rick Riordan included but not limited to Kronos, Luke, and Ethan. They prove that people can be obsessed with the control, respect, and chance for revenge that power gives them.
After he killed Pluto he found love for a cat that did not exist but brought home and cared for it. After a while the cat starts to enrage Poe’s character again and tries to kill it, but ends up
The narrator even hints the abuse of Pluto causes his “old” heart to feel grieve for the cat’s dislike. His feelings after he hits his cat is important because the readers are able to see the conflict the main character has within himself. Furthermore, the narrator is able to understand the evilness of his abuse, but, the alcohol, which symbolizes
Literature that stimulates the feeling of pity, sympathy and sorrow is Pathos. The two pieces of literature express pathos in different lights, showcasing a rollercoaster of emotions for the reader. John Steinbeck’s novel Of Mice and Men and Christie McLaren’s article “Suitcase Lady” both expose heartache and social inequalities to deduce the feeling of commiseration. The bleak hardship of life affirms the heartache through Lennie and the Suitcase Lady. Lennie is loyal to George and is terrified of upsetting his friend.
Light and dark mainly represented two things in Hawthorne 's writing: good and bad. When Hawthorne desribes things as dark, he relates them to dark and evil. For example, Dimmesdale can be seen in an evil light, as he committed sin with Hester. The root of his name is "dim," which means dark. The root of Chillingworth 's name translates to be cold, as he was a cold and dark man too.
On the streets, the pricing of the Flakka drug is on par with crack. Users take it to create a state of euphoria with an energy boost. For all intents and purposes, it acts as a typical stimulant. Unfortunately, there are some rather scary side effects. The Side Effects