Examples Of Imagery In Frankenstein

When people hear the word “monster”, most people imagine a massive, horrid, and grotesque figure that haunts people. While pondering what a monster is, mankind thinks of the outward appearance. Seldom do people think of man’s internal qualities as being barbaric or gruesome. Authors allow readers to create their own images of these terrifying beings. Frankenstein is a thought-provoking novel that empowers readers to have their own opinions about who the actual monster is and what it looks like. Readers can conclude that Victor Frankenstein is the actual monster in Frankenstein because of how he views himself, how he creates destruction, and how he destroys himself.

Mary Shelley’s novel Frankenstein, shows how a character who is portrayed as a tragic hero, in the beginning, can become the monster in the end. Victor and the Monster in Mary Shelley’s captivating novel showed how rival enemies share striking similarities. The similarities between the two tragic characters are driven by their dreary isolation from the secluded world. A large difference is that they were both raised in two completely different environments but understood the meaning of isolation. Physical differences are more noticeable rather than their personalities. At first, Victor is horrified by his creation but eventually becomes more and more like it. With a desire to destroy each other both are left alone to come up with a plan of revenge since they took each other's most prized possessions.

Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions.

Since the beginning of time, Man has always pursued knowledge, but this pursuit is always kept within certain boundaries, especially while searching for the truths behind the creation and origin of life. As this quest for knowledge continues, men can become consumed with the perilous thoughts and ponderings required to attain this wisdom. In her novel, Frankenstein, Mary Shelley explains how the pursuit of forbidden knowledge can become dangerous through symbolism, allusion, and foreshadowing proving each effectively to the reader.

Most people know who Frankenstein is—or at least they think they do. Because of the way Mary Shelley’s brilliant 1818 novel has been adapted to f ilm, most Americans think that Frankenstein is a towering, scar-faced monster who brings terror wherever he goes. In Shelley’s novel, however, the real monster is Victor Frankenstein, the scientist who is the monster’s creator. In her story of how Victor Frankenstein creates the monster and what he does after the monster comes to life, Shelley conveys several timeless messages about the dangers of science, the dangers of isolation, and the importance of being a good parent. It is a novel that everyone should read. In the story, Frankenstein, eager for glory, wants to discover the “elixir of life”

In the novel Frankenstein, Mary Shelley’s diction delineates a vivid description of the creature’s characteristics, hence evoking suspense and agitation in the audience. The horrid description of the creature endorses an unsettling feeling in the reader due to the negative connotation employed by the diction selected. For instances, victor emphasizes the creature’s physical appearance by stating “yellow skin… horrid contrast… white sockets… shrivelled complexion and straight black lips”, then later victor states “breathless horror and disgust filled my heart” concerning to the creature’s physical characteristics(35). She strategically manipulates diction to alter the audience perception of the creature and directs them into viewing said creature

In the novel Frankenstein by Mary Shelley, the author uses rhythm, rhetorical questions and similes to convey emotions through words. Though the excerpt, Shelley uses rhythm to portray some emotions and even the tone of the novel. Though we know the actual monster is “The Monster” minute details point to another thing "But now misery has come home, and men appear to be monsters." The author ties in how Frankenstein is of one of the monsters in this book. His whole demeanor changes through the novel. From wanting to bring something beautiful into this world and then thinking it is hideous and just abandoning it. In addition to the use of rhetorical questions, Shelley makes us ponder on what might be possibly going through some of the people's

Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition. New York: W.W. North & Company, 2012. Print.

he natural imagery in "Frankenstein" is comparable to the best in the Romantic literature. Mary Shelley paints Nature and its divine grandeur with some rare strokes of a masterful hand. She deliberately juxtaposes the exalted vision of Mother Nature with the horrendous spectacle of a man-made monster and his ghastly deeds.

Duality is shown in Mary Shelly’s Frankenstein, a gothic tale of a scientist whom looks to advance the life-giving qualities of mother nature. Through this novel, Shelley proves that good and evil in human nature is not always simple to define, and that everyone has both of these qualities within them. The duality of human nature is shown through the characters of Victor Frankenstein and his monster, who are both heroes in the novel while simultaneously displaying anti-hero qualities. Shelley forces the reader to sympathize with them both but also creates gruesome ideas of the two.

reation enslave him and spends from the moment he brings the creature to life to the day he dies running from the bondage he unintentionally creates.

Frankenstein is a characteristic Romantic and Gothic novel because it utilizes nature, mystery, and setting to convey tone and mood.

Written during the ninteenth century, the gothic Frankensteinnovel by Marry Shelly, tells the story of a young educated student Victor Frankenstein, who creates a grotesque but fantastic creature in an unorthodox scientific experiment, which leads to different tragic events. Shelly writes about the creation of the creature and how he is first introduce to his livelihood and this world. In this novel Shelly uses different types of literary techniques to convey the expression of the creature as a baby just learning about life and the world, and by employing innovative literary techniques such as imagery, setting, theme, and characterization, she creates a feeling of sympathy on the readers. This feeling is created through Shelly establishment of pity on the readers by reavealing the creature’s loathsome creation, habitat, or even existence.

The classic novel Frankenstein, written by Mary Shelley in 1818, displays the use of literary devices, foreshadowing, allusions and figurative language, which aid the reader in understanding the authors opinion on scientific exploration. These techniques are used to arouse anticipation within the reader, therefore engaging them throughout the text. Along with providing a greater understanding of the novel, by referring to other books, and using the novel to portray the authors own perspective on scientific exploration. All these devices are effectively used within the novel to provide a deeper understandings of Mary Shelley’s work.

In Mary Shelley's Frankenstein, Shelley uses language and effectiveness of her writing to describe imagery, tone, and theme to make the monster seem more of a human than the monster people perceive him to be. The monster is learning on how to be a human without the help of his creator, Frankenstein. Shelley’s usage of the language that she presents in her imagery, tone and theme clearly make you relate to the monster and show you what Shelley was thinking when she was scripted the monster.