Detailed and long stories do not usually flow well with young readers who tend to have short attention spans and low understanding levels, which can hinder them from learning the important lessons taught in the Bible. However, many authors have found ways around these issues by adapting Bible stories and lessons into a simplified and colorful format. Of course, this means that only a select number of stories are chosen and adapted, resulting in the young readers learning a portion of the Bible. Even so, many authors still manage to adapt most of the stories and emphasize the lessons. This example can be found in Lisa Caldwell’s adaption, the Classic Bible Story, which condenses the bible stories into easy-to-read, short paragraphs and detailed, …show more content…
In order to engage the reader with the story, the Classic Bible Stories provides large detailed illustrations of the scene described. By giving a visual representation of the story, Lisa Caldwell can then focus on adapting the important lessons and let the illustrations tell the setting and mood that would otherwise be told in a block of text. For example, in “The Crucifixion”, the Classic Bible Stories describe “The sky grew dark…the earth shook and the temple curtain ripped in half from top to bottom” (Caldwell 138) and the Bible describes “From noon until three in the afternoon darkness came over the whole land…the curtain of the sanctuary was split in two from top to bottom; the earth quaked and rocks were split” (Matthew 27: 45-50). Most readers can visualize the scene and understand it easily, but younger readers may have a harder time visualizing the scene, in which case the illustration for “The Crucifixion” could help them. This strategy allows the readers to easily understand the story and help them remember the story more with the illustrations. By using illustrations in the adaption, Lisa Caldwell draws the reader into the story and allows them to engage with the story told and remember the important …show more content…
Jesus’s Sermon on the Mount messages teaches about a lot of different situations that many adults experience and how they should reach in the different scenarios (Matthew 5-7). However, in the adaption, Lisa gives her readers a brief introduction to the setting before going straight into the lesson, “Love Your Enemies”. In the book, the author uses simple diction and easy sentences for the reader. She also has Jesus’s message interrupted by a dialogue interaction between two people listening and questioning the message (Caldwell 96). Matthew simply writes down what Jesus said in his sermon, leaving out any of the questions or comments listeners at the message may have had. Lisa Caldwell’s decision to add a little more dialogue may have helped to break up the lesson a little so that the younger readers could easily understand the parts of the lesson. However, for new or unfamiliar readers, this summarized version for children may come across as the only message that Jesus spoke at the Mount when in reality the sermon goes through several different topics and how Jesus wants His people to react to different situations. Even so, the simplified version of the Classic Bible Story provides young readers an opportunity to learn and understand an important lesson that
He believes that good expositional preaching will create pervasive knowledge of the essential truths of scripture that stimulate godly living. Dever argues that expositional preaching is the first and most important mark of a
The summary must be no less than ten-twelve sentences long; two paragraphs. You need to use evidence to support your claims; therefore, be sure to use quotes from the sermon to use as your evidence. Your summary should be typed directly on this document and sent in by the due date. All work should be proofread. Jonathan Edwards, writer of the
Summary Justin Buzzard, a well know pastor, authored The Big Story: How the Bible Makes Sense out of Life. In this book, Buzzard discusses the gospel through a unique perspective in eight short chapters. The book begins with a thought provoking question for the reader: “What is your story?” The purpose behind Justin’s book is to answer questions concerning an individuals worldview. According to the author, the only worldview that fully answers all of life’s puzzling questions is a Biblical based worldview, or story.
The use of these biblical allusions in Of Mice and Men allows readers to explore themes such as actions
The sermon was meant
The metaphor leads the reader to observing the harshness and definite details of the wording that portrays to the powerfulness of this sermon. Metaphor helps the audience
Edwards mastered the use of imagery and Biblical allusion in his sermons to invoke emotion and pull on the heart strings of his listeners. His use of imagery can be broken down into three major categories: figurative language to thoroughly describe his idea, emotional appeal to cause intense feelings in the minds and hearts of his audience, and logical appeal to make distinct comparisons to the Bible; Edwards masterfully combined these techniques in this sermon to
Words and their meaning are vital in preaching. “The essence of effective preaching is the ability to simplify without becoming simplistic. This requires understanding of a deep and profound level” (Black 22). It is important to study biblical languages as a student of the bible because biblical language is sacred and being able to understand, discloses the interpretation of a given text and assists in properly making a judgement in reference to the text. It is vital that when reading a particular text, one is able to understand what they are reading.
In the sermon, “Sinners in the Hands of an Angry God”, Jonathan Edwards, the sermon’s author, used multiple techniques such as figurative language, image interpretation and use of pathos to ensure his purpose gets through to the audience. Through the uses of figurative languages like metaphors, personification, similes, and oxymorons, Edwards creates vivid, visual images that provoke emotions in the audience, swaying them towards his purpose in which he stresses that people need to change before God, with his almighty power, destroys them all. For example one use of figurative language that illustrates an image for the audience is, “and all your righteousness, would have no more influence to uphold you and keep you out of hell, than a spider’s web would have to stop a falling rock.” In this example, Edwards uses a simile, a type of figurative language, to evoke fear and negative emotion in the audience by displaying a visual image of a spider’s web blocking a heavy rock.
In Thomas Long’s The Witness of Preaching, he aims to urge the reader to become a reliable witness of the gospel by way of ample preparation before entering a pulpit. The text offers to the reader a deeper understanding of the ministry of preaching. A useful component of the text contains informative bits of information that make the reader aware of the lengthy but necessary preparation needed for an adequate explanation of the scripture. Of primary importance is the consideration of the congregation when a preacher is first approaching the text. This point is of vital importance as it signifies that the speaker is a member of the body of Christ and the congregation.
Continuously finding ways to effectively communicate the truth of the gospel is a challenged faced by every preacher. The pursuit of fresh perspectives and approaches to the Bible, sermon preparation and sermon delivery consume preachers seeking to grow and improve. Leonard Sweet, in his book Giving Blood, seeks to inspire preachers and equip them with new tools to more effectively preach the truth of the Gospel in ways that leads to life transformation. Sweet uses the metaphor of blood to outline a new homiletic paradigm based on the concept of narraphor. Through out his text, Sweet proposes approaches to sermon preparation, delivery, and the problems faced by many preachers.
Ed combats this view with the idea that the point of discipleship is not information, but Christ-like transformation. The second “broken view” presented is the fact that we try to program discipleship. Ed infers that discipleship is so much more than a six-week course, and people are looking for relationships more than discipleship classes. The third “broken view” is that we equate discipleship with our preaching. In fact, 56% of pastors surveyed believe their weekly sermon was the most important discipling ministry in the church.
Although the book claims to be gospel-based on a “big picture parenting worldview,” it fails to be concerned with the state of the reader’s soul, which is the foundation of the “big picture” (11). A gospel-based book will briefly cover the plan of salvation because many parents struggle with their faith and salvation. Second, the book’s weaknesses often displace its strengths. The book’s principles are gospel-centered; however, they are not defined by God’s Word. Furthermore, Tripp vaguely refers to daily reading and studying the Bible one time (190).
We know that education is a complex process, even though it has evolved for centuries; it is a challenge to teach facts coming from cultural contexts alien to ours. An effective solution to help the easy understanding of topics with contexts unknown for the audience, such as theological truths, is the pedagogical narrative. In the feature article " The Christian Story and Our Stories: Narrative Pedagogy in Congregation Life" author Benjamin D. Espinoza (AGREGAR PLACE AND DATE OF PUBLICATION) explains the educational strategy of narrative pedagogy, its characteristics and creative ways to apply it effectively in religious and secular areas in our life. First, narrative pedagogy is an approach to teaching that involves life stories through creative
Journal # 1: Three Active Reading Strategies Not everyone can say that they have had an active conversation with God. This quarter, I have been reading WM. Paul Young’s novel, The Shack, and I am on page 85. Mack Phillips can say that he has had a talk with God or, “Papa,” like what the Phillips family refers to him as. The conversation might not have been as cheery as you might have hoped.