In order to further understand the person who is Victor Frankenstein, we will analyze two specific quotes in which he ponders the consequences of creating his monster. The first specific quote that shows Dr. Frankenstein pondering the consequences of his actions is when he states, “but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust fill my heart.” When Victor is initially building his creation, all he thinks of is the great science behind his work. However, he never once thinks of the consequences he may face once his creation becomes a reality.
Without anyone to guide him and help him learn from more than just literature, the monster was forced to learn the hard way. The downfall of the monster started when he fell in love with the De-Lacey family. Loving this family, though it taught him something valuable, caused him to turn into an actual monster. Confronting them and being rejected affected the monster worse than a normal man, as he now completely understood what his place in society was. Unfortunately, this made the monster result to revenge and decide to use his corruption to hurt his creator.
Society is well-known for pushing those who are outsiders or strange away from society. This is prevalent to the examples in Mary Shelley’s novel, Frankenstein. The monster who was created by Victor Frankenstein who wanted to be the first to create life was appalled by the sights of the his creation. Frankenstein’s monster is judged based on his appearances and is often ostracized by society, just as anyone in modern day society can be shunned or pushed away due to their looks or how they think. The most outstanding example of ostracism that occurred throughout the novel is based on the monster’s physical features and structure.
However, like Adam, he feels shunned by his creator, although he strives to be good. The reader can notice how Frankenstein displays many emotions: vengeance, love, compassion, and rejection, which a monster or animal could never have the capacity to feel or recognize. The creature can identify what pain is, by observing the cottagers, “They were not entirely happy. The young man and his companion often went apart and appeared to weep.
Victor conveys that any human cannot withstand the ugliness of the face of the monster. A simile is used to compare a mummy risen from the dead is not even as close to disturbing as the despicable monster he created. The Dante references to Dante’s Inferno, Dante has come across many demons in hell but, even Frankenstein’s monster is viler than any demon in hell. In response to the monster being born Victor flees in horror. He wants nothing to do with the monster it frightens him so that he deserts it to fend for itself in his apartment not caring about any sort of trouble the monster can cause: “I then reflected, and the thought made me shiver, that the creature whom I had left in my apartment might still be in there, alive and walking about.
Doctor Frankenstein’s Biggest Regret The greatest minds have the potential to cause the greatest harm. This is evident in Mary Shelley’s novel Frankenstein, as the main character, the brilliant Doctor Frankenstein, through discarded body parts creates a monster, which results in harming the people that mean the most to him. In Doctor Frankenstein’s innocent efforts to figure out the key to life, he ultimately unlocks a tragic door for himself and others. Behind this door, he finds that the knowledge he searched for should have stayed hidden, exemplifying his tragic flaw.
Studying character within a form of literature includes looking at character development, characteristics, and how these lend themselves to the relationships amongst the characters. In Frankenstein, Victor and his creation have a rough relationship right from the beginning. Victor is hostile to the creature from the moment he first sees him alive. Victor and several other people the creature encounters make the assumption that the creature has an awful personality because of his his concerning physical features. If Victor had been willing to give the creature a chance, there is a large possibility that he would never have killed a young boy, Elizabeth, or sought to get revenge on Victor.
Frankenstein’s monster wanted a partner, so he can share his virtue and morality with her because he was so motivated by it. Frankenstein’s monster claimed “When I first sought it, it was the love of virtue, the feelings of happiness and affection with which my whole being overflowed, that I wished to be participated” (Shelley 154). The rejections from Frankenstein and the society, after all, led the monster to have an abnormal passion for his partner. He motivated Frankenstein by killing all Frankenstein’s beloved ones just to create a bride for him. In Shelley’s novel, Frankenstein’s monster recalled "…do you think that I was then dead to agony and remorse…
The monster is also capable of wanton destruction when he burns down the DeLaceys’ house and dances “with fury around the devoted cottage”(123) like a savage. Finally, the monster seems to enjoy the pain he causes Frankenstein: “your sufferings will satisfy my everlasting hatred” (181) he writes to Victor. Were these pieces of evidence taken out of context, the reader would surely side with Frankenstein. But Shelley prevents such one-sidedness by letting the monster tell his version of the story. The monster’s first-person narrative draws the reader in and one learns that the creature is not abomination
Frankenstein was a Marry Shelley 's masterpiece, written when she was only 18 years old. The novel explores of theme of alienation, loneliness and revenge. First of all, what is alienation? Alienation is the state or experience of being isolated from a group or an activity to which one should belong or in which one should be involved. The monster created by Victor Frankenstein is rejected by human society because of his appearance.
Grendel and Frankenstein Paper Grendel, the savage beast from John Gardner’s Grendel, and the Monster, the murderous creation from Mary Shelley’s Frankenstein, seek companionship but ultimately turn to violence when they are rejected, suggesting that all beings need love. Although the two actively seek it, companionship eludes Grendel and the Monster, leaving them terribly alone and desiring someone to love and be loved by. The most notable example is his reaction to laying eyes upon Wealtheow, where he practically falls apart inside with lust.
Grendel vs. “The monster” Grendel in the novel by John Gardner is very similar to “the monster” in Frankenstein by Mary Shelly because both Grendel and the monster feel like outsiders, they kill humans, and they both are able to learn new things. Grendel feels like an outsider because he knows he is different and he wants to know the truth of why he is what he is and why God made him that way. Grendel asks his mother “Why are we here?” which means that he is doubting his existence. Grendel kills humans in the mead hall while they are asleep.
Frankenstein 's monster, from the story Frankenstein, is an example of a byronic hero. A byronic hero is usually a loner who might be rejected by society, have a troubled past, self-destructive, and usually misunderstood. Frankenstein 's monster is an excellent example of this, as he starts the story being brought to life through impossible ways (Shelley 42). Almost immediately, his creator despises him and eventually abandons him, giving him the rejected aspect of a byronic hero. As the monster progresses in the story, he eventually begins trying to befriend multiple people, just by knocking on their cabins only to be attacked by them and chased away (Shelley 78).
Once he completes it he then rips it apart so the monstrosity will not spread. This causes the monster to be lonely, and become angry. When Dr. Frankenstein creates life from a monstrosity of parts he abandons it in disgust that he had the nerve to give an inanimate object life.
Because Frankenstein abandons him, the monster searches for nurture, finding a family to watch from afar. However, the monster believes he “requires kindness and sympathy” and attempts to converse with them in hopes to receive nurture (118, Shelley). Yet, as he speaks with the De Laceys, he gets “dashed to the ground” and “struck violently with a stick” (121, Shelley). This depicts male violent tendencies that dominate feminine nurture. Thus, the nurture that the monster desperately needs is replaced with violence, indicating another example of societies’ failure to foster the monster.