Obsession, internal conflict, and underlying guilt are all aspects of being human but when it’s associated with paranoia and insanity it may be just the recipe for the perfect crime as perceived by Edger Allan Poe in “The Tell-Tale Heart”. Poe uses this as one of his shortest stories to discuss and provide an insight into the mind of the mentally ill, paranoia and the stages of mental detrition. The story 's action is depicted through the eyes of the unnamed delusional narrator. The other main character in the story is an old man whom the narrator apparently works for and resides in his house. The story opens off with the narrator trying to assure his sanity then proceeding to tell the tale of his crime, this shows a man deranged and hunted with a guilty conscience of his murderous act.
The Conscience is acquired through the use of punishment by the parents. In the case of the Joker, this sense of conscience was severely impaired. In a particular scene of the film, he describes his relationship with his father and about how he got the scars. As per the story, his father was a drinker who abused his mother and him, and caused the scars just to put a smile on his face, in a rather inappropriate situation. This disregard for normal human emotion may have resulted in the formation of a weak superego and a confused sense of right and wrong.
In the physical reality, mood is used to distinguish how someone feels. However in the literary world, authors tend to manipulate mood in order to draw a reader in. Within Jack Finney 's "Contents of a Dead Man 's Pocket," Finney manipulates the reader’s mood in order to capture their attention. Similarly, Richard Connell alters the readers mood by creating suspense within his story "The Most Dangerous Game," drawing the audience into the story. However, while Finney creates anxiety among the readers through description, Connell creates tension through the characters speech, thought, and describing the actions of others.
As the first two acts progress, it is clear from his words and actions that cracks have begun to appear in his psyche. By examining Macbeth’s dilemma with the Weird Sisters’ prophecies, his own moral struggle, and the delusional words these things create, it is easy to draw the conclusion that the new king is slowly being driven into insanity. Macbeth itself is inherently quite sinister, especially throughout the exposition. The prediction made by the Weird Sisters, in which they tell Macbeth of his future kingship sets up the rest of the play, while having significant effects on the characters themselves. While seeming fictitious at first, their mysterious words are seemingly confirmed when Macbeth is made Thane of Cawdor.
The Tell-Tale Heart The story of The Tell-Tale Heart is dealing with a man, who killed an innocent old man, which he is currently being punished for. In the story the narrator says “TRUE… nervous… very, very dreadfully nervous I had been and am” (Poe). This sentence gives a great amount of insight into the narrator and the way the story is being told. The entire story is a flashback of what happened and why he believes it was necessary. It has been considered that Poe uses a flashback, which gives the narrator an extended opportunity to assure the audience of his sanity.
However, this horrible fantasy gets repressed and turn into the source of the obsessions. The motive behind is the aggression that Lanzer has towards his father, because of his interruption to his sexual life and the influence of castration anxiety, that empowered with the fear of Lanzer that his father would learn about his private fantasies about seeing a naked woman. More simply, according to Freud, repressed thoughts are not forgotten, but they lose their affect. Here, the affect that belongs to the oedipal situation, gets attached to another ideational content. Here, the affect which is the guilt that he experienced during childhood, becomes associated with the irrational fears, as a substitute, and supports the irrational compulsions to prevent
The display of emotions in his stories is what draws the attention of the reader. Most of the narrations like in "The Black Cat" give a sense of irrationality. Hatred, melancholy, woe and distress, his characters rely more on the human side showing their mental state, taking his stories to have a bigger impact on the reader’s minds. This is attributed to the period where his works were written, as stated earlier. Poe’s usage of resources like dark atmospheres, messing around with the time in which the story is represented, this was most commonly used to alter reader’s ideas of the perfection and the beauty and divert them more to the contemporary side.
Despite his clear disdain for books, he can quote deep, introspective lines and build arguments using them. (pg 103). In this disarming conversation, Beatty catches Montag off guard by describing his dream and the fight they had, quoting deep literature and making his point about how books can be used to argue either side, clearly getting into Montag’s head. Yet despite his self-assurance, he is unhappy. This fact is kept hidden until after his murder, as Montag thinks of the events leading up to it.
Fitzgerald 's The Great Gatsby uses the association between Jay Gatsby and his fantasies, to complement and investigate important thoughts. Accordingly, Gatsby 's hostile dreams and materialistic esteems depict how Gatsby 's character has created and depicted when his demise, as opposed to the hero who is Gatsby 's character and identity. This is on account of it is his fantasies and standards that visually impaired him from considering he is an unaccepted individual in American culture and that he is sub-par compared to alternate subjects of West Egg; the result of this is his demise toward the finish of the novel. Prohibited love is investigated by Gatsby 's misconception of why he can 't experience passionate feelings for Daisy, since it is nearly as he sees society to be libertarian and not various leveled. This is appeared by clear symbolism.
As I was acting as Jason, I analysed Jason’s characterisation and worked on the delivery of my lines so that I could best portray him as awkward but well-meaning teenage boy. I asked my uncle, who had watched the play before, how to act as Jason. “Just act normal,” he answered vaguely. While I was unsure about the meaning of his advice, I read the rest of the play and I realised that one of the major themes of Rabbit Hole is blame. Many characters feel at fault for Danny’s death, including Howie who left the fence unlocked and Jason, who drove the car that killed Danny.