The use of racial slurs and other racial remarks can greatly affect the development of any story or work. When racism is used, the work will be viewed in a new light, thus a different viewpoint could be taken. Racism will affect the overall tone and mood of the work. In Othello, William Shakespeare uses racism blatantly. It brings to light the attitude of the old European society towards those of different color, language, and race. In Europe, people of white complexion were in the mass and all the other races were made to be inferior. Therefore, Iago has a racist opinion of Othello as well as jealousy towards his successes throughout the entirety of the play.
Several characters throughout the play showcase a racist mentality. These characters include Emilia, Brabantio, and Roderigo. Iago was by far most racist for he made his intentions clear as day by stating several times his hatred of the Moor. Throughout the play, Iago proclaims a number of reasons for his hatred,
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It is a judgment maimed and most imperfect that will confess perfection so could err against all rules of nature”. It appears that Iago perfectly plays Brabantio. Iago knew that Brabantio was racist and he used Brabantio’s attitude toward the idea of a mixed marriage in order to rile the man against Othello.
Iago uses animal imagery in his racist rant against Othello, which is grounded in the idea that black men are inhuman. Here, Brabantio reples Iago’s argument by saying his house is not a “grange,” as he claims that Desdemona is having sex with a “barbary horse”(1.1.119; 123-127). Iago retorts with “I am one, sir, that comes to tell you your daughter and the moor are now making the beast with two backs” (1.1.119;
now, now, very now, an old black ram /is tupping your white ewe” (1.1.94-98) When Iago says, “you’re robbed”, it is much easier for Brabantio to believe that Othello has stolen his daughter because of where Othello is from and his appearance hence; his single story. Also, as Iago says, “an old black ram is tupping your white ewe” he tries to use animalistic imagery to disturb and manipulate Brabantio’s thoughts for the worst. This animalistic imagery and incredible wordplay from Iago comes straight from Othello’s ordinary single story yet Iago somehow makes it spiral into something so much
Othello is the General of the Cyprus army with honest Iago by his side. During this time racism was happening and Othello was a part of it. Othello tried his best for everybody to like him; people would talk behind his back, call him names, and would eventually ruin his life. Iago was an ensign in the army, and his “good” friend, who would put lies into Othello's head, which eventually, he took control of Othello. In this essay Othello will display cultural criticism and how it displays him as a person in the story.
In Act 1 Scene 1, Iago tells Brabantio "... you’ll have your daughter covered with a Barbary horse, you'll have your nephews neigh to you…" it’s obvious that Iago’s use of animalistic language insinuates that Othello is a beast, highlighting that his marriage is unnatural. Iago’s description of Othello attempts to exploit his care for social status to make Othello doubt if he deserves Desdemona. In Act 1 Scene 3, Brabantio’s discovery of Desdemona’s marriage to Othello prompts him to question their union and to state that it is “against all rules of nature and must be driven to find out practices of cunning hell”. Brabantio uses hyperbole to emphasise the incorrectness of the marriage. This forces Othello to doubt his marriage and exposes his jealous and naive flaws.
Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of
(III.iii.230-234). Thus he reminded Othello that possibly he was not considered suitable for her love. Knowing that his blackness placed him in society as an outsider, Othello began to suspect that his personality and accomplishments could never overcome his inferior background. He questioned his confidence in the reputation and social standing he thought he had gained, and he failed to notice the presence of evil and dishonesty in others. Iago’s appearance, as a
In the play, Othello, by William Shakespeare, the use of different sorts of animal motifs are used to differentiate between characters on or off the screen and to show mood.. To reference Othello, the use of beasts or gross animals are used to show the prejudice and racism throughout the play. In the beginning when Iago and Roderigo are talking to Brabantio they exclaim, "Because we come to do you service and you think we are ruffians, you'll have your daughter covered with a Barbary horse" (I.i.123-125). He references Othello as a Barbary horse, immediately telling the audience who they are talking about without them even having to see them.
Despite the play's racist society, Brabantio's prejudice is validated and reinforced by Iago's early sexualizing and racializing characterization of Othello. Iago's relationship to the world he conjures up is discussed in the article's conclusion since the play itself appears to come from Iago's wounded "I." He is an expert at dividing people in two and luring them into his realm of self-alienation. Lago's character shows how Racism is a psychological problem that affects not only its victims but also its
This extent of hostility and aggression coming from several other sources in the play was enough to ruin Othello. Thus, Othello’s downfall was more of a result of his race being that the main underlying motive behind the characters’ efforts to destroy him was racism. It is inadequate to bypass the sociology behind racism, the concept of race, prior to defining what racism actually is. The common understanding of race suggests the division of groups based upon the color of one’s skin, hair, eyes, etc. “Although biologically meaningless when applied to humans – physical differences such as skin color have no natural association with group differences in ability or behavior – race nevertheless has tremendous significance in structuring social reality” (Clair).
Iago’s constant animalistic language shows that he views others as animals rather than people, thus, Iago dehumanizing the other characters. In Act One, scene one, Iago describes Othello as an “old black ram” (Shakespeare 1276). This description of Othello is comparing him to a ram, and such animalistic references show that Iago does not view Othello an equal. In his view of Othello as unhumanistic, Iago is most likely willing to treat him as an animal. The audience sees this treatment through his constant manipulations of Othello’s mind, planting seeds of jealousy.
When people of one race believe themselves to be superior to those of another, only catastrophe can result. In the sixteenth and seventeenth centuries, racism was extremely prevalent, and white supremacy was much more pronounced. In William Shakespeare’s play Othello, both covert and overt racism, assimilation, and jealous dispositions all foreshadow the untimely death of Desdemona and Othello. Most characters in Othello display both covert racism and overt racism towards Othello.
Even a father thinks women act one way and are not what they seem. Then Brabantio, still enraged about the new marriage, continues to say, “Keep an eye on her, Moor. She lied to me, and she may lie to you”(1.3.5-6). This shows that Brabantio believes that Desdemona will continue to be deceiving. He suggests that women have to earn their trust and that they do not deserve trust from their significant others.
By Iago’s own admission “I play the villain” (Shakespeare, 1310), and his internal feelings of evil are well founded as shown through his destruction of the lives of nearly everyone in the play, but he has his reasoning. Iago has grown up as a privileged white Christian male in a society that favors white Christian males and, notably, has the favor of at least three senators who would have been quite influential in Venetian society (Kiernan, Print). The catalyst for all this is the admission of Cassio to the position of second in command, which Iago had too been vying for. Iago believes this is taken from him by a Black, possibly Muslim, man, Othello. Thereby allowing Iago to use what influence and power he has retained to ruin Othello’s life and power dynamic.
The exploitation of Othello’s race leads to the manipulation Roderigo, Cassio, Brabantio, the Venetians, and the audience to see Othello as inferior although, the only difference between him and the Venetians is his lineage. In the first act of the play, Iago and Roderigo go to Brabantio’s house to rile him out of his sleep. This is seen as the first step of defaming Othello’s character. The two
In the opening act of the play, Iago and Roderigo wake Brabantio, Desdemona’s father, from his sleep, informing him of his daughter’s marriage to the Moor, Othello. Knowing of Brabantio’s prejudice towards Othello because of his race, Iago says, “Even now, now, very now, an old black ram is tupping your white ewe.” (1.1.94-95). Iago feeds anger into Brabantio’s mind using
Throughout the play, Iago, Roderigo, and Brabantio display covert or overt racism towards Othello. At the beginning of the play, Iago, Othello’s ensign, and Roderigo, a wealthy man in love with Desdemona, discuss Othello’s marriage and their hatred for Othello. During their dialogue, the first references made of Othello are “his Moorship” and “the Moor,” which is how most of the characters refer to Othello (Shakespeare 687). Rather than referring to Othello nominally, they refer to him by his ethnicity, showing their inherent racism.