The Destructiveness of Rejection
Frankenstein was a novel written by Mary Shelley in the romantic period. At first glance, the novel appears to be about a mad scientist that regrets his creation of a violent, blood-thirsty humanoid monster. However, the book addresses so much more. Throughout the novel, Mary Shelley depicts a cautionary tale of how rejection and neglect at an early age can lead an individual to alienation. And through their isolation, violence and destructiveness to themselves and others can occur. In a crucial scene, the monster reflects upon the observations he made of a family in the woods. Then, when talking to his creator, Frankenstein, his reflections lead him to yearn for the missing familial bond the two never shared.
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When the monster awakes, Frankenstein is instantly horrified by the appearance of the monster and runs out of the house because he believes the monster is trying to kill him. On the contrary, the monster’s hand “stretched out, seemingly to detain” the creator, could be compared to a baby reaching out for their parent, trying to gain a connection with other humans (Shelley 84). However, Victor does not understand what the monster’s intentions could be and instantly abandons him, making him fend for himself without the care of a parent to guide him. These actions initiate the monster’s fear of alienation, which manifests when he approaches the blind father of the cottagers and proclaims, “I am an unfortunate and deserted creature; I look around, and I have no relation or friend upon earth. These amiable people to whom I go have never seen me, and know little of me. I am full of fears; for if I fail there, I am an outcast in the world forever,” with the hope that the cottagers will accept him (147). Because the monster was not cared for by Frankenstein, he tries to learn about familial relationships through the cottagers and desires their acceptance as a …show more content…
Because the monster didn’t have a guiding figure that accepted him from the beginning of his creation, he was unable to interact with others. The inability to interact and make human connections led him to loneliness and depression, which ultimately turned into a devastating end. In today’s society, the monster could be analogous for queer people, who are not entirely accepted by society as they think and behave differently than what is deemed “normal.” Additionally, some families are not accepting of their children’s identity, which is similar to Frankenstein’s reaction to the monster. This rejection by family members is often detrimental to an individual and can lead to the same feelings and behaviors that the monster experienced, such as depression and violence against themselves and others. Hopefully, by using Shelley’s work as a guide, our modern society can embrace the differences of others and create a more understanding
When Frankenstein first started working on the monster, he became fully consumed by the process, and was oblivious of the possible consequences that could result from what he was doing. Eventually, he succeeded in creating life, but was so disgusted by the monster that he abandoned it. The monster was left alone, unaware of its surroundings and who it was. When the monster found out it was abandoned by its creator, it was hurt emotionally. To get revenge on Frankenstein, the monster started to harm his loved ones, the same way he harmed the monster.
Mary Shelley's Frankenstein is a classic novel that explores the consequences of cruelty, both towards oneself and others. Through the course of the story, the theme of cruelty functions as a crucial motivator and major social and political factor, driving the plot and the development of the characters. This essay will analyze how cruelty functions in the work as a whole, the impact it has on the characters, and what it reveals about the perpetrator/victim relationship. One of the most striking examples of cruelty in the novel is the treatment of the creature by his creator, Victor Frankenstein.
From the monster's point of view, isolation is a negative aspect in which he suffers from loneliness as a result of being rejected by society. Moreover, his disfiguring image makes it impossible to have any hope of socializing with a human, thus making him a destructive being. Unlike Victor, nature reveals his grotesque form to him, notably when he sees his reflection in the “transparent pool” and becomes “fully convinced that [he is] in reality the monster that [he] is” (Shelley 80). Unfortunately, the monster has the potential to be a loving human, but his attempts to make himself acknowledged in a society that is "structurally antagonistic to his efforts" have turned him into a hateful individual (Bernatchez). Thus, it is evident that both the monster, “an abandoned child,” and Victor are victims of alienation and isolation, despite the monster being forced into this position and Victor desiring it (Oates).
Relationships can also be detrimental to our sense of self and to the ones were supposed to love and nurture. The monster's fall into anger and retaliation is largely due to Victor Frankenstein's failure to provide basic parenting and guidance to his creation. Victor starts the cycle of neglect and abuse by creating the monster and then rejecting it because of its appearance. His refusal to build a relationship with his creation, the monster, has profound consequences for both. This leads to the monster being left to wander the world alone, without any instruction or assistance from its maker, and without any knowledge of social customs or proper conduct.
After the abandonment of love and warmth, the monster became filled with rage, anger, and neglect which leads him on page 109 to set the family's house on fire to let them know how it feels to be without. Mary Shelley believed that people will treat others badly when they don't feel that sense of belonging, For example, when Victor created the monster and didn't like the outcome of his creation, then abandoned the monster so the monster killed Victor's little brother so Victor felt somewhat of the same pain as the monster. On page 116 Victor and the monster talked about why the monster killed as much as he did but the monster claimed that it was Victor's fault for abandoning and that if he never did William and Justine would still be alive. The monster stated that if Victor were to create the monster a wife just as hideous as the monster himself so he felt like he belonged to someone and someone belonged to him due to him feeling
The result of his ambition, putting his wants and desires before others safety, results in him shutting himself out from the rest of the world so that he can satisfy himself. Those who are close to Frankenstein are the ones that end up getting hurt the most and Frankenstein is left with guilt. Frankenstein not only went too far in creating the monster, but he then went as far as leaving the monster to defend for himself in a world that was unknown to him. The monster’s confusion in the world foils and reflects Frankenstein’s poor judgement and selfishness. Frankenstein’s decision to create the monster and then leave him without any guidance, shows the worst part of Frankenstein’s desires and true colors.
“Dad, you are not an anchor to hold us back, nor a sail to take us there, but a guiding light whose love shows us the way” (Jane Lindsay). Mary Shelley’s “Frankenstein” is a piece of literature that explores the pent-up resentment in a maternal-like relationship between a shamefaced creator, Victor Frankenstein and his neglected creation, the “monster”. The central plot and main characters revolve around the taboo theme of desertion and shame. Characteristic behaviors and emotions found in the story reflect back to Mary’s own inner dark struggles and memorable moments, in the sense that they are coordinated in a haunting family-like dynamic. Uncoincidentally both the author and multiple written characters share qualities and encounters similar
Isolation and a lack of companionship is the tragic reality for the monster, who was abandoned by his creator and is repulsive to everyone that he comes across. Victor removes himself from society for many months; severing nearly all human contact then renouncing his creation based on the monster's appearance. As the monster matures he begins to understands the relationship the cottagers share with one another, while the monster, “yearned to be known and loved by these amiable creatures: to see their sweet looks directed towards me with affection was the utmost limit of my ambition. ”(Shelley). Armed with nothing but the longing for a real connection, the monster approaches his unknowing hosts only to be “brutally attacked—by those he trusted...because of their human ignorance.
Frankenstein as a book was filled with the feelings of lost motives and finding how abandonment and loneliness can come back harder and make the life that connected them could corrupt everyone who is connected to them. Frankenstein's monster is a great example of how his motives had changed and made the characters in the book make there life change and contort to become something from the fear of responsibility to facing the consequences of abandoning. The monster had shown that the all he wanted was to feel as if he wasn't lonely and that had stayed and changed his character from learning to hatred and his wished had stayed the same. The monster had made his creator his imagine of success with love and looks and was shown with the feeling
In Frankenstein, Mary Shelley uses society’s rejection of the monster, Victor’s neglect of relationships, and the monster’s physical appearance to show that alienation brings out the worst in people. The creature initially is considerate before being humbled in society. He was lonely and did not yet know the bitterness of man. The monster begins with “a kind heart and gentle interest” not knowing the personality of humankind (Knowledge).
Once noted, the parallels between Frankenstein’s fears and desires and the reality the monster experiences are many. Now that Victor is in university, he no longer has family and friends to fall back upon in the unknown territory of his university. Frankenstein voices is that “[he] believed [himself] totally unfitted for the company of strangers,” irrational as it may be, and believes himself solely dependent on his family and childhood friend for companionship. Without the love guaranteed to him by his family, Victor believes he is unfit to make companions by himself and destined to a life of loneliness. He places much importance on the fact that his father and Elizabeth love him and are concerned with his well-being.
When Frankenstein is overtaken by his passion, he does not go out to enjoy nature, he forgets to eat, and he becomes sick. He isolates himself due to the knowledge he
Society has a tendency to fear the unknown, and the monster's grotesque appearance and actions only heighten that fear. This fear causes the characters to reject the monster, which ultimately leads to his feelings of isolation and loneliness. When the monster first encounters a family, he conveys, "I longed to join them, but dared not" (Shelley 101). This quote demonstrates the monster's desire for human connection and acceptance. However, the prejudice and fear of society prevent the monster from achieving this
An unsatisfied need for a sense of belonging transforms Frankenstein’s creature into the monster it ultimately becomes. Therefore, I argue that the predominant theme in Mary Shelley’s Frankenstein is the need for social belonging
In the novel Frankenstein,by Mary Shelley, the mysterious and unnatural origins of the character of Frankenstein’s monster are an important element. The Monster, having been created unethically and haphazardly, is at odds throughout the novel, resulting in his alienation from society and prolonged feelings of anger, desertion, and loneliness. Shaping his character, his relationships with other characters, and the meaning of the work as a whole, the Monster’s origins are what define him. The Monster faces rejection and violence every time he attempts to make contact with the new, foreign world he has been thrust into.