Examples Of Sociopathy In Othello

Mindset and grit are equaled to success. Growth mindset is the belief that people can get smarter by working harder and practicing. Fixed mindset is the thought that talent and skills develop success without putting any effort. Grit is determination to stick to one thing until you have mastered it. There are certain decisions that an individual makes that will impact grit. Throughout reading the play Othello by Shakespeare there are connection between Othello , Desdemona , Iago and Brabantio with grit , growth mindset and fixed mindset.

Unknown to Othello, Iago was motivated by a cruelty that demanded the utter destruction of Othello’s public and private life. In the play Othello, by William Shakespeare, Iago is the main antagonist to the protagonist of the story. Iago is motivated by cruelty; his final goal is see all of his adversaries suffer. Cruelty is an especially crucial theme to any story, for it reveals the ugly truth about a character who is primarily motivated by cruelty. The social and political gains of Iago’s cruelty display how the theme functions in a work of literature and what it reveals about both the perpetrator and victim.

Othello is much older than the young Desdemona, claiming“… I am declined/ Into the vale of years” (3. 3. 269-270). It can be assumed he is most likely scarred quite egregiously, due to the battles he has fought. His age and physical appearance along with the fact he has just married a young beautiful wife make Othello self-conscious and nervous that his wife may not “love” him. As Francesco Ancona mentions in “Honest” Iago and the evil nature of words “to cover up that insecurity, he lies” (np), acting as if he has a strong steady belief in himself translates to readers as lying to himself “you…more command… years Than with… weapons” (1. 2. 60-61). Furthermore Othello lies to Iago. By denying Iago the Lieutenant position, Othello surely knows that he has hurt Iago. Iago has proven himself by having fought alongside Othello for many battles “And I, of whom his eyes had seen the proof” (1. 1. 27-28). Iago also had three different key representatives throughout the city of Venice voice their opinion that he is deserving of the job to Othello, “Three great ones… suit… to make me” (1. 1. 8-9). Instead of confronting Iago and explaining his decision to promote Cassio, Othello ignores the obvious animosity and lies to Iago pretending all is fine. This subtle act of lying is the key reason for Iago’s heinous plan of revenge. Though seemingly

In William Shakespeare’s Othello the two main characters are Iago and Othello. The entire story centers around Iago 's plan to achieve revenge on Othello for not promoting him to lieutenant. Throughout the story Iago tries to convince Othello that his wife Desdemona has cheated on him with his lieutenant Cassio. Iago’s plan is successfully and easily executed. Othello is tricked into believing that desdemona has been unfaithful and in the end he kills her. The men in Othello mistrust the women and always quick to associate them with being deceptive and unfaithful.

One trick that they use is a good sense of word choice, and Iago is a master with playing with words, by misleading them and getting the reaction he wants from them. The Early Modern Literary Studies, in their article "Where Iago Lies: Home, honesty and the Turk in Othello," provides a good example of Iago’s manipulation skills when he and Roderigo confront Brabantio about his daughter. Brabantio, originally, does not believe what Iago and Roderigo say about his daughter, Desdemona, and becomes angry because they woke him up late at night. Early Modern Literary Studies also states that Roderigo starts to explain his reasons of waking him up and accusing him, causing Brabantio to be even more angry. Iago, however, replies by complimenting Brabantio. Brabantio yells, “Thou art a villain” (1.1, 115) to where Iago responds, “You are a senator” (1.1, 116). Brabantio is shocked by his comment which causes him to rethink the situation going on, which decreases his anger and causes him to believe Iago and Rodrigo, especially when he checks and realizes that Desdemona is not in her bed chamber. The trick that Iago used against the Senator is by describing him by a noun instead of a verb, helping him get the response he wants

In the book Othello, Iago is a very manipulating man, throughout the book he manages to manipulate three main people, Roderigo, Cassio, and Othello. He uses all their weaknesses to bring them down. Iago wants revenge on Othello, because Othello overlooks Iago and his abilities, so Iago manipulates these three characters to get back at Othello in the long run. He comes up with a very good plan to get each other to turn against one another. So in the end he ends up getting what he wanted, revenge. Many characters fall into Iago 's web of deception throughout the book.

“Guilt is not a response to anger; it is a response to one's own actions or lack of action.” This is a quote from Caribbean-American writer Audre Lorde. Many people express their opinion on guilt, but having written over 20 books, she is a very well-educated individual and her word is looked upon with adoration. Another successful and commendable person is the philosopher, Friedrich Wilhelm Nietzsche. Nietzsche is the philosopher that came up with the love, guilt, and redemption philosophy, in which Nietzsche believes that the amount of “guilt and debt, the act of giving (of love or money) must never overwhelm the receiver” (Cybulska). This statement means that not only should the negative influences be limited, but the positive influences

Manipulation is shown in many ways such as politics, the media, misleading information and false advertising. To convey one’s thoughts to your own advantage is seen as crude and unnecessary. However, many people have their reasons in manipulating someone whether they are good or bad. In Shakespeare’s Othello, the concept of taking advantage of someone through manipulation leads to unnecessary, horrible events.

Psychopaths have attributes of detachment, insincere speech, selfishness, and violence. In the tragedy, Othello, the playwright William Shakespeare constructs an antagonist with such traits. This evil character, Iago, is known for being one of the most sinister villains Shakespeare has even written. Through Iago’s psychopathic manipulations and detached persona, Shakespeare shows that psychopaths are not redeemable in the play.

During the Elizabethan Era, drama began to flourish in Western Europe. Plays have become more violent and dramatic as well as new ways of driving a performance. William Shakespeare’s Othello involves a man named Iago who wants to get revenge on Othello who is known as ‘the Moor of Venice’. Iago is able to get Othello to fully trust him and manipulates Othello to believe in false claims which eventually brings both of them to their downfall. A soliloquy acts as an aid to the audience in order to understand a character’s internal thoughts. Shakespeare utilizes this technique frequently throughout the performance especially for the antagonist for the play, Iago. The soliloquies enhance Iago’s villainous characteristics by giving him moments to

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

Othello’s confidence for a loyal man to maintain honesty and morals are contradicted through Iago’s actions: “in a man that’s just / They are close dilations, working from the heart, / That passion cannot rule” (3.3.123). Iago, due to the understatement to his name, is not perceivable as hateful. Othello’s willingness to sense Iago’s distress, and to believe his accusations, is because of the lack of awareness Othello has for his vengeance. Iago is of such little power and relevance within societal ranking that if he were to have intentions to sabotage anyone, which he does, are not considered, thus making him easily trustworthy to those of greater dominance. Society’s view of an individual determines how others consider and surmise their persona, though these conclusions may be false.

Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.

According to Aristotle a tragic hero is a person, usually a man, of high position with outstanding qualities and greatness about him. In the plays Oedipus Rex by Sophocles and Othello by William Shakespeare the main characters are classified as tragic heroes. Oedipus grew up with his adoptive parents as his biological parents did not want him fearing a prophecy that Oedipus would kill his father and marry his mother. Othello was betrayed by a soldier, Iago, because the soldier did not get the position he wanted. Iago began to spread lies about Othello’s wife, Desdemona, as well as other people he trust. When Othello heard these lies, he believed them which only hurt himself. Both the hand of fate and the fault of men caused the two tragic

When something goes to far normally we would end it however, that 's not what happened in the shakespeare play Othello. In the source “Destructive revenge in Othello” by Harry Keyishian it talks about the revenge that fueled the play as well as Iago’s true ambitions. Keyishian also talks about how Iago tricks almost everyone in order to get his sweet revenge. Once Iago Stabs his assumed friend Roderigo it’s clear revenge had been taken too far.