Response to Trauma in Joy Luck Club
Imagine growing up in a completely different country than your parents (across the world, to be exact). Being surrounded by opposite situations that they were in would put you in separate places from your family. You would lose your native tongue, and only be around it at home. Your parents would celebrate holidays that aren’t being celebrated around you, and you would feel out of place. In The Joy Luck Club, the lives and stories of 4 first generation Chinese immigrant families are looked into and told. And their lives are exactly as described above. In The Joy Luck Club by Amy Tan, the families' responses to past and present generational trauma are conveyed through concise imagery and powerful internal
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Waverly Jong grew up with her family in San Francisco’s Chinatown. She never had a strength that made her stand out, but when she discovered chess, it became her special talent. Although she enjoyed it for a great amount of time, she started liking it less and less as the pressure grew more and more. Her parents placed her under more stress and viewed her just as a chess-playing prodigy. Waverly reflects “I no longer played in the alley of Waverly Place. I never visited the playground where the pigeons and the old men gathered. I went to school, and then directly home to learn new chess secrets, cleverly concealed advantages, more escape routes” (98). This imagery conveys the longing Waverly feels for her old life, and the negative emotion she has associated with chess. The examples of her past (playing in the alley, going to the playground, etc) display the yearning she feels for her pre-chess life, which was free of stress and pressure..Chess also forced her to grow up a lot faster, and Waverly wants to feel like a child again, with no …show more content…
An-mei Hsu was a young girl in China when her mother left her to go work as a concubine for a rich man. This caused An-mei to grow up with her grandmother as her main parenting figure, which resulted in her following Popo’s beliefs and customs. Popo told An-mei cynical sides of stories about her mother, and was the leading factor of her developing dislike for her mom. But when she enters back into An-mei’s life, a traumatic accident happens and causes her to be associated with even more negative memories. “This was the kind of pain so terrible that a little child should never remember it. But it is still in my skin’s memory. I cried out loud only a little, because soon my flesh began to burst inside and out and cut off my breathing air… And then Popo said something that was worse than the burning on my neck. ‘Even your mother has used up her tears and left. If you do not get well soon, she will forget you’” (47). This quote demonstrates the manipulation of Popo’s words, and how in the trauma-related stress An-mei believes them. The pain of the injury itself was enough to be engraved into An-mei’s skin and mind, so her mother just being present during the event was enough to have another bad memory associated with her. With Popo pointing this out and using her power to turn her granddaughter against her daughter, An-mei’s dislike
In “Rules of the Game,” the author directs her focus on the strained relationship between an immigrant mother and her daughter born in America but of intense Chinese background. The narrator, Waverly Jong describes her encounter at the marketplace with her mom; who taught her the art of invincible strength. She explains how her mother termed it as a strategy for winning arguments, respect from others stating that the strongest wind never meets the eye. This lesson proves pivotal in Jong’s spectacular chess expeditions that saw her crowned national champion as well as defined the latter`s relationship with her mother, whom she often saw as an opponent. Jong becomes entrapped in her conflicting environments, forcing her to adjust accordingly to both her physical and social environment.
From trading pieces of candy for chess pieces, to playing in local tournaments, she transforms into a proficient chess player. Her skills were unmatched in her early years, and she was quickly seen as the first female Grandmaster at the age of twelve. This is her departure from what would appear to be a “normal” life. Furthermore, she meets a mentor, Lau Po, and improves at playing chess. This mirrors the Hero’s Journey, in how both a Hero, and Waverly, must traverse through calls of action, meet a mentor, and transform.
‘Why do you have to use me to show off? If you want to show off, then why don’t you learn to play chess.’” (Tan 241). This shows that her mother is very proud of Waverly and
As a kid Popo would tell An-mei so many different stories to keep her from doing things. She told her stories about being too greedy, and listening to her elders. For example, to protect her grandchildren from evil spirits, Popo tells them that they came from unwanted eggs of a stupid goose; they came from eggs so valueless that they weren't fit to be "cracked over rice porridge. " An-mei believes this tale,; later, when her mother arrives unexpectedly, An-mei notes that her mother has a long neck "just like the goose that had laid
Although she still follows her mother’s wishes and is subject to her authority in the house, she becomes tired of her mother’s using her for her own benefit and pressuring her to get better at chess. She pushes back at her mother when she says, “‘Why do you have to show me off? If you want to show off, then why don’t you learn to play chess’” (741). This retort is the main instance in which Waverly breaks the archetype of the orphan.
Waverly's mother would always attend them, smiling proudly every time she chose to compete. Whenever Waverly practiced, her mother always loomed above her shoulder, observing how she prepared for her upcoming tournaments. Despite her mother's supportive and proud behavior, Waverly expressed anger and annoyance, like when her mom randomly started begging to strangers that she was her daughter. Waverly's relationship with her mom played a vital role in her journey to succeed in playing chess. Firstly, mother and Waverly had a caring relationship.
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
An Mei’s mother from that point on devoted her life to guiding her daughter in the best direction possible. She used stories and past experiences to teach her about life's struggles and how to deal with them. Near the end of the chapter, two days before the Lunar New Year, An Mei is woken up by Yan Chang telling her that her mother took too much opium and "When the poison broke in her body, she whispered to me that she would rather kill her own weak spirit so she could give me a stronger one." This sentence clearly shows her mother's sacrifice for the good of her daughter. Her mother had committed suicide to give her children a better
In the short story “Rules of the Game” by Amy Tan, Waverly Jong’s mother is unsupportive of Waverly’s dream to pursue chess. Waverly Jong explains to us that she was only six years old when her mother taught her “the art of invisible strength,” a strategy for winning arguments and gaining respect from others in games. Waverly and her two brothers love on Waverly Place in San Francisco’s Chinatown. Waverly’s brother received a chess set at the Baptist Church Christmas party. Waverly immediately took interest in the game.
(b)Connect: Waverly is told not to question the rules just figure it out on her own. Waverly uses the rules to make her own chess strategy. (c)Extend: Waverly Jong is a young girl who lives with her mother, Mrs. Jong, and her two older brothers, Vincent and Winston. Her family is of Chinese descent and they live happily in busy Chinatown, San Francisco.
In the story, An-Mei has been badly burned in an accident perpetuated by Popo and An-Mei’s mother. While Popo is trying to give An-Mei motivation to heal and come back from “the other world” she says “Your dying clothes are very plain.”. . . “Our Morning time for you will be very short.”. . . “Even your mother has used up her last tears and left. If you do not get well soon, she will forget you.”. . .
As Jing-mei’s mother is telling her that she has to go play piano, the reader can imagine how she gets more and more angry as her daughter disregards what she is saying. Finally, the narrator emphasizes to the reader how the relationship between Jing-mei and her mother deteriorates more and more as time
Waverly describes her parents “ My parents made many concessions to allow me to practice. One time I complained that the bedroom I shared was so noisy that I couldn’t think. Thereafter, my brothers slept in a bed in the living room facing the street” (Tan 155) This shows us that the parents sacrificed everything for Waverly to play chess. It makes it feel like Waverly is indebted to them to play chess.
As the short essay continues, however, Waverly’s mother stops treating her kids equally when Waverly starts winning all of her chess tournaments, and her mother then forces Waverly’s brothers to do the dishes so Waverly can focus on chess to which her mother says, “ ‘Meimei play, squeeze all her brains out for win chess. You play, worth squeeze towel’ ” (Tan 6). This statement suggests that the real reason for the change is that Waverly’s mother begins to realize Waverly’s chess abilities will take them further in life than her brothers because through Waverly’s success, Waverly’s mother will gain more power in society by taking pride in the idea of her raising a child prodigy. The equality change from wanting success for all her kids to only focusing on Waverly’s success helps us to better understand the author’s implicit message that when people seek power they must understand how to wield that strength so it isn't
However, this determination sometimes appears to be obsessive to the point of running her daughter’s life for her. Regardless, she is only trying to help, as she encourages Jing Mei by asserting “‘You can be best anything.’” (1). Because of this, it suggests that although she is very harsh on her daughter at times, it is only to make sure that Jing Mei can use her full potential and not end up losing everything like her