Franz Kafka was a 20th century author whose writing often seemed to tackle a variety of existentialist themes such as alienation, psychological duress, and bureaucratic conflicts. It often includes an introspective character placed in a mildly surrealist setting who undergoes certain experiences that showcase his character, his doubts, and his beliefs. Some of Kafka’s writing, especially in “The Castle” seems to be politically charged with ironic undertones, as if Kafka is making a mockery of a an amalgam of political systems by creating situations reminiscent of communist or feudal systems most prevalent in Eastern Europe. The characters in the book seem to possess a community mentality, bigoted beliefs, and they’re ignorant about decisions made by authorities, maintaining a passive attitude throughout the book. They also display a considerable amount of prejudice and xenophobia, most noticeable when the protagonist first enters the village, but is prevalent throughout his stay there. The first introduction to the oppressive nature of the governing system occurs on the first few pages when K is informed “The village belongs to the castle, so anyone who stays or spends the night here is, so to speak, staying or spending the night at the castle. And no one is allowed to do that without a permit from the court.” (Kafka 2009, 5) Clearly, the villagers have been conditioned to think that the Castle and its inhabitants are all-powerful and their permission is required for all
By taking advantage of this anger, the author stirred up a strong sense of pride through invoking patriotism. The final goal of these emotions is to mask his blaming of unconnected parties, the Jews and Marxists. With pathos, he successfully caused the lapses in his logic to go by unnoticed and he further built his
In reading Kafka’s “Metamorphosis” the character Gregor is the one that he uses to describe a man who has an acute loss of spirituality. For example, Gregor had a dream he was a bug and this dream became so realistic that it turned into his reality. In Gregor’s perspective, he can’t control himself and has lost his self with this dream that his voice even changes making his family worry about him. Throughout Kafka’s “Metamorphosis” Gregor’s happiness or what he thought was happiness slowly starts to deteriorate. Gregor had a job to help his parent’s pay off debt that they were in and since he can’t function as a normal human being he lost his job.
The movie, The Village, and the novel 1984 provides new insight and connections on a “utopian” society. Both are very similar to each other in a way that their utopian society has many flaws. 1984 is about a rebellion against an iron-fisted totalitarian government while The Village is about an attempt to protect the innocence of people. In these societies, the leaders lie in order to try and achieve a utopian world. Both societies have different purposes to control the people through fear, but despite their attempts to create a utopian society, they were only successful to a certain extent.
The Night is a story about war. A war that is way too different from the war that happened in different countries around the world. The challenge to the warrior and the sufferings of the noncombat. A terse, merciless testimonial, the book serves as a harsh reflection on war. The work serves as an example of a devastating effect of evil on innocence.
It’s quite remarkable how differently people react to change; how one could be so rebellious while the other embraces it. In “The Man in a Case” written by Anton Chekhov, Byelikov is not only a reserved, quiet man who revolts against any form of change, but is also a man who makes no exceptions to his mental disciplinarian handbook of rules whether it was for personal or professional purposes. On the other hand, “The Metamorphosis” by Franz Kafka begins with Gregor Samsa treating his change from a human being to an insect with complete disregard as though his transformation is a natural occurrence in his life. Chekhov and Kafka, in their respective works of literature, use profound figurative references and discuss the different reactions to change, which as a result intrigue and arouse the reader’s curiosity.
It is a book written in 1915 by Franz Kafka and depicts life of a man who in one night goes through a
Gregor is taken into a deep state of depression, and he misses the s freedom Heidegger would call superficial he used to have. Kafka describes Gregor’s vison ,of the Charlotte street as a gray sky and gray earth being almost indistinguishably fused, implying that Gregor can no longer see the difference between his happiness and sadness. Gregor is no longer able to relate to the outside world due to his isolation for the past month, causing him severe loneness. The window he looks out of represents all Gregor has left of his fading connection with the outside world. The life he had before his transformation and the life he cannot go back to.
The story details Vladek’s life as he moves from wealth to poverty, falls in love with his first wife, Anja, raises a son, Richieu, and survives Auschwitz. The author depicts Jews as mice, the Polish as pigs, and the Nazis as cats, which serves as an metaphor of the dehumanizing events of the Holocaust (Art Spiegelman: Biography, Artist, Maus). Vladek’s will to live allows him to survive through the horrors of being helped captive in the concentration camps, which included being separated from his wife, nearly starving to death, watching his friends die, hearing about the deaths of family members, and other tragedies. Vladek in present-day is a very strange man, he does things like counting his pills and returning opened boxes of cereal to the grocery store expecting a refund. His traits frustrate Art and they clash often, even though that the habits that Art considers to be strange might have been the habits that kept Vladek alive.
In The Stranger by Albert Camus: the protagonist, Meursault, appears to be indifferent to everything throughout the book. Even on fundamentally important concepts such as death, love, and time. Because to Meursault, “we’re all going to die, it’s obvious that when and how doesn’t matter (2.5.114).” This general lack of interest is similar to the Universe because if the grand scheme of things, our lives, and our deaths mean nothing and would have no real impact on the future of the Universe. Our deaths turn meaningless over time, eventually love will fade away, and time will blur together to the point that 100 years will seem like a millisecond.
Introduction Hook- Absurdism is seen as the confrontation of the individual with the natural world and society. Albert Camus thought there were three solutions to absurdism, which were physical suicide, philosophical suicide, and acceptance. Bridge- Philosophical suicide is seen as a leap of faith, a sort of giving in. If death is looked at in those terms than a philosophical murder should be similar to its suicidal counterpart.
Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity.
In which Kafka, through rhetoric, diction, and symbolism, communicated the negative correlation between an economically driven society and its concern for humanity. Kafka also displays this type of society’s creation of economic pressure, its impact on individuals personally and on the family.
Kafka illustrates in his novel the permanent conflict between an elusive law and a vain search for truth and justice. In The Trial, the law appears to be hidden and distant while still demanding, through its representatives, rigorous obedience. Society is thus divided in two groups differentiating the people incarnating the law to those who must obey it. This submission, however, can lead to the lost of what constitute mankind, the one element, according to René Descarte, that truly differentiates humans to animals: the possession of our souls. Indeed, Joseph K is ashamed of the despicable nature of human kind and dies, in submissiveness towards the law, “like a dog”
In his novel The Stranger, Albert Camus creates an emotionally incapable, narcissistic, and, at times, sociopathic character named Meursault to explore and expose his philosophies of Existentialism and Absurdism. Throughout the story Meursault follows a philosophical arc that, while somewhat extreme - from unemotional and passive to detached and reckless to self-reflective - both criticizes the dependent nature of human existence and shows the journey through the absurd that is our world. In the onset of The Stranger, following his mother’s death, Meursault acts with close to utter indifference and detachment. While the rest of “maman’s”(9) loved ones express their overwhelming grief, Meursault remains unphased and, at times, annoyed at their
Franz Kafka’s novella The Metamorphosis is the tragic story of young travelling salesman Gregor Samsa who becomes alienated by his family after he transforms overnight into a giant insect. The Metamorphosis, while open to various interpretations, clearly depicts Kafka’s own views of the suffocating capitalist socio-economic structure and the struggles for power that occur within one. In The Metamorphosis, Kafka illustrates the incessant oppression that occurs as a result of a rigidly capitalist society. First, Kafka illustrates the expendability of workers in a capitalist society with the role of Gregor at his workplace and within his family. Gregor is a traveling salesman, utterly unimportant to the company to which he dedicates his life.