Chapter 5: Do soap operas break boundaries?
Soap operas have dominated television screens for over fifty years, and are now integral to British culture. People prefer to gossip about soap opera characters and storylines, more than they do about those they know in real life (Brooks, 1994). Though soap operas are not often considered a contributing factor of a change in society, there is evidence that suggests that this genre has been successful in educating the masses - with their combination of drama and societal commentary - they have been able to capture people’s attention, and bring an entirely new perspective to a large audience. Through the years, this genre has touched on many taboos, stigmatized and otherwise unspoken about topics, bringing them to the attention of individuals who might otherwise be ignorant to them and the way in which others live their lives. Lesbian, Gay, Bisexual and Transgender stories happen to be just one sector of this. If someone was asked about their earliest memory of seeing LGBT topics broadcast on the silver screen, television shows like ‘EastEnders’ and ‘Coronation Street’ will be mentioned. A few examples of this include; Barry and Colin’s forehead kiss in the Albert Square,
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It all started in 1982 when soap opera Brookside first started airing. From its conception, it was brave, and addressed subjects that other television programmes considered too gritty. Gordon Collins was a character featured in ‘Brookside’ from its debut, but it was not until three years later in 1985 that his sexuality was uncovered. With the storyline being explored during the mid 1980’s - at a time when according to a British Social Survey, up to 75% of the British public considered homosexual acts to be “always or mostly wrong” (EHRC, 2009) - it really was
During the 1950s and 60s, society looked down on homosexuality. The general public opinion was that homosexuality was something to be ashamed of and threatening to wholesome family values. In a 1967 CBS News documentary called “The Homosexuals”, anchor Mike Wallace said, “In preparing this broadcast, CBS News commissioned a survey by the Opinion Research Corporation into public attitudes about homosexuality. We discovered that Americans consider homosexuality more harmful to society than adultery, abortion, or prostitution.”
Terry Golway’s “A Nation of Idol Worshipers” is an article written about his own perspectives about american television and the ways it has ruined the minds of americans. Golway expresses that he believes in today 's society doesn 't find real careers aspiring. Americans are influenced by what they see on television. Shows such as American Idol and America 's got talent taint the minds of youth brainwashing them to think that fame is the only aspiring thing life has to offer. The glitz and glam shown on TV are distracting americans from the real idols and the important aspirations and goals in which they should be aiming for.
Mimi White establishes her own theory by proposing in her piece that the mass culture only succeeds when it responds to real social needs, but it must first fulfill those needs with imaginary terms. The goal of this analysis was to show how “real” life problems are being depicted on television, as well as describe how these “real” life
This week’s material we took a look into the LGBT communities in the films Paris is Burning and Lucid Noon Sunset Blush. Each film took a different group from the community and showed how they lived and survived in society, both films discussed the various ways that people in these communities made money and example for both is sex work. While both showed examples of sex work they also showed examples of structural and interpersonal violence. The article by Stanley “Near Life, Queer Death” talks about the murders of Brazell, Paige, and Weaver each who were brutally murdered for being transsexual, gay, and a drag performer. Brazell and Paige’s murders were examples of structural violence which is when something is looked upon by society as being
Queer theatre is largely dominated by men, but women like Diana Son have found their place within the movement. Since the play, she has gone on to have a successful career in television, but this particular piece of work has become a timeless classic. With deep undertones of intolerance and self-discovery, Stop Kiss, keeps things light hearted and comical. Comparisons to sitcoms such as Friends and Seinfeld, with catchy one liners, have been drawn in order to describe the nature of the piece. Son’s method of addressing real issues without the use of over the top flashy gay scenes and graphic violence appeals audiences of all backgrounds.
Throughout the course of production, literature and media have served as a medium for capturing diverse experiences. When queer and trans identities have been concerned, the material has provided meaningful content. Specific selections in this genre have portrayed the experiences of queer and trans characters as they intersect with race and gender. Nella Larsen’s book Passing and Cheryl Dunye’s film The Watermelon Woman both maintained the theme of colorism, specifically emphasizing its impact on queer women.
Television situational comedies have the ability to represent different values or concerns of their audience, these values often change every decade or so to reflect and highlight the changes that the audience is experiencing within society, at the time of production. Between the years of 1950 and 2010, the representation of gender roles and family structure has been addressed and featured in various sitcoms, such as “Father Knows Best” and “Modern Family”, through the use of narrative conventions, symbolic, audio and technical codes. These representations have transformed over time to reflect the changes in social, political, and historical contexts. The 1950’s sitcom “Father Knows Best” traditionally represents the values of gender roles and family structure in a 1950’society, with the father, held high as the breadwinner of the family and the mother as the sole homemaker.
I. Introduction Parenthood, a drama television series, attends to the adversity of an extended and imperfect family. The Bravermans are a blended California family who face a series of both fortunate and unfortunate events but together find a way to get by (Katims, 2010). Television consumers have been introduced to many fictional families overtime and continue to fall in love with family related television shows. Historically, the media has transformed and continues to adapt to the changes in present day family types. “Writers often take seeds from real life experiences and plant then in their scripts,” consumers both consciously or subconsciously attend to cues on television and want to apply what they see to their lives.
Thus, as the straight people are considered the majority in society, the director is actually showing to the audience that gay people are hiding from the straight world, and the reason why gay people gather together is because they might not find the sense of belonging in all those “straight” places as they couldn’t really show who they are. Besides, the audience could find out that none of the character actually got someone whom they can be fully falling in love with. Stuart never has a “relationship”, and he is simply an egregious flirt, but definitely not an expert of relationship. Vince is secretly crushing on Stuart, but Stuart seems to have no interest of him. Nathan crazily falls in love with Stuart, but Stuart treats him like a sex toy indeed.
There is no discussion of same-sex activity as it is considered to be taboo. The film expresses the same level of denial and secrecy regarding this issue, therefore the account’s accuracy is depleted to a certain extent (Worden, 2006:
Wolfenden found that in 1955 30% of those prosecuted were imprisoned. The irony of imprisoning homosexual men in institutions which were all-male seemed lost on the system. (‘Gay’ in the 1950s) With knowing the severity of homosexuality during the 50’s , it brings clarity as to why problems came about when creating the film version of Cat on a Hot Tin Roof. When deciding to make the play into a film, one main change had to be made due to restrictions of homosexual references in films.
Substitute the word “gay” in any of those cases, and the terms suddenly become far less loaded, so that the ring of disapproval and judgment evaporates. Some gay rights advocates have declared the term off limits. The Gay and Lesbian Alliance against slander, or Glad, has put “homosexual” on its list of offensive terms and in 2006 persuaded The Associated Press, whose stylebook is the widely used by many news organizations, to restrict use of the word. Miss Suhashini a, lecturer of Phycology Department at UTAR who was currently doing research about LGBT has looked at the way the term is used by those who try to portray gays and lesbians as deviant. What is most telling about substituting it for gay or lesbian are the images that homosexual tends to activate in the brain, she said.
‘Friends’ is a 1994 television sitcom that aired for 10 seasons up till May 2004 and has earned numerous accolades, leaving a prominent reputation in the film industry. ‘Friends’ is also well known for its comedic content which generically focuses on the gender roles and sexual differences of the characters in the sitcom. Sitcoms such as ‘Friends’ are powerful mediums in which the viewer’s perception of reality is altered as they redefine the average life of an American. Poniewozik stated that storyline of sitcoms redefine the idea of the average life, while still relating to society (Poniewozik, 2004).
Such instances have been tolerated only in meagre regions in historic tales, and the queer plots and subplots portray a kind of repression of choices that reflects the differences in nature and culture. Beyond the sexual politics, time-honoured metaphysical metaphors and allegories, the tales retain a mythical yet relevant notion that though they are socially inappropriate, nothing is
Moreover the portrayal of love and family in today’s soap operas can be questioned, to be giving a negative and fallacious view of what is acceptable in society. Likewise the overbearing theme of violence and explicit sexual content in todays TV shows, has also disturbed parents. With parents having less control over the TV shows their children watch, due to late working hours and their availability on the Internet, they fear that young children are being exposed to adult content, which may have negative affects on their behavior. To begin with in today’s world, TV shows that used to focus on creating educational value such as “Leave it to Beaver” and “Bill Nye the science guy”, have practically ceased to exist. With the preferences of teenagers changing through cultural globalization brought about by social media, more and more teenagers are interested in the romance between characters like “Damon and