17/PELA/035
Exploitation of subaltern child widow in Deepa Mehta’s film Water
The acclaimed diasporic filmmaker Deepa Mehta’s woman-centred trilogy Fire, Earth and Water have a common bind (religion). Water remains a powerful indictment of male hegemony in Hinduism. The use of a child widow as a subaltern in the film highlights the need for a revolution within the Hindu culture and its treatment of women and children. When children become victims, society realises its disintegration sooner. Deepa Mehta becomes the voice of the subaltern widows and calls for a rapid change in the Hindu culture. This essay focusses on the various double standards that Hindu culture advocates in assigning widows as subalterns in Deepa Mehta’s film Water. The
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His father encourages him to keep her as his mistress. This projects the so called high class socially respected Brahmins as exploitators of gendered subalterns. Narayan-Kalyani relationship suffers a tragic end. Narayan on learning that his father is responsible for the ruin of Kalyani, shames and rejects him affirming that Ram has condemned those Brahmins who interpret the scriptures for their own selfish ends and leaves Benaras to follow Gandhi. Losing her income from Kalyani’s sexuality, Madhumati targets Chuyia as a new source of income. She is then sexually abused by Narayan’s father. The chain of exploitation and abuse continues in the …show more content…
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The book "A Long Walk to Water" by Linda Sue Park explores the life of Salva, an 11-year-old boy living in South Sudan, after he is displaced by the Sudanese Civil War. First, in 1985, Salva and his classmates are instructed to run into the bush to escape the gunfire that was heard not far from the school. Then, he joins a group of travelers who are walking away from the war in Sudan, but they abandon him in a barn one evening while he is still asleep. After spending a few days with the barn's owner, Salva is sent away with a different group of travelers, must of whom accept him grudgingly. The group walks for a month toward Ethiopia, and eventually they arrive to the Itang refugee camp in Ethiopia.
The end of the eighteenth - beginning of the nineteenth century England was characterized by the downfall of the revolutionary “Jacobin” movement which advocated for freedom and equality, and symbolizes a return to, as well as an empowerment of the conservative British patriarchal system. This was the context in which Amelia Anderson Opie wrote “her most political novel”(King and Pierce, viii) Adeline Mowbray, a tale which provides a case study about, as Roxane Eberle notes, “progressive ideas that heterosexual relationships can and should exist outside of marriage”(1994: 127). As a result the clash between these innovational type of relationships and the English legal and social norms collide in their representation of models of proper conduct for women. Although Opie’s fiction is roughly known or read nowadays, her writing technique made her be considered one of the representative women authors of that period.
Instead of continuing the encouragement of progressive women 's rights, Browder showed that we reflect on the gift of authentic femininity as antithetical to radical feminism. A real page turner, this book is one of the more fantastic compilation of reflections, essays, memoirs, and historical facts about moral issues such as critical with regard to the dignity of human
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Islam and Christianity share similar ideas as the abstract religion in the coming of age novel “Bless Me, Ultima” by Rudolfo Anaya. Islam and magic each have stigmas connected to them from personal assumptions. Pagan beliefs in the novel and Christianity share the same concept of afterlife and symbolism. Magic and Islam are falsely accused of being malevolent in nature due to society using the religions for hate crimes. Antonio was pondering the motive for his dad’s concern about Ultima visiting and he realized, “Ultima was a curandera….
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To further explain, in the Girl Rising documentary, viewers are taken through the life of a young girl, Suma, in Nepal. She was only six-years-old when her parents exchanged her obedient working hand for money. She was then sent to a home where she would do chores such as washing the dishes, cut firewood and maintain the farm. At her next working home, Suma’s employer’s forced her to eat their scraps, and called her “unlucky girl”. At this home, she was sexually abused, but she did not let that define her.
Although it defines and affects everyone, the topic of “race” is a difficult one. To some, race is the most important aspect of their life, while to others race is what they check off on forms. James McBride’s memoir The Color of Water: A Black Man’s Tribute to his White Mother demonstrates racial topics and issues that discuss origins, sense of self, sense of identity, and neutrality.
The question of feminine insanity and madness within literature has been a topic of much debate within literary studies, particularly among those scholars who focus on feminist readings of the texts in question. Many of these new readings and analyses are based on or heavily rely on the influential work of Gilbert and Gubar, who focused on the issue of female madness within Victorian fiction in their work The Madwoman in the Attic. As they posit in their work, female authors of the time were confined to only two models of femaleness within their works, either the pure angel or the untamed madwoman. Here they also introduce the idea of the double, which harkens back to the dark doppelgänger from the gothic tradition. As they explain in the preface to the text, many of these work is dealing with female madness while seemingly placing two models of femininity opposite one another are in actuality “fantasies in which maddened doubles functioned as asocial surrogates for docile selves” (Gilbert and Gruber 6).
The family’s girl may also become a victim as critics will increase towards this girl’s honor. In addition, if the woman choose to have this child; at some points in her life, it will remind her of the event when she got raped which will bring her bad memories and create a long lasting trauma. Rape of woman takes place in many countries, a woman who is coming back home from a long night in dangerous
“Dadi 's Family” demonstrates how women in Dadi 's household fight to secure their status around the idea of the dominant patriarchal mentality which insists that females are the inferior caste. The dedication to the production of the film consists of following the life of Dadi and her daughters-in-law showing the viewers the struggles they encounter trying to maintain the traditional ways of living the gender roles that have been developed for generations. In Dadi 's Family, it is clear to see that there is a different role play that women and men play which demonstrates inequality between the different dynamics of gender and power. There are many ways in this film where we see women dependent and subordinate to male authority. To begin with, in the beginning of the film Dadi explains the process of how women are traded off as braids.
“Dadi 's Family” is dedicated to demonstrating how women in Dadi 's household fight to secure their status around the idea of the dominant patriarchal mentality which insists that females are the inferior caste. The dedication to the production of the film
In her essay Adeline Mowbray: Diverting the Libertine Gaze Roxanne Eberle also confirms that the novel is inspired on Wollstonecraft and Godwin’s relationship, but she goes a little further and suggests that more than a replica of the two “Jacobin” philosophers ‘lives the novel is a counteraction to Godwin’s Memoirs of the Author of A Vindication of the Rights of Woman. As an early admirer of Mary Wollstonecraft Opie could not accept the abhorrent position in which the Memoirs had placed her, so she wrote a novel that “examines the confusion which ensues when a women’s philosophical beliefs conflict with society’s notion about female sexuality”(1994: 123), and how that transgressive women is converted into a sexual object by a conservative society. For Patricia Mathew, more than a critique to Godwin’s concepts, the novel exhibits the impracticalities of those theories when applied to women in the late eighteenth century. Her analysis unfolds around the idea that Adeline Mowbray “takes its central theme from Wollstonecraft’s experiment in marriage with Godwin”(2007: 390) and arguments that Opie sets the basis for her fiction by using Wollstonecraft’s
The postcolonial theory in international relations draws upon the existing writings of feminism, Marxism and post modernism. With its main focuses being gender, race and class and their relation to power (Chowdhry and Nair,
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