Noah Starr
Robin Thomas
ENGL 1102
31 Jan 2016
Theme of “Cathedral”
In the short story “Cathedral”, Raymond Carver tells a story through a narrator who is blind with jealousy and cannot see, Robert, a physically blind man in mourning, yet he is caring, easy going, and the final character, the narrator’s wife who is the bridge between them. These two men live in separate worlds, and now through the inciting incident of the death of Robert’s wife, their two worlds collide. Beginning the first day she answered Robert’s help wanted ad, he and the narrator’s wife have been longtime friends. In “Cathedral” Raymond Carver uses this story combining a narrator’s preconceived notions of the blind, who is angered by Robert, an artifact of his wife’s past,
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2) and she reads to him and they become good friends. The narrator throughout the story makes it apparent that he does not know his wife on a deeper level like Robert. For instance, when his wife tries to talk to the him, it is apparent that he does not look to converse on a deeper level yet, just go through the motions of his daily life; for example, “Right then my wife filled me in with more detail than I cared to know” (par. 14). Even though Robert cannot physically see the narrator’s wife, he is able to understand her a lot more as he listens to her through the tapes they mail back and forth between each other and have seemingly great in-depth conversations. The narrator makes it apparent that he is envious of their relationship as he reminisced about her poem. “In the poem, she talked about what she had felt at the time, about what went through her mind when the blind man touched her…” (par. 3).
The rising action begins when Robert arrives and the room fills with awkwardness as the narrator, his wife, and Robert engage in small talk. The complication is felt when the silence is interrupted by the narrator’s interjection, “Which side of the train did you sit on, by the way?” (pars. 25, 26). The night continues with dinner, drinks, and indulgent activities, and the emotional conflict of discomfort and goodwill leads to a climax with late night television. The suspense is heightened when the narrator’s wife falls asleep and Robert says “We haven’t had a chance to talk. Know what I mean?” (par.
The unnamed narrator does not see Robert, the blind man, as a person, but as someone different. The grandmother, on the other hand, believes in her appearance and belief that is better than other people. After the challenges they both face, they end up finding enlightenment. In “Cathedral,” the narrator was not certain on how to describe the Cathedral to Robert. The narrator resorts to drawing and with a pen in his hand, he had realized that Robert “closed his hand over my hand” and asks the narrator to “close your eyes” as they drew the Cathedral (75-76).
The author use of the title “Cathedral” was misleading at first. “Cathedral” is about a husband who had an interesting experience with his wife’s blind friend. The narrator, also known as the husband, had difficulty understanding other people thoughts and personal feelings. The narrator knew how important the blind man is to his wife, yet he still makes careless jokes about him. “Maybe I could take him bowling” was a comment made by the narrator after finding out that the blind man was staying over his house.
It is evident that change is a natural component in the average person’s life. Some however, are more drastic than others. This is exhibited through the first-person narrator of Charlotte Perkins Gilman’s short story, “The Yellow Wall Paper”, who undergoes a drastic change in her health due to postpartum depression, her relationships with the individuals around her, and her isolation. These changes later develop an internal conflict in the form of a troubling identity plight.
The narrator finally understands how Robert can love a woman or even just eat dinner being blind, since looking is not as important as he once thought. The townspeople were also just as wrong about Miss. Emily. When Emily dies, the townspeople are let into
As the story develops, the narrator grows to like Robert, and as the story ends we see the two draw a cathedral together which allows the narrator see a new side of everything and allow for him to be more connected to the blind man and his wife. This plot is commonly seen in many different media’s, but it’s used more cleverly here, as it allows for characters to flow with the story while not sacrificing the story being mediocre. In saying this, the plot of this story is very character-centric and is vital to helping to advance the story. Within this story the character
The narrator’s eyes are closed and he is being led by a blind man, yet he is able to see. Carver never explains what it is the narrator sees, but there is the sense that he has found a connection and is no longer detached or isolated. The narrator is faced with a stark realization and glimmer of hope. Hope for new views, new life and probably even new identity. Even the narrator’s wife is surprised by the fact that her husband and Robert really get along together.
Robert’s wife has recently died and he used to work for the narrator’s wife. Robert comes to visit the narrator’s home and the narrator is not happy about this because he believes blind people to be miserable and gloomy based solely on what he has absorbed from the movies. At the end of the first paragraph, he says, “A blind man in my house was not something I looked forward to” (1.1). Little to the narrator’s knowledge, his wife and Robert had been using audio tape to correspond over ten years, and have much past history with each other. The narrator’s wife makes sure he knows to make Robert comfortable, and if he doesn’t it shows that he does not love her.
“Cathedral” The essay “Cathedral”, by Robert Carver, is about a man who is unsure of a blind gentleman named Robert that is coming to stay in his home for the weekend. His wife met Robert when she was reading to the blind. The narrator of the story who remains unnamed through the essay is not happy about Robert coming to stay in his home. He thought all blind people were the same and Robert taught him what it was like to be blind.
Contrasting the narrator, Robert feels love, rather than physically “seeing” it, an emotion the narrator is incapable of. The narrator wonders “who’d want to go to such a wedding in the first place” (Carver 2) considering the wedding consisted of “just the two of them, plus the minister and the minister’s wife” (Carver 2). Instead of viewing marriage as a celebration of the love between two people, he sees marriage as a tangible ceremony focused on physicality. Because of Robert inability to see, the narrator discounts Robert and his wife’s love for each other. Their marriage was “beyond [his] understanding… they’d married, lived and worked together… and then the blind man had to bury her… without his having ever seen what [she] looked like” (Carver 2).
In the story, the narrator’s narrow mindset is challenged over and over again as Robert breaks most stereotypes that the narrator held. As these stereotypes are broken, the narrator begins to feel more comfortable with Robert, and sincerely tells him that he is “glad for the company”. This release from prejudice culminates in the cathedral drawing scene of the story, where the narrator finally lets go of his bias towards blind people. Once the narrator closes his eyes, he is seemingly equal to Robert, and he consequently begins to understand Robert’s perspective. His newfound empathy towards Robert demonstrates how he has lost his prejudice towards him.
Throughout the story the reader can affirm that the wife has a deep, strong relationship with the blind man. The wife and the blind man share an intimate and vulnerable moments together; one includes when she lets him touch her face so he can remember her. Similarly, the narrator gets to share an intimate moment with Robert that leads to an epiphany. The epiphany that the narrator experiences when drawing a cathedral refers to seeing life from Robert, the blind man’s, point of view and seeing the struggles as well as life experiences a blind man must encounter on a daily basis.
Robert being confined to his house during the night, fights the urge, brought through the constant struggle with himself and dealing with his past. This creates internal conflict as he realizes his past life is gone so he drinks to get around the pain. Slowly he gets surrounded by his past and it consumes his fight for survival. But, he realizes
The narrator begins to change as Robert taught him to see beyond the surface of looking. The narrator feels enlightened and opens up to a new world of vision and imagination. This brief experience has a long lasting effect on the narrator. Being able to shut out everything around us allows an individual the ability to become focused on their relationships, intrapersonal well-being, and
Robert just replied to her saying they are drawing a cathedral. The blind man ran his fingers over the paper, and places his hand over the narrator which is the beginning to the narrator’s meaningful life lesson. The man with lots of prejudices against blind people, that jealous husband who thought that the blind man has feelings for his wife began to draw. Robert encourages the narrator to close his eyes and keep drawing.
Narrated in the first person, Raymond Carver’s “Cathedral” is bound to unfold due to the thoughts and feelings of one of the main characters, the husband. Expectedly, the conflict revolves around him and the way he responds to the conflict leads